A Hybrid Production as a Problem for the Modernist Report
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332 |
Resumo: | The present work reviews some of the canonic approaches on the status of engravings as artistic production, both from the aspect of its graphic technique and its resort to narrative or to figuration, often connected to the universe of literary illustration or even the circulation of social images and discourses of a “militant” political content. The hypothesis here advanced is that both the narrative and the multiplicity of the engravings have generated a problem in relation to the modernist cannon; one sustains that the figurative condition – of illustration and/or social — of the graphic paradigm has situated the engraving as one of the excluded products from the modernist narrative, once the seclusion of engravers into technical virtuosity as the parameter for evaluation implied in its self-exclusion. |
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A Hybrid Production as a Problem for the Modernist ReportEl grabado, una producción híbrida como problema para el relato modernistaEngravingtechniquemultiple workfigurationmodernist narrative.Grabadotécnicaobra múltiplefiguraciónrelato modernistaThe present work reviews some of the canonic approaches on the status of engravings as artistic production, both from the aspect of its graphic technique and its resort to narrative or to figuration, often connected to the universe of literary illustration or even the circulation of social images and discourses of a “militant” political content. The hypothesis here advanced is that both the narrative and the multiplicity of the engravings have generated a problem in relation to the modernist cannon; one sustains that the figurative condition – of illustration and/or social — of the graphic paradigm has situated the engraving as one of the excluded products from the modernist narrative, once the seclusion of engravers into technical virtuosity as the parameter for evaluation implied in its self-exclusion.Este trabajo revisa algunos de los abordajes canónicos respecto del estatuto del grabado como producción artística, tanto desde el factor de la técnica gráfica como desde su recurrencia a la narratividad o a la figuración, vinculada muchas veces con el universo de la ilustración literaria o a la puesta en circulación de discursos sociales e imágenes de contenido político “militante”. Se formula como hipótesis que tanto la narratividad como la multiplicidad del grabado han resultado un problema en relación con el canon modernista; se sostiene que la condición figurativa -de ilustración y/o social- del paradigma gráfico situó al grabado como una de las producciones excluidas del relato del modernismo, a la vez que la reclusión de los grabadores en el virtuosismo técnico como parámetro de validación implicó una autoexclusión del mismo.Universidade do Sul de Santa Catarina2009-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/633210.19177/rcc.v4e12009193-207Revista Crítica Cultural; v. 4 n. 1 (2009); 193-2071980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332/3830Copyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessDolinko, Silvia2018-05-15T17:06:29Zoai:portaldeperiodicos.animaeducacao.com.br:article/6332Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-05-15T17:06:29Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
A Hybrid Production as a Problem for the Modernist Report El grabado, una producción híbrida como problema para el relato modernista |
title |
A Hybrid Production as a Problem for the Modernist Report |
spellingShingle |
A Hybrid Production as a Problem for the Modernist Report Dolinko, Silvia Engraving technique multiple work figuration modernist narrative. Grabado técnica obra múltiple figuración relato modernista |
title_short |
A Hybrid Production as a Problem for the Modernist Report |
title_full |
A Hybrid Production as a Problem for the Modernist Report |
title_fullStr |
A Hybrid Production as a Problem for the Modernist Report |
title_full_unstemmed |
A Hybrid Production as a Problem for the Modernist Report |
title_sort |
A Hybrid Production as a Problem for the Modernist Report |
author |
Dolinko, Silvia |
author_facet |
Dolinko, Silvia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dolinko, Silvia |
dc.subject.por.fl_str_mv |
Engraving technique multiple work figuration modernist narrative. Grabado técnica obra múltiple figuración relato modernista |
topic |
Engraving technique multiple work figuration modernist narrative. Grabado técnica obra múltiple figuración relato modernista |
description |
The present work reviews some of the canonic approaches on the status of engravings as artistic production, both from the aspect of its graphic technique and its resort to narrative or to figuration, often connected to the universe of literary illustration or even the circulation of social images and discourses of a “militant” political content. The hypothesis here advanced is that both the narrative and the multiplicity of the engravings have generated a problem in relation to the modernist cannon; one sustains that the figurative condition – of illustration and/or social — of the graphic paradigm has situated the engraving as one of the excluded products from the modernist narrative, once the seclusion of engravers into technical virtuosity as the parameter for evaluation implied in its self-exclusion. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-06-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332 10.19177/rcc.v4e12009193-207 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332 |
identifier_str_mv |
10.19177/rcc.v4e12009193-207 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6332/3830 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 4 n. 1 (2009); 193-207 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553206824960 |