How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero

Detalhes bibliográficos
Autor(a) principal: Depetris Chauvin, Irene
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3405
Resumo: As dramas of mobile space, films not only exemplify topics developed by architecture and urbanism as specific fields of knowledge, but they also explore new ways of conceiving the “passages” between closed and open, visible and invisible, public and private spaces. Considering recent contributions from the field of spatial theory as well as studies on the connections between affect and space, this article discusses how the documentary El otro día (2012), by the Chilean Ignacio Agüero, redefines the links between the modes of spatial thinking of architecture, urbanism and cinema proposing a "practice of space” that leads to an “affective mapping”: a way to redefine the connections between the intimate and the public, the house and the city, biography and collective memory.
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spelling How to live together. Arts of space and affectivity in El otro día, by Ignacio AgüeroCómo vivir juntos. Artes del espacio y afectividad en El otro día, de Ignacio AgüeroCinemaChileSpatial ThinkingAffectivityCineChilePensamiento espacialAfectividadAs dramas of mobile space, films not only exemplify topics developed by architecture and urbanism as specific fields of knowledge, but they also explore new ways of conceiving the “passages” between closed and open, visible and invisible, public and private spaces. Considering recent contributions from the field of spatial theory as well as studies on the connections between affect and space, this article discusses how the documentary El otro día (2012), by the Chilean Ignacio Agüero, redefines the links between the modes of spatial thinking of architecture, urbanism and cinema proposing a "practice of space” that leads to an “affective mapping”: a way to redefine the connections between the intimate and the public, the house and the city, biography and collective memory.Como dramas móviles del espacio, ciertas películas no sólo abordan problemáticas ya tratadas por la arquitectura y el urbanismo como campos de saber específicos, sino que exploran, desde el discurso audiovisual, nuevas formas de pensar los “pasajes” entre espacios cerrados y abiertos, visibles e invisibles, públicos y privados. Desde un abordaje atento a los cruces entre teorías del espacio y afectividad, este artículo analiza los modos en que el documental El otro día (2012), del chileno Ignacio Agüero, redefine los vínculos entre los modos de pensamiento espacial de la arquitectura, el urbanismo y el cine proponiendo una “práctica del espacio” que deviene “cartografía afectiva”: una forma de redefinir las conexiones entre el adentro y el afuera, lo íntimo y lo público, la casa y la ciudad, la biografía y la memoria colectiva.Universidade do Sul de Santa Catarina2015-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/340510.19177/rcc.v10e22015181-196Revista Crítica Cultural; v. 10 n. 2 (2015); 181-1961980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3405/2446Copyright (c) 2015 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessDepetris Chauvin, Irene2016-07-06T18:39:00Zoai:portaldeperiodicos.animaeducacao.com.br:article/3405Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-07-06T18:39Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
Cómo vivir juntos. Artes del espacio y afectividad en El otro día, de Ignacio Agüero
title How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
spellingShingle How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
Depetris Chauvin, Irene
Cinema
Chile
Spatial Thinking
Affectivity
Cine
Chile
Pensamiento espacial
Afectividad
title_short How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
title_full How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
title_fullStr How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
title_full_unstemmed How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
title_sort How to live together. Arts of space and affectivity in El otro día, by Ignacio Agüero
author Depetris Chauvin, Irene
author_facet Depetris Chauvin, Irene
author_role author
dc.contributor.author.fl_str_mv Depetris Chauvin, Irene
dc.subject.por.fl_str_mv Cinema
Chile
Spatial Thinking
Affectivity
Cine
Chile
Pensamiento espacial
Afectividad
topic Cinema
Chile
Spatial Thinking
Affectivity
Cine
Chile
Pensamiento espacial
Afectividad
description As dramas of mobile space, films not only exemplify topics developed by architecture and urbanism as specific fields of knowledge, but they also explore new ways of conceiving the “passages” between closed and open, visible and invisible, public and private spaces. Considering recent contributions from the field of spatial theory as well as studies on the connections between affect and space, this article discusses how the documentary El otro día (2012), by the Chilean Ignacio Agüero, redefines the links between the modes of spatial thinking of architecture, urbanism and cinema proposing a "practice of space” that leads to an “affective mapping”: a way to redefine the connections between the intimate and the public, the house and the city, biography and collective memory.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3405
10.19177/rcc.v10e22015181-196
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3405
identifier_str_mv 10.19177/rcc.v10e22015181-196
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3405/2446
dc.rights.driver.fl_str_mv Copyright (c) 2015 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 10 n. 2 (2015); 181-196
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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