Modernist poetry: gestures of air and of stone
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/145 |
Resumo: | Here a discussion is proposed on what kind of analysis one can carry out with the Guia de Ouro Preto (1938) and with the poem “Ouro Preto” (1940), both by Manuel Bandeira. The relation with the visual, both in the guide and in the poem is marked by a modernist point of view in face of the colonial city. The images there pictured are not thought of in a relation absence-presence, but in the possibility of fixating them as cornerstones, as memory. The analysis here presented interrogates about the breath of time in the images of the works and also strives to discover the paradoxical affinities between air and stone, that is, between the atmosphere and the raw matter of that art known as colonial, affinities that reenact the relations between the dance and the tomb of Modernism with the colonial art, and thus, Baroque art. |
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Modernist poetry: gestures of air and of stonePoesia modernista: gestos de ar e de pedraModernismNeo-colonialAnachronismPoetryModernismoNeo-colonialAnacronismoPoesiaHere a discussion is proposed on what kind of analysis one can carry out with the Guia de Ouro Preto (1938) and with the poem “Ouro Preto” (1940), both by Manuel Bandeira. The relation with the visual, both in the guide and in the poem is marked by a modernist point of view in face of the colonial city. The images there pictured are not thought of in a relation absence-presence, but in the possibility of fixating them as cornerstones, as memory. The analysis here presented interrogates about the breath of time in the images of the works and also strives to discover the paradoxical affinities between air and stone, that is, between the atmosphere and the raw matter of that art known as colonial, affinities that reenact the relations between the dance and the tomb of Modernism with the colonial art, and thus, Baroque art.Propõe-se uma discussão sobre que tipo de análise podemos empreender com o Guia de Ouro Preto (1938) e com o poema “Ouro Preto” (1940), ambos de Manuel Bandeira. A relação com o visual tanto do guia quanto do poema está marcada por um ponto de vista modernista frente à cidade colonial. As imagens ali figuradas não estão pensadas numa relação de ausência-presença, mas sim na possibilidade de fixarem-se como pedra monumental, como memória. A análise aqui empenhada propõe-se a interrogar sobre a respiração do tempo nas imagens das obras e também se propõe a descobrir as afinidades paradoxais entre o ar e a pedra, isto é, entre a atmosfera e a matéria daquela arte dita colonial, afinidades essas que reencenam as relações entre a dança e a sepultura do modernismo com a arte colonial, portanto, barroca.Universidade do Sul de Santa Catarina2009-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/14510.19177/rcc.v0e02009227-234Revista Crítica Cultural; Edição especial; 227-2341980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/145/159Scramim, Susanainfo:eu-repo/semantics/openAccess2016-09-30T19:51:02Zoai:portaldeperiodicos.animaeducacao.com.br:article/145Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:51:02Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Modernist poetry: gestures of air and of stone Poesia modernista: gestos de ar e de pedra |
title |
Modernist poetry: gestures of air and of stone |
spellingShingle |
Modernist poetry: gestures of air and of stone Scramim, Susana Modernism Neo-colonial Anachronism Poetry Modernismo Neo-colonial Anacronismo Poesia |
title_short |
Modernist poetry: gestures of air and of stone |
title_full |
Modernist poetry: gestures of air and of stone |
title_fullStr |
Modernist poetry: gestures of air and of stone |
title_full_unstemmed |
Modernist poetry: gestures of air and of stone |
title_sort |
Modernist poetry: gestures of air and of stone |
author |
Scramim, Susana |
author_facet |
Scramim, Susana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Scramim, Susana |
dc.subject.por.fl_str_mv |
Modernism Neo-colonial Anachronism Poetry Modernismo Neo-colonial Anacronismo Poesia |
topic |
Modernism Neo-colonial Anachronism Poetry Modernismo Neo-colonial Anacronismo Poesia |
description |
Here a discussion is proposed on what kind of analysis one can carry out with the Guia de Ouro Preto (1938) and with the poem “Ouro Preto” (1940), both by Manuel Bandeira. The relation with the visual, both in the guide and in the poem is marked by a modernist point of view in face of the colonial city. The images there pictured are not thought of in a relation absence-presence, but in the possibility of fixating them as cornerstones, as memory. The analysis here presented interrogates about the breath of time in the images of the works and also strives to discover the paradoxical affinities between air and stone, that is, between the atmosphere and the raw matter of that art known as colonial, affinities that reenact the relations between the dance and the tomb of Modernism with the colonial art, and thus, Baroque art. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/145 10.19177/rcc.v0e02009227-234 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/145 |
identifier_str_mv |
10.19177/rcc.v0e02009227-234 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/145/159 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; Edição especial; 227-234 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220551800684544 |