Amerindian perspectives in contemporary aesthetics

Detalhes bibliográficos
Autor(a) principal: Cernicchiaro, Ana Carolina
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3410
Resumo: The proposal of this work is to reflect on intercultural experiences that are open to Amerindian images, narratives, poetics, aesthetics and onthology: the Vídeo nas Aldeias project, the restoration of the Tupinambá myth in Alberto Mussa's Meu destino é ser onça, Herberto Helder's translation to Caxinauá myth, and the decentralization of Brazilian literary canon in Poesia.br, organized by Sergio Cohn. Projects that borrow its techniques (literary, cinematographic, translational, editorial) so the other can speak for himself and for us as others. On this contact, Brazilian contemporary literature and cinema are affected by a becoming-minor that digs a minor language in the major language and destabilize the standard culture.
id UNISUL-2_2b75ae77dc4c690361b7810d8674de11
oai_identifier_str oai:portaldeperiodicos.animaeducacao.com.br:article/3410
network_acronym_str UNISUL-2
network_name_str Crítica Cultural (Online)
repository_id_str
spelling Amerindian perspectives in contemporary aestheticsPerspectivas ameríndias na estética contemporâneaLiteratureCinemaAmerindian onthologyLiteraturaCinemaOntologia ameríndiaThe proposal of this work is to reflect on intercultural experiences that are open to Amerindian images, narratives, poetics, aesthetics and onthology: the Vídeo nas Aldeias project, the restoration of the Tupinambá myth in Alberto Mussa's Meu destino é ser onça, Herberto Helder's translation to Caxinauá myth, and the decentralization of Brazilian literary canon in Poesia.br, organized by Sergio Cohn. Projects that borrow its techniques (literary, cinematographic, translational, editorial) so the other can speak for himself and for us as others. On this contact, Brazilian contemporary literature and cinema are affected by a becoming-minor that digs a minor language in the major language and destabilize the standard culture.A proposta deste trabalho é refletir sobre experiências interculturais que se abrem para as imagens, as narrativas, a poética, a estética e a ontologia ameríndias, como as oficinas para cineastas indígenas do Vídeo nas Aldeias, a restauração do mito tupinambá em Meu destino é ser onça, de Alberto Mussa, a tradução dos cantos Caxinauás em Ouolof, de Herberto Helder, ou ainda a descentralização do cânone literário brasileiro na antologia Poesia.br, organizada por Sergio Cohn. Projetos que emprestam sua técnica (literária, cinematográfica, tradutória, editorial) para que esse outro fale de si e de nós enquanto outros. Neste contato, a literatura e o cinema brasileiro contemporâneos são afetados por um devir-minoritário que cava uma língua-menor na língua maior e desestabiliza a cultura padrão.Universidade do Sul de Santa Catarina2015-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/341010.19177/rcc.v10e22015257-268Revista Crítica Cultural; v. 10 n. 2 (2015); 257-2681980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3410/2451Copyright (c) 2015 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessCernicchiaro, Ana Carolina2016-10-06T23:13:19Zoai:portaldeperiodicos.animaeducacao.com.br:article/3410Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-10-06T23:13:19Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Amerindian perspectives in contemporary aesthetics
Perspectivas ameríndias na estética contemporânea
title Amerindian perspectives in contemporary aesthetics
spellingShingle Amerindian perspectives in contemporary aesthetics
Cernicchiaro, Ana Carolina
Literature
Cinema
Amerindian onthology
Literatura
Cinema
Ontologia ameríndia
title_short Amerindian perspectives in contemporary aesthetics
title_full Amerindian perspectives in contemporary aesthetics
title_fullStr Amerindian perspectives in contemporary aesthetics
title_full_unstemmed Amerindian perspectives in contemporary aesthetics
title_sort Amerindian perspectives in contemporary aesthetics
author Cernicchiaro, Ana Carolina
author_facet Cernicchiaro, Ana Carolina
author_role author
dc.contributor.author.fl_str_mv Cernicchiaro, Ana Carolina
dc.subject.por.fl_str_mv Literature
Cinema
Amerindian onthology
Literatura
Cinema
Ontologia ameríndia
topic Literature
Cinema
Amerindian onthology
Literatura
Cinema
Ontologia ameríndia
description The proposal of this work is to reflect on intercultural experiences that are open to Amerindian images, narratives, poetics, aesthetics and onthology: the Vídeo nas Aldeias project, the restoration of the Tupinambá myth in Alberto Mussa's Meu destino é ser onça, Herberto Helder's translation to Caxinauá myth, and the decentralization of Brazilian literary canon in Poesia.br, organized by Sergio Cohn. Projects that borrow its techniques (literary, cinematographic, translational, editorial) so the other can speak for himself and for us as others. On this contact, Brazilian contemporary literature and cinema are affected by a becoming-minor that digs a minor language in the major language and destabilize the standard culture.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3410
10.19177/rcc.v10e22015257-268
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3410
identifier_str_mv 10.19177/rcc.v10e22015257-268
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3410/2451
dc.rights.driver.fl_str_mv Copyright (c) 2015 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 10 n. 2 (2015); 257-268
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220552799977472

Registros relacionados