A Hybrid Production as a Problem for the Modernist Report

Detalhes bibliográficos
Autor(a) principal: Dolinko, Silvia
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332
Resumo: The present work reviews some of the canonic approaches on the status of engravings as artistic production, both from the aspect of its graphic technique and its resort to narrative or to figuration, often connected to the universe of literary illustration or even the circulation of social images and discourses of a “militant” political content. The hypothesis here advanced is that both the narrative and the multiplicity of the engravings have generated a problem in relation to the modernist cannon; one sustains that the figurative condition – of illustration and/or social — of the graphic paradigm has situated the engraving as one of the excluded products from the modernist narrative, once the seclusion of engravers into technical virtuosity as the parameter for evaluation implied in its self-exclusion.
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spelling A Hybrid Production as a Problem for the Modernist ReportEl grabado, una producción híbrida como problema para el relato modernistaEngravingtechniquemultiple workfigurationmodernist narrative.Grabadotécnicaobra múltiplefiguraciónrelato modernistaThe present work reviews some of the canonic approaches on the status of engravings as artistic production, both from the aspect of its graphic technique and its resort to narrative or to figuration, often connected to the universe of literary illustration or even the circulation of social images and discourses of a “militant” political content. The hypothesis here advanced is that both the narrative and the multiplicity of the engravings have generated a problem in relation to the modernist cannon; one sustains that the figurative condition – of illustration and/or social — of the graphic paradigm has situated the engraving as one of the excluded products from the modernist narrative, once the seclusion of engravers into technical virtuosity as the parameter for evaluation implied in its self-exclusion.Este trabajo revisa algunos de los abordajes canónicos respecto del estatuto del grabado como producción artística, tanto desde el factor de la técnica gráfica como desde su recurrencia a la narratividad o a la figuración, vinculada muchas veces con el universo de la ilustración literaria o a la puesta en circulación de discursos sociales e imágenes de contenido político “militante”. Se formula como hipótesis que tanto la narratividad como la multiplicidad del grabado han resultado un problema en relación con el canon modernista; se sostiene que la condición figurativa -de ilustración y/o social- del paradigma gráfico situó al grabado como una de las producciones excluidas del relato del modernismo, a la vez que la reclusión de los grabadores en el virtuosismo técnico como parámetro de validación implicó una autoexclusión del mismo.Universidade do Sul de Santa Catarina2009-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/633210.19177/rcc.v4e12009193-207Revista Crítica Cultural; v. 4 n. 1 (2009); 193-2071980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332/3830Copyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessDolinko, Silvia2018-05-15T17:06:29Zoai:portaldeperiodicos.animaeducacao.com.br:article/6332Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-05-15T17:06:29Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv A Hybrid Production as a Problem for the Modernist Report
El grabado, una producción híbrida como problema para el relato modernista
title A Hybrid Production as a Problem for the Modernist Report
spellingShingle A Hybrid Production as a Problem for the Modernist Report
Dolinko, Silvia
Engraving
technique
multiple work
figuration
modernist narrative.
Grabado
técnica
obra múltiple
figuración
relato modernista
title_short A Hybrid Production as a Problem for the Modernist Report
title_full A Hybrid Production as a Problem for the Modernist Report
title_fullStr A Hybrid Production as a Problem for the Modernist Report
title_full_unstemmed A Hybrid Production as a Problem for the Modernist Report
title_sort A Hybrid Production as a Problem for the Modernist Report
author Dolinko, Silvia
author_facet Dolinko, Silvia
author_role author
dc.contributor.author.fl_str_mv Dolinko, Silvia
dc.subject.por.fl_str_mv Engraving
technique
multiple work
figuration
modernist narrative.
Grabado
técnica
obra múltiple
figuración
relato modernista
topic Engraving
technique
multiple work
figuration
modernist narrative.
Grabado
técnica
obra múltiple
figuración
relato modernista
description The present work reviews some of the canonic approaches on the status of engravings as artistic production, both from the aspect of its graphic technique and its resort to narrative or to figuration, often connected to the universe of literary illustration or even the circulation of social images and discourses of a “militant” political content. The hypothesis here advanced is that both the narrative and the multiplicity of the engravings have generated a problem in relation to the modernist cannon; one sustains that the figurative condition – of illustration and/or social — of the graphic paradigm has situated the engraving as one of the excluded products from the modernist narrative, once the seclusion of engravers into technical virtuosity as the parameter for evaluation implied in its self-exclusion.
publishDate 2009
dc.date.none.fl_str_mv 2009-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332
10.19177/rcc.v4e12009193-207
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332
identifier_str_mv 10.19177/rcc.v4e12009193-207
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332/3830
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 4 n. 1 (2009); 193-207
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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