SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)

Detalhes bibliográficos
Autor(a) principal: Caetano, Paulo R. B.
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18810
Resumo: The essay addresses the relationship between subject and memory in the episode “Zima Blue”, from the series Love Death + Robots. In the aforementioned program, a being who places himself as undefined among the human, cyborg and extraterrestrial categories enjoys the artistic prestige typical of the idealization of the romantic artist. Such recognition does not undermine the melancholy sobriety of the protagonist, who launches himself into an artistic-transcendental quest. In view of this, the notion of subject will be approached in the episode, having as a starting point the division of Stuart Hall in The question of Cultural identity: the Cartesian, the sociological and the postmodern man seem to be vague “epigraphs” of this being in which art and a supposed transcendental are impulses to deal with unmemory.
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spelling SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)SUJEITO E MEMÓRIA EM “ZIMA BLUE”: (EPISÓDIO DE LOVE DEATH + ROBOTS)SubjectMemoryIdentityBodySujeitoMemóriaIdentidadeCorpoThe essay addresses the relationship between subject and memory in the episode “Zima Blue”, from the series Love Death + Robots. In the aforementioned program, a being who places himself as undefined among the human, cyborg and extraterrestrial categories enjoys the artistic prestige typical of the idealization of the romantic artist. Such recognition does not undermine the melancholy sobriety of the protagonist, who launches himself into an artistic-transcendental quest. In view of this, the notion of subject will be approached in the episode, having as a starting point the division of Stuart Hall in The question of Cultural identity: the Cartesian, the sociological and the postmodern man seem to be vague “epigraphs” of this being in which art and a supposed transcendental are impulses to deal with unmemory.O ensaio aborda a relação entre sujeito e memória no episódio “Zima Blue”, da série Love Death + Robots. No referido programa, um ser que se coloca como indefinido, entre as categorias humano, ciborgue e extraterrestre, goza de prestígio artístico típico da idealização do artista romântico. Tal reconhecimento não mina a sobriedade melancólica do protagonista, que se lança numa busca artística e, quiçá, transcendental. Frente a isso, abordar-se-á a noção de sujeito no episódio tendo como ponto de partida a divisão de Stuart Hall em A identidade cultural na pós-modernidade: o homem cartesiano, o sociológico e o pós-moderno são vagas “epígrafes” desse ser no qual a arte e um suposto transcendental são impulsos para lidar com a desmemória.Universidade do Sul de Santa Catarina2024-03-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1881010.59306/rcc.v18e22023%pRevista Crítica Cultural; v. 18 n. 2 (2023); 311-3181980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18810/19175Copyright (c) 2024 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessCaetano, Paulo R. B.2024-03-12T19:15:55Zoai:portaldeperiodicos.animaeducacao.com.br:article/18810Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2024-03-12T19:15:55Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
SUJEITO E MEMÓRIA EM “ZIMA BLUE”: (EPISÓDIO DE LOVE DEATH + ROBOTS)
title SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
spellingShingle SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
Caetano, Paulo R. B.
Subject
Memory
Identity
Body
Sujeito
Memória
Identidade
Corpo
title_short SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
title_full SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
title_fullStr SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
title_full_unstemmed SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
title_sort SUBJECT AND MEMORY IN “ZIMA BLUE”: (EPISODE OF LOVE DEATH + ROBOTS)
author Caetano, Paulo R. B.
author_facet Caetano, Paulo R. B.
author_role author
dc.contributor.author.fl_str_mv Caetano, Paulo R. B.
dc.subject.por.fl_str_mv Subject
Memory
Identity
Body
Sujeito
Memória
Identidade
Corpo
topic Subject
Memory
Identity
Body
Sujeito
Memória
Identidade
Corpo
description The essay addresses the relationship between subject and memory in the episode “Zima Blue”, from the series Love Death + Robots. In the aforementioned program, a being who places himself as undefined among the human, cyborg and extraterrestrial categories enjoys the artistic prestige typical of the idealization of the romantic artist. Such recognition does not undermine the melancholy sobriety of the protagonist, who launches himself into an artistic-transcendental quest. In view of this, the notion of subject will be approached in the episode, having as a starting point the division of Stuart Hall in The question of Cultural identity: the Cartesian, the sociological and the postmodern man seem to be vague “epigraphs” of this being in which art and a supposed transcendental are impulses to deal with unmemory.
publishDate 2024
dc.date.none.fl_str_mv 2024-03-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18810
10.59306/rcc.v18e22023%p
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18810
identifier_str_mv 10.59306/rcc.v18e22023%p
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18810/19175
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 18 n. 2 (2023); 311-318
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220551378108416

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