The first days of the death of a writer

Detalhes bibliográficos
Autor(a) principal: Delgado, Sergio
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/703
Resumo: Juan Jose Saer’s writing performs an obvious and, at the same time, a secret alliance between life and writing. Within the framework of a lucid thought on the art of the narration, which somehow implies a theoretical criticism on realism and exploits some practices of the autobiographical genre, Saer constantly plays with the “real” referents of his fiction: the characters, objects, and places. This piece of work explores some aspects of this theory and of this game: the construction of a writer’s figure out of orality (interviews, documentaries, talks), and the integration of some anecdotes in the narration. The anecdote, the genre of brievity par excellence, halfway between the private and the public narrations, will emerge in this way in Saer’s work, and above all in the great narrative cycle composed by his novels, that is in a kind of originalmicrocosm.
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spelling The first days of the death of a writerPrimeros días de la muerte de un escritorNarrationFictionAutobiographyOralityAnecdoteRelatoFicciónAutobiografíaOralidadAnécdotaJuan Jose Saer’s writing performs an obvious and, at the same time, a secret alliance between life and writing. Within the framework of a lucid thought on the art of the narration, which somehow implies a theoretical criticism on realism and exploits some practices of the autobiographical genre, Saer constantly plays with the “real” referents of his fiction: the characters, objects, and places. This piece of work explores some aspects of this theory and of this game: the construction of a writer’s figure out of orality (interviews, documentaries, talks), and the integration of some anecdotes in the narration. The anecdote, the genre of brievity par excellence, halfway between the private and the public narrations, will emerge in this way in Saer’s work, and above all in the great narrative cycle composed by his novels, that is in a kind of originalmicrocosm.La literatura de Juan José Saer pone en escena una evidente y al mismo tiempo secreta alianza entre vida y escritura. En el marco de una lúcida reflexión sobre El arte de narrar, que implica en cierto modo una teoría crítica sobre el realismo y que abarca incluso la práctica de algunos géneros autobiográficos, Saer juega constantemente con los referentes “reales” de sus ficciones: personajes, objetos, lugares. Este trabajo explora algunos aspectos de esta teoría y de este juego: la construcción de una figura de escritor a partir de la oralidad (entrevistas, documentales, conversaciones) y, en particular, la inserción en el relato de determinadas anécdotas. La anécdota, género breve por excelencia, a medio camino entre el relato privado y el público, se constituye de este modo, en la obra de Saer, sobre todo en el gran ciclo narrativo que conforman sus novelas, en una suerte de microcosmos originario.Universidade do Sul de Santa Catarina2010-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/70310.19177/rcc.v5e22010421-432Revista Crítica Cultural; v. 5 n. 2 (2010): Edição Especial: Dossiê Juan José SAER; 421-4321980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/703/658Delgado, Sergioinfo:eu-repo/semantics/openAccess2016-09-30T20:02:52Zoai:portaldeperiodicos.animaeducacao.com.br:article/703Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:02:52Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv The first days of the death of a writer
Primeros días de la muerte de un escritor
title The first days of the death of a writer
spellingShingle The first days of the death of a writer
Delgado, Sergio
Narration
Fiction
Autobiography
Orality
Anecdote
Relato
Ficción
Autobiografía
Oralidad
Anécdota
title_short The first days of the death of a writer
title_full The first days of the death of a writer
title_fullStr The first days of the death of a writer
title_full_unstemmed The first days of the death of a writer
title_sort The first days of the death of a writer
author Delgado, Sergio
author_facet Delgado, Sergio
author_role author
dc.contributor.author.fl_str_mv Delgado, Sergio
dc.subject.por.fl_str_mv Narration
Fiction
Autobiography
Orality
Anecdote
Relato
Ficción
Autobiografía
Oralidad
Anécdota
topic Narration
Fiction
Autobiography
Orality
Anecdote
Relato
Ficción
Autobiografía
Oralidad
Anécdota
description Juan Jose Saer’s writing performs an obvious and, at the same time, a secret alliance between life and writing. Within the framework of a lucid thought on the art of the narration, which somehow implies a theoretical criticism on realism and exploits some practices of the autobiographical genre, Saer constantly plays with the “real” referents of his fiction: the characters, objects, and places. This piece of work explores some aspects of this theory and of this game: the construction of a writer’s figure out of orality (interviews, documentaries, talks), and the integration of some anecdotes in the narration. The anecdote, the genre of brievity par excellence, halfway between the private and the public narrations, will emerge in this way in Saer’s work, and above all in the great narrative cycle composed by his novels, that is in a kind of originalmicrocosm.
publishDate 2010
dc.date.none.fl_str_mv 2010-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/703
10.19177/rcc.v5e22010421-432
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/703
identifier_str_mv 10.19177/rcc.v5e22010421-432
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/703/658
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 5 n. 2 (2010): Edição Especial: Dossiê Juan José SAER; 421-432
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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