Love passions, political passions

Detalhes bibliográficos
Autor(a) principal: Ramalho, Fábio
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1195
Resumo: This essay aims to take part in the studies on the prolific relations between cinema and nostalgia. I seek to discuss how a film by French director André Téchiné, Les roseaux sauvages (1994), addresses youth as a moment of intensification, openness and incertitude, by situating the dramas and conflicts of its characters within the context of 1962´s France, during the final moments of the Algerian war. Despite of the film’s subject and its potential autobiographic connotations, I argue that nostalgia here should be explored less in the authorial dimension than through its reassessment of cultural artifacts and also in its articulations between love, history and politics. Nostalgia is here understood as a complex structure of multiple superimposed temporalities in which the spectator is necessarily implied. In this sense, nostalgia involves an affective engagement and a subjective response that I make explicit.
id UNISUL-2_716fee301d6611b492ff291d2a749fd4
oai_identifier_str oai:portaldeperiodicos.animaeducacao.com.br:article/1195
network_acronym_str UNISUL-2
network_name_str Crítica Cultural (Online)
repository_id_str
spelling Love passions, political passionsPaixões amorosas, paixões políticasCinemaNostalgiaYouthLovePoliticsCinemaNostalgiaJuventudeAmorPolíticaThis essay aims to take part in the studies on the prolific relations between cinema and nostalgia. I seek to discuss how a film by French director André Téchiné, Les roseaux sauvages (1994), addresses youth as a moment of intensification, openness and incertitude, by situating the dramas and conflicts of its characters within the context of 1962´s France, during the final moments of the Algerian war. Despite of the film’s subject and its potential autobiographic connotations, I argue that nostalgia here should be explored less in the authorial dimension than through its reassessment of cultural artifacts and also in its articulations between love, history and politics. Nostalgia is here understood as a complex structure of multiple superimposed temporalities in which the spectator is necessarily implied. In this sense, nostalgia involves an affective engagement and a subjective response that I make explicit.Este ensaio pretende tomar parte nos estudos sobre as prolíficas relações entre cinema e nostalgia. Nele, proponho discutir em que medida o filme Les roseaux sauvages (1994), do diretor francês André Téchiné, delineia a juventude como um momento de abertura, intensificação e incerteza, ao situar os dramas e conflitos de seus personagens no contexto da França de 1962, durante os últimos desdobramentos da guerra pela independência da Argélia. A despeito da temática do filme e de seus traços potencialmente autobiográficos, busco argumentar que a nostalgia deveria ser aqui explorada menos na dimensão autoral do que através da revisitação de artefatos culturais, bem como nas articulações propostas entre amor, história e política. A nostalgia constitui uma estrutura complexa de múltiplas temporalidades sobrepostas na qual o espectador está necessariamente implicado. Nesse sentido, ela envolve um engajamento afetivo e uma resposta subjetiva que busco explicitar.Universidade do Sul de Santa Catarina2012-12-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/119510.19177/rcc.v7e22012312-326Revista Crítica Cultural; v. 7 n. 2 (2012); 312-3261980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1195/987Ramalho, Fábioinfo:eu-repo/semantics/openAccess2016-09-30T20:26:16Zoai:portaldeperiodicos.animaeducacao.com.br:article/1195Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:26:16Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Love passions, political passions
Paixões amorosas, paixões políticas
title Love passions, political passions
spellingShingle Love passions, political passions
Ramalho, Fábio
Cinema
Nostalgia
Youth
Love
Politics
Cinema
Nostalgia
Juventude
Amor
Política
title_short Love passions, political passions
title_full Love passions, political passions
title_fullStr Love passions, political passions
title_full_unstemmed Love passions, political passions
title_sort Love passions, political passions
author Ramalho, Fábio
author_facet Ramalho, Fábio
author_role author
dc.contributor.author.fl_str_mv Ramalho, Fábio
dc.subject.por.fl_str_mv Cinema
Nostalgia
Youth
Love
Politics
Cinema
Nostalgia
Juventude
Amor
Política
topic Cinema
Nostalgia
Youth
Love
Politics
Cinema
Nostalgia
Juventude
Amor
Política
description This essay aims to take part in the studies on the prolific relations between cinema and nostalgia. I seek to discuss how a film by French director André Téchiné, Les roseaux sauvages (1994), addresses youth as a moment of intensification, openness and incertitude, by situating the dramas and conflicts of its characters within the context of 1962´s France, during the final moments of the Algerian war. Despite of the film’s subject and its potential autobiographic connotations, I argue that nostalgia here should be explored less in the authorial dimension than through its reassessment of cultural artifacts and also in its articulations between love, history and politics. Nostalgia is here understood as a complex structure of multiple superimposed temporalities in which the spectator is necessarily implied. In this sense, nostalgia involves an affective engagement and a subjective response that I make explicit.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1195
10.19177/rcc.v7e22012312-326
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1195
identifier_str_mv 10.19177/rcc.v7e22012312-326
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1195/987
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 7 n. 2 (2012); 312-326
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220552270446592

Registros relacionados