Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy

Detalhes bibliográficos
Autor(a) principal: Dantas, Daiany Ferreira
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3766
Resumo: This article analyzes the movie Elena (2013) by Petra Costa, taking its memoir aspects from the lived body paradigm, present in the studies of Sobchack (1991) and Marks (2000, 2002). The phenomenological perspective of these authors, which understands cinema as a field where bodies result and share memory, understand the film spectatorship experience as a possibility articulated by the sensorium, cognitive capacity of interpreting sensations. Thereby, also consider the filmmakers’ subjective experience as something that interferes in the film perception. We observe how the body presence, material and sensorial allows us an analysis that involves aspects of the film authorship.
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spelling Petra Costa's documentary Elena, the sensorium in the embodiment of an elegyElena, de Petra Costa, o sensorium na corporificação de uma elegiaWomen's CinemaSensoriumLived bodyCinema de mulheresSensoriumCorpo vividoThis article analyzes the movie Elena (2013) by Petra Costa, taking its memoir aspects from the lived body paradigm, present in the studies of Sobchack (1991) and Marks (2000, 2002). The phenomenological perspective of these authors, which understands cinema as a field where bodies result and share memory, understand the film spectatorship experience as a possibility articulated by the sensorium, cognitive capacity of interpreting sensations. Thereby, also consider the filmmakers’ subjective experience as something that interferes in the film perception. We observe how the body presence, material and sensorial allows us an analysis that involves aspects of the film authorship.O presente artigo analisa o filme Elena (2013), da cineasta Petra Costa, tomando os seus aspectos memorialistas a partir do paradigma do corpo vivido, presente nos estudos de Sobchack (1991) e Marks (2000, 2002). A perspectiva fenomenológica destas autoras, que entende o cinema como um campo onde os corpos tanto resultam quanto partilham da memória corporal, compreendem a experiência da espectatorialidade fílmica como uma possibilidade articulada pelo sensorium, capacidade cognitiva de interpretação das sensações. Deste modo, também consideram a experiência subjetiva de quem realiza o filme como algo que interfere na percepção da obra. Observamos de que forma a presença do corpo, material e sensorial, nos permite uma análise que considere aspectos de autoria fílmica.Universidade do Sul de Santa Catarina2016-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/376610.19177/rcc.v11e1201697-111Revista Crítica Cultural; v. 11 n. 1 (2016); 97-1111980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3766/pdfCopyright (c) 2016 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessDantas, Daiany Ferreira2017-04-19T20:16:10Zoai:portaldeperiodicos.animaeducacao.com.br:article/3766Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-04-19T20:16:10Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
Elena, de Petra Costa, o sensorium na corporificação de uma elegia
title Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
spellingShingle Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
Dantas, Daiany Ferreira
Women's Cinema
Sensorium
Lived body
Cinema de mulheres
Sensorium
Corpo vivido
title_short Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
title_full Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
title_fullStr Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
title_full_unstemmed Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
title_sort Petra Costa's documentary Elena, the sensorium in the embodiment of an elegy
author Dantas, Daiany Ferreira
author_facet Dantas, Daiany Ferreira
author_role author
dc.contributor.author.fl_str_mv Dantas, Daiany Ferreira
dc.subject.por.fl_str_mv Women's Cinema
Sensorium
Lived body
Cinema de mulheres
Sensorium
Corpo vivido
topic Women's Cinema
Sensorium
Lived body
Cinema de mulheres
Sensorium
Corpo vivido
description This article analyzes the movie Elena (2013) by Petra Costa, taking its memoir aspects from the lived body paradigm, present in the studies of Sobchack (1991) and Marks (2000, 2002). The phenomenological perspective of these authors, which understands cinema as a field where bodies result and share memory, understand the film spectatorship experience as a possibility articulated by the sensorium, cognitive capacity of interpreting sensations. Thereby, also consider the filmmakers’ subjective experience as something that interferes in the film perception. We observe how the body presence, material and sensorial allows us an analysis that involves aspects of the film authorship.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3766
10.19177/rcc.v11e1201697-111
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3766
identifier_str_mv 10.19177/rcc.v11e1201697-111
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3766/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 11 n. 1 (2016); 97-111
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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