Paris, myth and decline/ New York, the nineteenth century of the future
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2006 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Crítica Cultural (Online) |
| Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/84 |
Resumo: | The present essay focuses on two moments of the Western modern art: in the first, Paris appears as the myth, built by books, of the nineteenth century culture; the city in which Walter Benjamin and Nestor Victor perambulate, the flaneur and the dandy, characters who cross and counterpose the crowd that crams the streets. In the second, New York appears in the post-war period as a new capital of the West, a city whose modernist design and straight lines disappearing in the horizon make dizzy an European visitor as Jean-Paul Sartre. It is there that Clement Greenberg theorizes about the abstract expressionism, and where Murilo Mendes sees "the nineteenth century of the future." |
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Paris, myth and decline/ New York, the nineteenth century of the futureParis, mito y declive / Nueva York, el siglo XIX del futuroParis, mythe et déclin/ New York, le XIXème siècle du futurParis, mito e declínio / Nova York, o século XIX do futuroModern artParisNew YorkNineteenth centuryArte modernoParisNueve YorkSiglo XIXArt moderneParisNew YorkXIXème siècleArte modernaParisNova YorkSéculo XIXThe present essay focuses on two moments of the Western modern art: in the first, Paris appears as the myth, built by books, of the nineteenth century culture; the city in which Walter Benjamin and Nestor Victor perambulate, the flaneur and the dandy, characters who cross and counterpose the crowd that crams the streets. In the second, New York appears in the post-war period as a new capital of the West, a city whose modernist design and straight lines disappearing in the horizon make dizzy an European visitor as Jean-Paul Sartre. It is there that Clement Greenberg theorizes about the abstract expressionism, and where Murilo Mendes sees "the nineteenth century of the future."El ensayo divide en dos momentos al arte moderno occidental. En el primero, la ciudad de Paris se asoma como el mito de la cultura del siglo XIX construido por los libros; la ciudad por donde deambulam Walter Benjamín y Nestor Victor, el "flaneur" y el "dandy", personajes que cruzan la muchedumbre por las calles y a ella se contraponen. En el segundo, Nueva York, que surge en la postguerra como una nueva capital del occidente, una ciudad cuyo diseño modernista, líneas rechas que se pierden en el horizonte, dejan atontado a un visitante europeo como Jean-Paul Sartre; en ella Clement Greenberg teoriza sobre el expressionismo abstracto y Murilo Mendes ve "el siglo XIX del futuro".Cet essai fait une découpure de deux mouvements de l'art moderne occidental: dans la première, la ville de Paris apparaît comme le mythe de la culture du XIXème siècle construit par les livres; la ville par où se promènent Walter Benjamín et Nestor Victor, le flâneur et le dandy, personnages qui se croisent et s'opposent de la foule qui prend les rues. Dans la deuxième, il y a New York qui surgit dans l'après-guerre comme une nouvelle capitale de l'occident, une ville dont le dessin moderniste, lignes droites qui se perdent dans l'horizon, laissent étourdi un visiteur européen comme Jean-Paul Sartre. C'est chez elle que Clement Greenberg théorise sur l'expressionnisme abstrait, pendant que Murilo Mendes y voit "le XIXème siècle du futur".O ensaio faz um recorte de dois momentos da arte moderna ocidental: no primeiro, a cidade de Paris aparece como o mito da cultura do século XIX construído pelos livros; a cidade por onde passeiam Walter Benjamin e Nestor Victor, o flaneur e o dandy, personagens que cruzam e se contrapõem à multidão que toma as ruas. No segundo, a Nova York que surge no pós-guerra como uma nova capital do ocidente, uma cidade cujo desenho modernista, linhas retas que se perdem no horizonte, deixam tonto um visitante europeu como Jean-Paul Sartre. É nela que Clement Greenberg teoriza sobre o expressionismo abstrato e que Murilo Mendes vê "o século XIX do futuro".Universidade do Sul de Santa Catarina2006-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/8410.19177/rcc.v1e1200614-17Revista Crítica Cultural; v. 1 n. 1 (2006); 14-171980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/84/91Santos, Antonio Carlosinfo:eu-repo/semantics/openAccess2016-09-30T19:02:08Zoai:portaldeperiodicos.animaeducacao.com.br:article/84Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:02:08Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
| dc.title.none.fl_str_mv |
Paris, myth and decline/ New York, the nineteenth century of the future Paris, mito y declive / Nueva York, el siglo XIX del futuro Paris, mythe et déclin/ New York, le XIXème siècle du futur Paris, mito e declínio / Nova York, o século XIX do futuro |
| title |
Paris, myth and decline/ New York, the nineteenth century of the future |
| spellingShingle |
Paris, myth and decline/ New York, the nineteenth century of the future Santos, Antonio Carlos Modern art Paris New York Nineteenth century Arte moderno Paris Nueve York Siglo XIX Art moderne Paris New York XIXème siècle Arte moderna Paris Nova York Século XIX |
| title_short |
Paris, myth and decline/ New York, the nineteenth century of the future |
| title_full |
Paris, myth and decline/ New York, the nineteenth century of the future |
| title_fullStr |
Paris, myth and decline/ New York, the nineteenth century of the future |
| title_full_unstemmed |
Paris, myth and decline/ New York, the nineteenth century of the future |
| title_sort |
Paris, myth and decline/ New York, the nineteenth century of the future |
| author |
Santos, Antonio Carlos |
| author_facet |
Santos, Antonio Carlos |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Santos, Antonio Carlos |
| dc.subject.por.fl_str_mv |
Modern art Paris New York Nineteenth century Arte moderno Paris Nueve York Siglo XIX Art moderne Paris New York XIXème siècle Arte moderna Paris Nova York Século XIX |
| topic |
Modern art Paris New York Nineteenth century Arte moderno Paris Nueve York Siglo XIX Art moderne Paris New York XIXème siècle Arte moderna Paris Nova York Século XIX |
| description |
The present essay focuses on two moments of the Western modern art: in the first, Paris appears as the myth, built by books, of the nineteenth century culture; the city in which Walter Benjamin and Nestor Victor perambulate, the flaneur and the dandy, characters who cross and counterpose the crowd that crams the streets. In the second, New York appears in the post-war period as a new capital of the West, a city whose modernist design and straight lines disappearing in the horizon make dizzy an European visitor as Jean-Paul Sartre. It is there that Clement Greenberg theorizes about the abstract expressionism, and where Murilo Mendes sees "the nineteenth century of the future." |
| publishDate |
2006 |
| dc.date.none.fl_str_mv |
2006-06-01 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/84 10.19177/rcc.v1e1200614-17 |
| url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/84 |
| identifier_str_mv |
10.19177/rcc.v1e1200614-17 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/84/91 |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
| publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
| dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 1 n. 1 (2006); 14-17 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
| instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
| instacron_str |
UNISUL |
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UNISUL |
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Crítica Cultural (Online) |
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Crítica Cultural (Online) |
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Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
| repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
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1800220551401177088 |