The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/115 |
Resumo: | In this essay I propose a counter-modernist reading of the radical stand by the magazine Joaquim contra o Simbolismo Paranaense (Joaquim Against the Symbolism of Paraná State). The magazine, created in 1946 by the writer from Curitiba, Dalton Trevisan, was published till 1948, a period of ascent of Existentialism in the postwar literary scene in the Brazilian state of Paraná. The monthly magazine refuses Symbolism, since it was considered by Dalton Trevisan as a literature, which was not tuned with his production and with man’s and the world’s problems. I intend to note that the issue of its genesis treated as origin by the magazine does not hold as a tool for critical practices. |
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The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibataEl secuestro del simbolismo e la Revista Joaquim: el grito del vampiro contra el susurro del nefelibataLa séquestration du symbolisme dans la Revue Joaquim: le cri du vampire contre le susurrement du nefelibataO seqüestro do simbolismo na Revista Joaquim: o grito do vampiro contra o sussurro do nefelibataMagazine JoaquimModernismSymbolism in ParanáRevista JoaquimModernismoSimbolismo Paranaense.Revue JoaquimModernismeSymbolisme du ParanáRevista JoaquimModernismoSimbolismo ParanaenseIn this essay I propose a counter-modernist reading of the radical stand by the magazine Joaquim contra o Simbolismo Paranaense (Joaquim Against the Symbolism of Paraná State). The magazine, created in 1946 by the writer from Curitiba, Dalton Trevisan, was published till 1948, a period of ascent of Existentialism in the postwar literary scene in the Brazilian state of Paraná. The monthly magazine refuses Symbolism, since it was considered by Dalton Trevisan as a literature, which was not tuned with his production and with man’s and the world’s problems. I intend to note that the issue of its genesis treated as origin by the magazine does not hold as a tool for critical practices.Propongo en este artículo una lectura contra-modernista de la posición radical de la revista Joaquim contra el Simbolismo Paranaense. La revista, fundada en 1946, por el escritor de Curitiba Dalton Trevisan, circuló hasta 1948, período de ascensión del existencialismo en el escenario literario de posguerra. Se desprende de su posición autonomista el deseo de iniciar oficialmente la literatura en Paraná. El periódico recusa el simbolismo, pues fue considerado por Dalton como una literatura que no sintonizó su producción con los problemas del hombre y del mundo. Pretendo observar que la cuestión del génesis tratado como origen por la revista no se sustenta como fundamento para prácticas críticas.Je propose dans cet article une lecture contre-moderniste à propos de la position radicale de la revue Joaquim contre le Symbolisme Paranaense. La revue, fondée en 1848, période de l’ascension de l’existentialisme dans le scénario littéraire du post-guerre. Il se dégage de sa position autonomiste le souhait de faire débuter officiellement la littérature du Paraná. Le périodique refuse le symbolisme, puisque Dalton l’a considéré comme une littérature qui n’a pas syntonisé sa production avec les problèmes de l’homme et du monde. J’ai l’intention d’observer que la question de la genèse traitée comme origine par la revue ne se soutient pas comme fondement pour les pratiques critiques.Proponho neste artigo uma leitura contra-modernista da posição radical da revista Joaquim contra o Simbolismo Paranaense. A revista, fundada em 1946, pelo escritor curitibano Dalton Trevisan, circulou até 1948, período de ascensão do existencialismo no cenário literário do pós-guerra. Depreende-se de sua posição autonomista o desejo de iniciar oficialmente a literatura no Paraná. O periódico recusa o simbolismo, pois foi considerado por Dalton como uma literatura que não sintonizou a sua produção com os problemas do homem e do mundo. Pretendo observar que a questão da gênese tratada como origem pela revista não se sustenta como fundamento para práticas críticas.Universidade do Sul de Santa Catarina2008-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/11510.19177/rcc.v3e1200825-29Revista Crítica Cultural; v. 3 n. 1 (2008); 25-291980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/115/127Moreira, Caio Ricardo Bonainfo:eu-repo/semantics/openAccess2016-09-30T19:29:06Zoai:portaldeperiodicos.animaeducacao.com.br:article/115Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:29:06Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata El secuestro del simbolismo e la Revista Joaquim: el grito del vampiro contra el susurro del nefelibata La séquestration du symbolisme dans la Revue Joaquim: le cri du vampire contre le susurrement du nefelibata O seqüestro do simbolismo na Revista Joaquim: o grito do vampiro contra o sussurro do nefelibata |
title |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata |
spellingShingle |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata Moreira, Caio Ricardo Bona Magazine Joaquim Modernism Symbolism in Paraná Revista Joaquim Modernismo Simbolismo Paranaense. Revue Joaquim Modernisme Symbolisme du Paraná Revista Joaquim Modernismo Simbolismo Paranaense |
title_short |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata |
title_full |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata |
title_fullStr |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata |
title_full_unstemmed |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata |
title_sort |
The kidnapping of symbolism in the Magazine Joaquim: the cry of the vampire against the sighing of the nefelibata |
author |
Moreira, Caio Ricardo Bona |
author_facet |
Moreira, Caio Ricardo Bona |
author_role |
author |
dc.contributor.author.fl_str_mv |
Moreira, Caio Ricardo Bona |
dc.subject.por.fl_str_mv |
Magazine Joaquim Modernism Symbolism in Paraná Revista Joaquim Modernismo Simbolismo Paranaense. Revue Joaquim Modernisme Symbolisme du Paraná Revista Joaquim Modernismo Simbolismo Paranaense |
topic |
Magazine Joaquim Modernism Symbolism in Paraná Revista Joaquim Modernismo Simbolismo Paranaense. Revue Joaquim Modernisme Symbolisme du Paraná Revista Joaquim Modernismo Simbolismo Paranaense |
description |
In this essay I propose a counter-modernist reading of the radical stand by the magazine Joaquim contra o Simbolismo Paranaense (Joaquim Against the Symbolism of Paraná State). The magazine, created in 1946 by the writer from Curitiba, Dalton Trevisan, was published till 1948, a period of ascent of Existentialism in the postwar literary scene in the Brazilian state of Paraná. The monthly magazine refuses Symbolism, since it was considered by Dalton Trevisan as a literature, which was not tuned with his production and with man’s and the world’s problems. I intend to note that the issue of its genesis treated as origin by the magazine does not hold as a tool for critical practices. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-06-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/115 10.19177/rcc.v3e1200825-29 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/115 |
identifier_str_mv |
10.19177/rcc.v3e1200825-29 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/115/127 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 3 n. 1 (2008); 25-29 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220551749304320 |