THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801 |
Resumo: | The article proposes a theoretical dialogue between the semiotics of song, produced by Luis Tatit, and the perspective of Michel Foucault’s thought to think about the Brazilian popular song object from na archaeological and genealogical point of view. From the notions of convincing diction, the voice that speak in the voice that sings and the screenings that occurred in the history of the song. We seek to identify the series that we define as poetic, political and mediact whithin the brasilianness archive. The discursive materiality of the songs demands na approach that considers aspects of resistence, in coexistence and articulation with the political process and the forms of media circulation |
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THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONINGO ARQUIVO DE BRASILIDADE DA CANÇÃO POPULAR EM FUNCIONAMENTO POÉTICO, POLÍTICO E MIDIÁTICOcanção brasileiraarquivo de brasilidadesemiótica da cançãoarqueologiagenealogiaBrazilian songsArchive of BraziliannessSemiotics of songsArcheologyGenealogyThe article proposes a theoretical dialogue between the semiotics of song, produced by Luis Tatit, and the perspective of Michel Foucault’s thought to think about the Brazilian popular song object from na archaeological and genealogical point of view. From the notions of convincing diction, the voice that speak in the voice that sings and the screenings that occurred in the history of the song. We seek to identify the series that we define as poetic, political and mediact whithin the brasilianness archive. The discursive materiality of the songs demands na approach that considers aspects of resistence, in coexistence and articulation with the political process and the forms of media circulationO artigo propõe um diálogo teórico entre a semiótica da canção, produzida por Luiz Tatit, e a perspectiva dos estudos discursivos foucaultianos para pensar o objeto canção popular brasileira por um ponto de vista arqueológico e genealógico. A partir das noções de dicção convincente, a voz que fala na voz que canta e as triagens ocorridas na história da canção, conforme Tatit, buscamos identificar as séries que definimos como poética, política e midiática no interior do arquivo de brasilidade. A materialidade discursiva da canção demanda uma abordagem que considere os aspectos de uma poética popular de resistência, em convivência e articulação com o processo político e as formas de circulação midiática. As contribuições de Tatit permitem uma articulação com uma visada descontínua da história e os mecanismos de enunciabilidade e funcionamento do arquivo de matriz foucaultiana.Universidade do Sul de Santa Catarina2024-03-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1880110.59306/rcc.v18e22023%pRevista Crítica Cultural; v. 18 n. 2 (2023); 319-3321980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801/19176Copyright (c) 2024 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessVaroni de Carvalho, Pedro Henrique2024-03-12T19:15:55Zoai:portaldeperiodicos.animaeducacao.com.br:article/18801Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2024-03-12T19:15:55Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING O ARQUIVO DE BRASILIDADE DA CANÇÃO POPULAR EM FUNCIONAMENTO POÉTICO, POLÍTICO E MIDIÁTICO |
title |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING |
spellingShingle |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING Varoni de Carvalho, Pedro Henrique canção brasileira arquivo de brasilidade semiótica da canção arqueologia genealogia Brazilian songs Archive of Brazilianness Semiotics of songs Archeology Genealogy |
title_short |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING |
title_full |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING |
title_fullStr |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING |
title_full_unstemmed |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING |
title_sort |
THE BRAZILIAN ARCHIVE OF POPULAR SONG IN POETIC, POLITICAL AND MEDIA FUNCTIONING |
author |
Varoni de Carvalho, Pedro Henrique |
author_facet |
Varoni de Carvalho, Pedro Henrique |
author_role |
author |
dc.contributor.author.fl_str_mv |
Varoni de Carvalho, Pedro Henrique |
dc.subject.por.fl_str_mv |
canção brasileira arquivo de brasilidade semiótica da canção arqueologia genealogia Brazilian songs Archive of Brazilianness Semiotics of songs Archeology Genealogy |
topic |
canção brasileira arquivo de brasilidade semiótica da canção arqueologia genealogia Brazilian songs Archive of Brazilianness Semiotics of songs Archeology Genealogy |
description |
The article proposes a theoretical dialogue between the semiotics of song, produced by Luis Tatit, and the perspective of Michel Foucault’s thought to think about the Brazilian popular song object from na archaeological and genealogical point of view. From the notions of convincing diction, the voice that speak in the voice that sings and the screenings that occurred in the history of the song. We seek to identify the series that we define as poetic, political and mediact whithin the brasilianness archive. The discursive materiality of the songs demands na approach that considers aspects of resistence, in coexistence and articulation with the political process and the forms of media circulation |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-03-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801 10.59306/rcc.v18e22023%p |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801 |
identifier_str_mv |
10.59306/rcc.v18e22023%p |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18801/19176 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 18 n. 2 (2023); 319-332 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220551376011264 |