THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING

Detalhes bibliográficos
Autor(a) principal: Varoni de Carvalho, Pedro Henrique
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801
Resumo: The article proposes a theoretical dialogue between the semiotics of song, produced by Luis Tatit, and the perspective of Michel Foucault’s thought to think about the Brazilian popular song object from na archaeological and genealogical point of view. From the notions of convincing diction, the voice that speak in the voice that sings and the screenings that occurred in the history of the song. We seek to identify the series that we define as poetic, political and mediact whithin the brasilianness archive. The discursive materiality of the songs demands na approach that considers aspects of resistence, in coexistence and articulation with the political process and the forms of media circulation
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spelling THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONINGO ARQUIVO DE BRASILIDADE DA CANÇÃO POPULAR EM FUNCIONAMENTO POÉTICO, POLÍTICO E MIDIÁTICOcanção brasileiraarquivo de brasilidadesemiótica da cançãoarqueologiagenealogiaBrazilian songsArchive of BraziliannessSemiotics of songsArcheologyGenealogyThe article proposes a theoretical dialogue between the semiotics of song, produced by Luis Tatit, and the perspective of Michel Foucault’s thought to think about the Brazilian popular song object from na archaeological and genealogical point of view. From the notions of convincing diction, the voice that speak in the voice that sings and the screenings that occurred in the history of the song. We seek to identify the series that we define as poetic, political and mediact whithin the brasilianness archive. The discursive materiality of the songs demands na approach that considers aspects of resistence, in coexistence and articulation with the political process and the forms of media circulationO artigo propõe um diálogo teórico entre a semiótica da canção, produzida por Luiz Tatit, e a perspectiva dos estudos discursivos foucaultianos para pensar o objeto canção popular brasileira por um ponto de vista arqueológico e genealógico. A partir das noções de dicção convincente, a voz que fala na voz que canta e as triagens ocorridas na história da canção, conforme Tatit, buscamos identificar as séries que definimos como poética, política e midiática no interior do arquivo de brasilidade. A materialidade discursiva da canção demanda uma abordagem que considere os aspectos de uma poética popular de resistência, em convivência e articulação com o processo político e as formas de circulação midiática. As contribuições de Tatit permitem uma articulação com uma visada descontínua da história e os mecanismos de enunciabilidade e funcionamento do arquivo de matriz foucaultiana.Universidade do Sul de Santa Catarina2024-03-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1880110.59306/rcc.v18e22023%pRevista Crítica Cultural; v. 18 n. 2 (2023); 319-3321980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801/19176Copyright (c) 2024 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessVaroni de Carvalho, Pedro Henrique2024-03-12T19:15:55Zoai:portaldeperiodicos.animaeducacao.com.br:article/18801Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2024-03-12T19:15:55Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
O ARQUIVO DE BRASILIDADE DA CANÇÃO POPULAR EM FUNCIONAMENTO POÉTICO, POLÍTICO E MIDIÁTICO
title THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
spellingShingle THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
Varoni de Carvalho, Pedro Henrique
canção brasileira
arquivo de brasilidade
semiótica da canção
arqueologia
genealogia
Brazilian songs
Archive of Brazilianness
Semiotics of songs
Archeology
Genealogy
title_short THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
title_full THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
title_fullStr THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
title_full_unstemmed THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
title_sort THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
author Varoni de Carvalho, Pedro Henrique
author_facet Varoni de Carvalho, Pedro Henrique
author_role author
dc.contributor.author.fl_str_mv Varoni de Carvalho, Pedro Henrique
dc.subject.por.fl_str_mv canção brasileira
arquivo de brasilidade
semiótica da canção
arqueologia
genealogia
Brazilian songs
Archive of Brazilianness
Semiotics of songs
Archeology
Genealogy
topic canção brasileira
arquivo de brasilidade
semiótica da canção
arqueologia
genealogia
Brazilian songs
Archive of Brazilianness
Semiotics of songs
Archeology
Genealogy
description The article proposes a theoretical dialogue between the semiotics of song, produced by Luis Tatit, and the perspective of Michel Foucault’s thought to think about the Brazilian popular song object from na archaeological and genealogical point of view. From the notions of convincing diction, the voice that speak in the voice that sings and the screenings that occurred in the history of the song. We seek to identify the series that we define as poetic, political and mediact whithin the brasilianness archive. The discursive materiality of the songs demands na approach that considers aspects of resistence, in coexistence and articulation with the political process and the forms of media circulation
publishDate 2024
dc.date.none.fl_str_mv 2024-03-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801
10.59306/rcc.v18e22023%p
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801
identifier_str_mv 10.59306/rcc.v18e22023%p
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801/19176
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 18 n. 2 (2023); 319-332
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220551376011264

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