The Fabrication of a Coexistence
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/100 |
Resumo: | A reading of Bernando Carvalho’s narrative “Nove noites” and of Graciliano Ramos’ critique of the film “Descobrimento do Brasil”, by director Humberto Mauro, making possible for the author to design the relations between the State, art and intellectuals of the 1930s, between culture and society, between time and history, past and present, history and literature, with the goal of rehearsing a politics of memory and of generations, which does note erase difference, but which tries to keep and incites a tense coexistence between past and present, between the real and the possible. |
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The Fabrication of a CoexistenceA fabricação de uma convivênciaLa Fabrication d’une fréquentationA fabricação de uma convivênciaLiteratureLiterary theoryCultureLiteraturaTeoria literariaCulturaLittératureThéorie littéraireCultureLiteraturaTeoria literáriaCulturaA reading of Bernando Carvalho’s narrative “Nove noites” and of Graciliano Ramos’ critique of the film “Descobrimento do Brasil”, by director Humberto Mauro, making possible for the author to design the relations between the State, art and intellectuals of the 1930s, between culture and society, between time and history, past and present, history and literature, with the goal of rehearsing a politics of memory and of generations, which does note erase difference, but which tries to keep and incites a tense coexistence between past and present, between the real and the possible.La lectura de la narrativa Nove Noites de Bernardo Carvalho y de la crítica que hace Graciliano Ramos a la película Descobrimento do Brasil de Humberto Mauro permite a la autora esbozar las relaciones entre Estado, arte e intelectuales en los años 30, entre cultura y sociedad, entre tiempo e historia, pasado y presente, historia y literatura con el objectivo de ensayar una política de la memoria y de las generaciones la cual no borre la diferencia sino que intente mantener y provocar una convivencia tensa entre presente y pasado, entre real y posible.La lecture du récit Neuf Nuits, de Bernardo Carvalho, et de la critique que Graciliano Ramos fait du film Découverte du Brésil, de Humberto Carvalho, permettent à l’auteur dessiner les relations entre État, art et les intelectuels des années 30, entre culture et société, entre temps et histoire, passé et présent, histoire et littérature avec l’objectif de pratiquer une politique de la mémoire et des générations qui n’effacent pas la différence, mas qui cherchent à maintenir et provoquer une fréquentation tendue entre présent et passé, entre réel et faisable.Leitura da narrativa Nove Noites, de Bernardo Carvalho, e da crítica que Graciliano Ramos faz ao filme Descobrimento do Brasil, de Humberto Mauro, permitem a autora desenhar as relações entre Estado, arte e intelectuais nos 30, entre cultura e sociedade, entre tempo e história, passado e presente, história e literatura com o objetivo de ensaiar uma política da memória e das gerações que não apague a diferença, mas que busque manter e provocar uma convivência tensa entre presente e passado, entre real e possível.Universidade do Sul de Santa Catarina2007-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10010.19177/rcc.v2e1200714-18Revista Crítica Cultural; v. 2 n. 1 (2007); 14-181980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/100/110Telles, Renatainfo:eu-repo/semantics/openAccess2016-09-30T19:14:25Zoai:portaldeperiodicos.animaeducacao.com.br:article/100Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:14:25Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
The Fabrication of a Coexistence A fabricação de uma convivência La Fabrication d’une fréquentation A fabricação de uma convivência |
title |
The Fabrication of a Coexistence |
spellingShingle |
The Fabrication of a Coexistence Telles, Renata Literature Literary theory Culture Literatura Teoria literaria Cultura Littérature Théorie littéraire Culture Literatura Teoria literária Cultura |
title_short |
The Fabrication of a Coexistence |
title_full |
The Fabrication of a Coexistence |
title_fullStr |
The Fabrication of a Coexistence |
title_full_unstemmed |
The Fabrication of a Coexistence |
title_sort |
The Fabrication of a Coexistence |
author |
Telles, Renata |
author_facet |
Telles, Renata |
author_role |
author |
dc.contributor.author.fl_str_mv |
Telles, Renata |
dc.subject.por.fl_str_mv |
Literature Literary theory Culture Literatura Teoria literaria Cultura Littérature Théorie littéraire Culture Literatura Teoria literária Cultura |
topic |
Literature Literary theory Culture Literatura Teoria literaria Cultura Littérature Théorie littéraire Culture Literatura Teoria literária Cultura |
description |
A reading of Bernando Carvalho’s narrative “Nove noites” and of Graciliano Ramos’ critique of the film “Descobrimento do Brasil”, by director Humberto Mauro, making possible for the author to design the relations between the State, art and intellectuals of the 1930s, between culture and society, between time and history, past and present, history and literature, with the goal of rehearsing a politics of memory and of generations, which does note erase difference, but which tries to keep and incites a tense coexistence between past and present, between the real and the possible. |
publishDate |
2007 |
dc.date.none.fl_str_mv |
2007-06-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/100 10.19177/rcc.v2e1200714-18 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/100 |
identifier_str_mv |
10.19177/rcc.v2e1200714-18 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/100/110 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 2 n. 1 (2007); 14-18 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220551717847040 |