THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10066 |
Resumo: | This article aims to present an analysis of the intertextuality and discursive play between literature and photography present in the photobook Mão na Lata e Berro D’Água, a photo essay produced in 2006 by a group of teenagers from Favela da Maré, organized by photographer Tatiana Altberg and based on the work of Jorge Amado entitled A morte e a morte de Quincas Berro D’Água (The double death of Quincas Water-Bray). The photobook brings together text and image, word and photography, in a reinterpretation of the memories of the character Quincas and the dream universe present in the original narrative, represented by the plastic of pinhole photographs, a technique chosen by the group for this reinterpretation. For this analysis, our considerations are theoretically grounded on authors who discuss the hybridization of contemporary arts (Brizuela, 2014) and intertextuality (Fiorin, 2016, Nitrini, 2015 and Reis, 2003), in order to identify the relationship between text and image in the photobook Mão na Lata e Berro D’Água. |
id |
UNISUL-2_8ffb53c496d967b67aa68e6e46b26882 |
---|---|
oai_identifier_str |
oai:portaldeperiodicos.animaeducacao.com.br:article/10066 |
network_acronym_str |
UNISUL-2 |
network_name_str |
Crítica Cultural (Online) |
repository_id_str |
|
spelling |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUAO JOGO DISCURSIVO ENTRE LITERATURA E FOTOGRAFIA EM MÃO NA LATA E BERRO D’ÁGUAPhotographyIntertextualityLiteratureMemoryFotografiaIntertextualidadeLiteraturaMemóriaThis article aims to present an analysis of the intertextuality and discursive play between literature and photography present in the photobook Mão na Lata e Berro D’Água, a photo essay produced in 2006 by a group of teenagers from Favela da Maré, organized by photographer Tatiana Altberg and based on the work of Jorge Amado entitled A morte e a morte de Quincas Berro D’Água (The double death of Quincas Water-Bray). The photobook brings together text and image, word and photography, in a reinterpretation of the memories of the character Quincas and the dream universe present in the original narrative, represented by the plastic of pinhole photographs, a technique chosen by the group for this reinterpretation. For this analysis, our considerations are theoretically grounded on authors who discuss the hybridization of contemporary arts (Brizuela, 2014) and intertextuality (Fiorin, 2016, Nitrini, 2015 and Reis, 2003), in order to identify the relationship between text and image in the photobook Mão na Lata e Berro D’Água.Este artigo tem como objetivo apresentar uma análise da intertextualidade e do jogo discursivo entre literatura e fotografia presentes no fotolivro Mão na Lata e Berro D’Água, um ensaio fotográfico produzido em 2006 por um grupo de adolescentes da Favela da Maré, organizado pela fotógrafa Tatiana Altberg e fundamentado na obra de Jorge Amado intitulada A morte e a morte de Quincas Berro D’Água. O fotolivro reúne texto e imagem, palavra e fotografia, em uma ressignificação das memórias do personagem Quincas é do universo onírico presente na narrativa original, representado pela plástica das fotografias pinhole, técnica escolhida pelo grupo para esta releitura. Para esta análise, nos apoiamos nas teorias de autores que versam sobre a hibridização das artes contemporâneas (BRIZUELA, 2014) e a intertextualidade (FIORIN, 2016, NITRINI, 2015 e REIS, 2003), de forma a identificar a relação entre texto e imagem no fotolivro Mão na Lata e Berro D’Água.Universidade do Sul de Santa Catarina2021-08-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1006610.19177/rcc.v16e1202119-30Revista Crítica Cultural; v. 16 n. 1 (2021); 19-301980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10066/pdfCopyright (c) 2021 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessKoch, KarinaRibero Rueda, LauraConte, Daniel2021-08-19T21:35:32Zoai:portaldeperiodicos.animaeducacao.com.br:article/10066Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2021-08-19T21:35:32Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA O JOGO DISCURSIVO ENTRE LITERATURA E FOTOGRAFIA EM MÃO NA LATA E BERRO D’ÁGUA |
title |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA |
spellingShingle |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA Koch, Karina Photography Intertextuality Literature Memory Fotografia Intertextualidade Literatura Memória |
title_short |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA |
title_full |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA |
title_fullStr |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA |
title_full_unstemmed |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA |
title_sort |
THE DISCURSIVE PLAY BETWEEN LITERATURE AND PHOTOGRAPHY IN MÃO NA LATA E BERRO D’ÁGUA |
author |
Koch, Karina |
author_facet |
Koch, Karina Ribero Rueda, Laura Conte, Daniel |
author_role |
author |
author2 |
Ribero Rueda, Laura Conte, Daniel |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Koch, Karina Ribero Rueda, Laura Conte, Daniel |
dc.subject.por.fl_str_mv |
Photography Intertextuality Literature Memory Fotografia Intertextualidade Literatura Memória |
topic |
Photography Intertextuality Literature Memory Fotografia Intertextualidade Literatura Memória |
description |
This article aims to present an analysis of the intertextuality and discursive play between literature and photography present in the photobook Mão na Lata e Berro D’Água, a photo essay produced in 2006 by a group of teenagers from Favela da Maré, organized by photographer Tatiana Altberg and based on the work of Jorge Amado entitled A morte e a morte de Quincas Berro D’Água (The double death of Quincas Water-Bray). The photobook brings together text and image, word and photography, in a reinterpretation of the memories of the character Quincas and the dream universe present in the original narrative, represented by the plastic of pinhole photographs, a technique chosen by the group for this reinterpretation. For this analysis, our considerations are theoretically grounded on authors who discuss the hybridization of contemporary arts (Brizuela, 2014) and intertextuality (Fiorin, 2016, Nitrini, 2015 and Reis, 2003), in order to identify the relationship between text and image in the photobook Mão na Lata e Berro D’Água. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10066 10.19177/rcc.v16e1202119-30 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10066 |
identifier_str_mv |
10.19177/rcc.v16e1202119-30 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10066/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 16 n. 1 (2021); 19-30 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553303293952 |