Moving stage: questions for the theatre of Machado de Assis
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1567 |
Resumo: | We will analyze the comedy O caminho da porta, by Machado de Assis, from the perspective of Cecilia Loyola, for whom the author’s dramatic productions offer us realistic apparatuses — like the scenarios and the platitude that motivates the plot — but withdraw their stability, replacing the nuclear structure by an different one, multiple and slippery. An example of this new structure would be Machado’s use of the raisonneur, character that, in this play, is deliberately discredited, which means a considerable dismissal in relation to the realist structure. |
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Moving stage: questions for the theatre of Machado de AssisPalco movediço: questões para o teatro de Machado de AssisMachado de AssisBrazilian literature (theater)Comedy. Realistic theaterRaisonneurMachado de AssisLiteratura brasileira (teatro)ComédiaTeatro realistaRaisonneurWe will analyze the comedy O caminho da porta, by Machado de Assis, from the perspective of Cecilia Loyola, for whom the author’s dramatic productions offer us realistic apparatuses — like the scenarios and the platitude that motivates the plot — but withdraw their stability, replacing the nuclear structure by an different one, multiple and slippery. An example of this new structure would be Machado’s use of the raisonneur, character that, in this play, is deliberately discredited, which means a considerable dismissal in relation to the realist structure.Analisaremos a comédia O caminho da porta, de Machado de Assis, a partir da proposição de Cecília Loyola, para quem o teatro machadiano nos oferece aparatos realistas — como os cenários e o prosaísmo das situações que motivam o enredo — mas retira-lhes a estabilidade da estrutura nuclear, que substitui por outra, múltipla e movediça. Um exemplo dessa retirada de estabilidade seria a proposta machadiana de um raisonneur deliberadamente desacreditado, que significa um afastamento considerável em relação à estrutura realista.Universidade do Sul de Santa Catarina2013-07-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/156710.19177/rcc.v8e12013135-141Revista Crítica Cultural; v. 8 n. 1 (2013); 135-1411980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1567/1189Scardino, Rafaelainfo:eu-repo/semantics/openAccess2016-09-30T20:33:05Zoai:portaldeperiodicos.animaeducacao.com.br:article/1567Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:33:05Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Moving stage: questions for the theatre of Machado de Assis Palco movediço: questões para o teatro de Machado de Assis |
title |
Moving stage: questions for the theatre of Machado de Assis |
spellingShingle |
Moving stage: questions for the theatre of Machado de Assis Scardino, Rafaela Machado de Assis Brazilian literature (theater) Comedy. Realistic theater Raisonneur Machado de Assis Literatura brasileira (teatro) Comédia Teatro realista Raisonneur |
title_short |
Moving stage: questions for the theatre of Machado de Assis |
title_full |
Moving stage: questions for the theatre of Machado de Assis |
title_fullStr |
Moving stage: questions for the theatre of Machado de Assis |
title_full_unstemmed |
Moving stage: questions for the theatre of Machado de Assis |
title_sort |
Moving stage: questions for the theatre of Machado de Assis |
author |
Scardino, Rafaela |
author_facet |
Scardino, Rafaela |
author_role |
author |
dc.contributor.author.fl_str_mv |
Scardino, Rafaela |
dc.subject.por.fl_str_mv |
Machado de Assis Brazilian literature (theater) Comedy. Realistic theater Raisonneur Machado de Assis Literatura brasileira (teatro) Comédia Teatro realista Raisonneur |
topic |
Machado de Assis Brazilian literature (theater) Comedy. Realistic theater Raisonneur Machado de Assis Literatura brasileira (teatro) Comédia Teatro realista Raisonneur |
description |
We will analyze the comedy O caminho da porta, by Machado de Assis, from the perspective of Cecilia Loyola, for whom the author’s dramatic productions offer us realistic apparatuses — like the scenarios and the platitude that motivates the plot — but withdraw their stability, replacing the nuclear structure by an different one, multiple and slippery. An example of this new structure would be Machado’s use of the raisonneur, character that, in this play, is deliberately discredited, which means a considerable dismissal in relation to the realist structure. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-07-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1567 10.19177/rcc.v8e12013135-141 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1567 |
identifier_str_mv |
10.19177/rcc.v8e12013135-141 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1567/1189 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 8 n. 1 (2013); 135-141 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220552292466688 |