Photography as primary document for performance in visual arts

Detalhes bibliográficos
Autor(a) principal: Melim, Regina
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/123
Resumo: The aim is to discuss about Photography as a primary document of Performance on visual arts by means of the appropriate performative term from the philosopher J. L. Austin. This appropriation and use allows not only a review on the production of records that accompanied the Performances since the 1960 decade, as well as allowing to think on the amplification of the notion of Performance in the field of visual arts.
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spelling Photography as primary document for performance in visual artsLa fotografía como documento primario de performance en las artes visualesLa Photographie comme document primaire de performance dans les arts visuelsA fotografia como documento primário e performance nas artes visuaisPhotographyPerformancePerformativeFotografiaPerformancePerformativoPhotographiePerformancePerformatifFotografiaPerformancePerformativoThe aim is to discuss about Photography as a primary document of Performance on visual arts by means of the appropriate performative term from the philosopher J. L. Austin. This appropriation and use allows not only a review on the production of records that accompanied the Performances since the 1960 decade, as well as allowing to think on the amplification of the notion of Performance in the field of visual arts.El objetivo es hablar sobre la fotografía como documento primario de Performance en las artes visuales a través del término performativo apropiado del filósofo J. L. Austin. Esta apropiación y uso permite no solo la realización de una revisión sobre la producción de los registros que acompañaron las Performances a partir de 1960, sino también pensar en la ampliación de la noción de Performance en el campo de las artes visuales.L’objectif est celui de discourir sur la Photographie comme document primaire de Performance dans les arts visuels par le terme performatif du philosophe J. L. Austin. Une telle appropriation et emploi permet non seulement la réalisation d’une révision sur la production des enregistrements qui ont accompagné les Performances à partir des années 1960, comme permet aussi de penser dans l’élargissement de la notion de Performance dans le domaine des arts visuels.O objetivo é discorrer sobre a Fotografia como documento primário de Performance nas artes visuais através do termo performativo apropriado do filósofo J. L. Austin. Tal apropriação e uso permite não apenas a realização de uma revisão sobre a produção dos registros que acompanharam as Performances a partir dos anos 1960, bem como possibilita pensar na ampliação da noção de Performance no campo das artes visuais.Universidade do Sul de Santa Catarina2008-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/12310.19177/rcc.v3e2200829-31Revista Crítica Cultural; v. 3 n. 2 (2008); 29-311980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/123/134Melim, Reginainfo:eu-repo/semantics/openAccess2016-09-30T19:42:52Zoai:portaldeperiodicos.animaeducacao.com.br:article/123Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:42:52Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Photography as primary document for performance in visual arts
La fotografía como documento primario de performance en las artes visuales
La Photographie comme document primaire de performance dans les arts visuels
A fotografia como documento primário e performance nas artes visuais
title Photography as primary document for performance in visual arts
spellingShingle Photography as primary document for performance in visual arts
Melim, Regina
Photography
Performance
Performative
Fotografia
Performance
Performativo
Photographie
Performance
Performatif
Fotografia
Performance
Performativo
title_short Photography as primary document for performance in visual arts
title_full Photography as primary document for performance in visual arts
title_fullStr Photography as primary document for performance in visual arts
title_full_unstemmed Photography as primary document for performance in visual arts
title_sort Photography as primary document for performance in visual arts
author Melim, Regina
author_facet Melim, Regina
author_role author
dc.contributor.author.fl_str_mv Melim, Regina
dc.subject.por.fl_str_mv Photography
Performance
Performative
Fotografia
Performance
Performativo
Photographie
Performance
Performatif
Fotografia
Performance
Performativo
topic Photography
Performance
Performative
Fotografia
Performance
Performativo
Photographie
Performance
Performatif
Fotografia
Performance
Performativo
description The aim is to discuss about Photography as a primary document of Performance on visual arts by means of the appropriate performative term from the philosopher J. L. Austin. This appropriation and use allows not only a review on the production of records that accompanied the Performances since the 1960 decade, as well as allowing to think on the amplification of the notion of Performance in the field of visual arts.
publishDate 2008
dc.date.none.fl_str_mv 2008-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/123
10.19177/rcc.v3e2200829-31
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/123
identifier_str_mv 10.19177/rcc.v3e2200829-31
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/123/134
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 3 n. 2 (2008); 29-31
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220551767130112

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