Photography as poetry and poetry as photography: on Arthur Omar and Arturo
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/148 |
Resumo: | The text approaches the “grinding of the sense” performed by photography in a poem of Arturo Carrera (Coronel Pringles, Argentina, 1948), Fotografías imaginarias con nieve de verdad, and by a series of portraits by Arthur Omar (Poços de Caldas, Minas Gerais, 1948), Anthropology of the glorious face (Antropologia da face gloriosa). In Carrera it is about “melted” images corresponding to the “dissipative structures” that caracterize his poetry, according to Laddaga, whose language is tilted in the name of a subtle “agrammaticality”, and, in Omar, the “faceness” violated in exuberant tactile images. To Omar’s expressionist faces the series of portraits Niños… que nacieron peinados by Alfredo Prior (Buenos Aires, 1952) functions as a counterpoint, which are mixed to fragments of poems by Carrera in the album of the same title. |
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Photography as poetry and poetry as photography: on Arthur Omar and ArturoA fotografia como poesia e a poesia como fotografia: sobre Arthur Omar e Arturo CarreraPhotographyPoetryFaceImageFotografiaPoesiaRostoImagemThe text approaches the “grinding of the sense” performed by photography in a poem of Arturo Carrera (Coronel Pringles, Argentina, 1948), Fotografías imaginarias con nieve de verdad, and by a series of portraits by Arthur Omar (Poços de Caldas, Minas Gerais, 1948), Anthropology of the glorious face (Antropologia da face gloriosa). In Carrera it is about “melted” images corresponding to the “dissipative structures” that caracterize his poetry, according to Laddaga, whose language is tilted in the name of a subtle “agrammaticality”, and, in Omar, the “faceness” violated in exuberant tactile images. To Omar’s expressionist faces the series of portraits Niños… que nacieron peinados by Alfredo Prior (Buenos Aires, 1952) functions as a counterpoint, which are mixed to fragments of poems by Carrera in the album of the same title.O texto aborda a “trituração do sentido” operada pela fotografia num poema de Arturo Carrera (Coronel Pringles, Argentina, 1948), Fotografías imaginarias com nieve de verdad, e numa série de retratos de Arthur Omar (Poços de Caldas, Minas Gerais, 1948), Antropologia da face gloriosa. Trata-se em Carrera de imagens “derretidas” correspondentes às “estruturas dissipativas” que caracterizam sua poesia, segundo Laddaga, onde a linguagem é basculada em nome de uma sutil “agramaticalidade”, e, em Omar, da rostidade violentada em exuberantes imagens táteis. Aos rostos expressionistas de Omar fazem contraponto a série de retratos Niños... que nacieron peinados de Alfredo Prior (Buenos Aires, 1952), que se mesclam a fragmentos de poemas de Carrera no álbum homônimo.Universidade do Sul de Santa Catarina2009-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/14810.19177/rcc.v0e02009255-262Revista Crítica Cultural; Edição especial; 255-2621980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/148/162Wolff, Jorge H.info:eu-repo/semantics/openAccess2016-09-30T19:51:54Zoai:portaldeperiodicos.animaeducacao.com.br:article/148Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:51:54Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo A fotografia como poesia e a poesia como fotografia: sobre Arthur Omar e Arturo Carrera |
title |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo |
spellingShingle |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo Wolff, Jorge H. Photography Poetry Face Image Fotografia Poesia Rosto Imagem |
title_short |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo |
title_full |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo |
title_fullStr |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo |
title_full_unstemmed |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo |
title_sort |
Photography as poetry and poetry as photography: on Arthur Omar and Arturo |
author |
Wolff, Jorge H. |
author_facet |
Wolff, Jorge H. |
author_role |
author |
dc.contributor.author.fl_str_mv |
Wolff, Jorge H. |
dc.subject.por.fl_str_mv |
Photography Poetry Face Image Fotografia Poesia Rosto Imagem |
topic |
Photography Poetry Face Image Fotografia Poesia Rosto Imagem |
description |
The text approaches the “grinding of the sense” performed by photography in a poem of Arturo Carrera (Coronel Pringles, Argentina, 1948), Fotografías imaginarias con nieve de verdad, and by a series of portraits by Arthur Omar (Poços de Caldas, Minas Gerais, 1948), Anthropology of the glorious face (Antropologia da face gloriosa). In Carrera it is about “melted” images corresponding to the “dissipative structures” that caracterize his poetry, according to Laddaga, whose language is tilted in the name of a subtle “agrammaticality”, and, in Omar, the “faceness” violated in exuberant tactile images. To Omar’s expressionist faces the series of portraits Niños… que nacieron peinados by Alfredo Prior (Buenos Aires, 1952) functions as a counterpoint, which are mixed to fragments of poems by Carrera in the album of the same title. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/148 10.19177/rcc.v0e02009255-262 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/148 |
identifier_str_mv |
10.19177/rcc.v0e02009255-262 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/148/162 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; Edição especial; 255-262 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220551804878848 |