Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)

Detalhes bibliográficos
Autor(a) principal: Batista, Eduardo Luis Araújo de Oliveira
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/739
Resumo: This article offers a different insight into the relationship of the poet Blaise Cendrars with Brazilian modernists, seen by literary critics as directly responsible for the nationalist turn in Brazilian Modernism, and as a guide for Brazilians in their own nation. Cendrars is presented here as a third element in the “Pau Brasil” movement - composed by Tarsila do Amaral and Oswald de Andrade, the three sustained by the powerful shadow of Paulo Prado. We propose to reverse the traditional idea of a unilateral influence, in which the Brazilians are situated as debtors of the European famous poet to a relationship of reciprocal influences, suggesting a joint effort, which has resulted in three works: the books of poems Feuilles de route, by Blaise Cendrars, launched in 1924, and Poesia Pau Brasil, by Oswald de Andrade, published in 1925, and the exhibition by Tarsila do Amaral held at Galerie Percier in Paris in 1926.
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spelling Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)Blaise Cendrars ? O terceiro elemento do Movimento Pau Brasil (?)Blaise CendrarsBrazilian ModernismTarsila do AmaralOswald de AndradeBlaise CendrarsModernismo brasileiroTarsila do AmaralOswald de AndradeThis article offers a different insight into the relationship of the poet Blaise Cendrars with Brazilian modernists, seen by literary critics as directly responsible for the nationalist turn in Brazilian Modernism, and as a guide for Brazilians in their own nation. Cendrars is presented here as a third element in the “Pau Brasil” movement - composed by Tarsila do Amaral and Oswald de Andrade, the three sustained by the powerful shadow of Paulo Prado. We propose to reverse the traditional idea of a unilateral influence, in which the Brazilians are situated as debtors of the European famous poet to a relationship of reciprocal influences, suggesting a joint effort, which has resulted in three works: the books of poems Feuilles de route, by Blaise Cendrars, launched in 1924, and Poesia Pau Brasil, by Oswald de Andrade, published in 1925, and the exhibition by Tarsila do Amaral held at Galerie Percier in Paris in 1926.Neste artigo oferecemos uma diferente visão sobre a relação do poeta Blaise Cendrars junto aos modernistas brasileiros, visto pela crítica brasileira (Amaral, 1997; Eulálio, 2001; Martins, 1992) como o responsável direto pela virada nacionalista em nosso Modernismo, e como guia dos brasileiros no “descobrimento” de sua própria nação. Cendrars é aqui apresentado como um terceiro elemento do movimento Pau Brasil ? formado por Tarsila do Amaral e Oswald de Andrade, os três amparados pela sombra poderosa de Paulo Prado. Propomos reverter a corrente ideia de uma influência unilateral, na qual os brasileiros são situados como devedores do mestre europeu, para uma relação de influências recíprocas, sugerindo um trabalho em conjunto, concretizado em três obras: os livros de poemas Feuilles de route, de Blaise Cendrars, de 1924; Poesia Pau Brasil, de Oswald de Andrade, de 1925; e a exposição de Tarsila do Amaral realizada na Galerie Percier, em Paris, em 1926.Universidade do Sul de Santa Catarina2011-06-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/73910.19177/rcc.v6e12011287-301Revista Crítica Cultural; v. 6 n. 1 (2011); 287-3011980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/739/pdf_10Batista, Eduardo Luis Araújo de Oliveirainfo:eu-repo/semantics/openAccess2016-09-30T20:09:59Zoai:portaldeperiodicos.animaeducacao.com.br:article/739Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:09:59Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
Blaise Cendrars ? O terceiro elemento do Movimento Pau Brasil (?)
title Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
spellingShingle Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
Batista, Eduardo Luis Araújo de Oliveira
Blaise Cendrars
Brazilian Modernism
Tarsila do Amaral
Oswald de Andrade
Blaise Cendrars
Modernismo brasileiro
Tarsila do Amaral
Oswald de Andrade
title_short Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
title_full Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
title_fullStr Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
title_full_unstemmed Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
title_sort Blaise Cendrars: The Third Element of the Movement Pau Brasil (?)
author Batista, Eduardo Luis Araújo de Oliveira
author_facet Batista, Eduardo Luis Araújo de Oliveira
author_role author
dc.contributor.author.fl_str_mv Batista, Eduardo Luis Araújo de Oliveira
dc.subject.por.fl_str_mv Blaise Cendrars
Brazilian Modernism
Tarsila do Amaral
Oswald de Andrade
Blaise Cendrars
Modernismo brasileiro
Tarsila do Amaral
Oswald de Andrade
topic Blaise Cendrars
Brazilian Modernism
Tarsila do Amaral
Oswald de Andrade
Blaise Cendrars
Modernismo brasileiro
Tarsila do Amaral
Oswald de Andrade
description This article offers a different insight into the relationship of the poet Blaise Cendrars with Brazilian modernists, seen by literary critics as directly responsible for the nationalist turn in Brazilian Modernism, and as a guide for Brazilians in their own nation. Cendrars is presented here as a third element in the “Pau Brasil” movement - composed by Tarsila do Amaral and Oswald de Andrade, the three sustained by the powerful shadow of Paulo Prado. We propose to reverse the traditional idea of a unilateral influence, in which the Brazilians are situated as debtors of the European famous poet to a relationship of reciprocal influences, suggesting a joint effort, which has resulted in three works: the books of poems Feuilles de route, by Blaise Cendrars, launched in 1924, and Poesia Pau Brasil, by Oswald de Andrade, published in 1925, and the exhibition by Tarsila do Amaral held at Galerie Percier in Paris in 1926.
publishDate 2011
dc.date.none.fl_str_mv 2011-06-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/739
10.19177/rcc.v6e12011287-301
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/739
identifier_str_mv 10.19177/rcc.v6e12011287-301
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/739/pdf_10
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 6 n. 1 (2011); 287-301
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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