AFTER PHOTOGRAPHY

Detalhes bibliográficos
Autor(a) principal: Svolenski, Roberto
Data de Publicação: 2022
Outros Autores: Cernicchiaro, Ana Carolina
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18590
Resumo: The present study proposes to analyze photography from the work of artists who appropriate images produced by other people. The resignification built from these postphotographs, in Joan Fontcuberta's term, provokes a questioning about our relationship with images. It seeks to reflect on the production of photographs, the use of images and the displacement of their primary meaning in contemporary artists such as Rosangela Rennó, Martha Rosler, Joachim Schmid, Penelope Umbrico, Michael Wolf, Mishka Henner.
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spelling AFTER PHOTOGRAPHYDEPOIS DA FOTOGRAFIAPhotographyPost-photographyAppropriationFotografiaPós-fotografiaApropriaçãoThe present study proposes to analyze photography from the work of artists who appropriate images produced by other people. The resignification built from these postphotographs, in Joan Fontcuberta's term, provokes a questioning about our relationship with images. It seeks to reflect on the production of photographs, the use of images and the displacement of their primary meaning in contemporary artists such as Rosangela Rennó, Martha Rosler, Joachim Schmid, Penelope Umbrico, Michael Wolf, Mishka Henner.O presente estudo propõe analisar a fotografia a partir de artistas que se apropriam de imagens produzidas por outras pessoas. A ressignificação construída a partir dessas pós-fotografias, segundo o termo de Joan Fontcuberta, provoca um questionamento sobre nossa relação com as imagens. Procura-se refletir sobre a produção de fotografias, o uso das imagens e o deslocamento de seu significado primeiro a partir de artistas contemporâneos como Rosangela Rennó, Martha Rosler, Joachim Schmid, Penelope Umbrico, Michael Wolf, Mishka Henner.Universidade do Sul de Santa Catarina2022-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1859010.59306/rcc.v17e22022123-138Revista Crítica Cultural; v. 17 n. 2 (2022); 123-1381980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18590/12218Copyright (c) 2022 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessSvolenski, RobertoCernicchiaro, Ana Carolina2023-04-21T13:47:25Zoai:portaldeperiodicos.animaeducacao.com.br:article/18590Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2023-04-21T13:47:25Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv AFTER PHOTOGRAPHY
DEPOIS DA FOTOGRAFIA
title AFTER PHOTOGRAPHY
spellingShingle AFTER PHOTOGRAPHY
Svolenski, Roberto
Photography
Post-photography
Appropriation
Fotografia
Pós-fotografia
Apropriação
title_short AFTER PHOTOGRAPHY
title_full AFTER PHOTOGRAPHY
title_fullStr AFTER PHOTOGRAPHY
title_full_unstemmed AFTER PHOTOGRAPHY
title_sort AFTER PHOTOGRAPHY
author Svolenski, Roberto
author_facet Svolenski, Roberto
Cernicchiaro, Ana Carolina
author_role author
author2 Cernicchiaro, Ana Carolina
author2_role author
dc.contributor.author.fl_str_mv Svolenski, Roberto
Cernicchiaro, Ana Carolina
dc.subject.por.fl_str_mv Photography
Post-photography
Appropriation
Fotografia
Pós-fotografia
Apropriação
topic Photography
Post-photography
Appropriation
Fotografia
Pós-fotografia
Apropriação
description The present study proposes to analyze photography from the work of artists who appropriate images produced by other people. The resignification built from these postphotographs, in Joan Fontcuberta's term, provokes a questioning about our relationship with images. It seeks to reflect on the production of photographs, the use of images and the displacement of their primary meaning in contemporary artists such as Rosangela Rennó, Martha Rosler, Joachim Schmid, Penelope Umbrico, Michael Wolf, Mishka Henner.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18590
10.59306/rcc.v17e22022123-138
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18590
identifier_str_mv 10.59306/rcc.v17e22022123-138
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18590/12218
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 17 n. 2 (2022); 123-138
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220553486794752

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