Truth or beauty? Painting, photography, memory, history
Autor(a) principal: | |
---|---|
Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/138 |
Resumo: | In the framework of an ongoing research on the work of José Gil de Castro (Lima, 1785-1837), an artist who portrayed the American revolutionary leaders (José de San Martín, Simón Bolívar, Bernardo O’Higgins, among others), this essay poses a question on the function and critical literature on the painted portraits of the heroes and protagonists of national histories, before and after the invention of photography. Which ones raise up the collective memory and which do not, how symbolic efficacy is activated and deactivated from different representations of a face through time, are some of the questions raised here. |
id |
UNISUL-2_eaf0509a2fcd5d92eea565f8b18a154b |
---|---|
oai_identifier_str |
oai:portaldeperiodicos.animaeducacao.com.br:article/138 |
network_acronym_str |
UNISUL-2 |
network_name_str |
Crítica Cultural (Online) |
repository_id_str |
|
spelling |
Truth or beauty? Painting, photography, memory, history¿Verdad o belleza? Pintura, fotografía, memoria, historiaCanonic imagesPhotographyMemoryImágenes canónicasFotografíaMemóriaIn the framework of an ongoing research on the work of José Gil de Castro (Lima, 1785-1837), an artist who portrayed the American revolutionary leaders (José de San Martín, Simón Bolívar, Bernardo O’Higgins, among others), this essay poses a question on the function and critical literature on the painted portraits of the heroes and protagonists of national histories, before and after the invention of photography. Which ones raise up the collective memory and which do not, how symbolic efficacy is activated and deactivated from different representations of a face through time, are some of the questions raised here.En el marco de una investigación en curso sobre la obra de José Gil de Castro (Lima, 1785-1837) , un artista que retrató a los líderes revolucionarios americanos (José de San Martín, Simón Bolívar, Bernardo O’Higgins, entre otros) este ensayo propone una indagación sobre la función y fortuna crítica de los retratos pintados de los héroes y protagonistas de las historias nacionales, antes y después de la invención de la fotografía. Cuáles se vuelven lugares de la memória colectiva y cuáles no, cómo se activa y desactiva la eficacia simbólica de las diferentes representaciones de un rostro a lo largo del tiempo, son algunas de lãs cuestiones abordadas.Universidade do Sul de Santa Catarina2009-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/13810.19177/rcc.v0e02009111-124Revista Crítica Cultural; Edição especial; 111-1241980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/138/152Costa, Laura Malosettiinfo:eu-repo/semantics/openAccess2016-09-30T19:48:29Zoai:portaldeperiodicos.animaeducacao.com.br:article/138Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:48:29Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Truth or beauty? Painting, photography, memory, history ¿Verdad o belleza? Pintura, fotografía, memoria, historia |
title |
Truth or beauty? Painting, photography, memory, history |
spellingShingle |
Truth or beauty? Painting, photography, memory, history Costa, Laura Malosetti Canonic images Photography Memory Imágenes canónicas Fotografía Memória |
title_short |
Truth or beauty? Painting, photography, memory, history |
title_full |
Truth or beauty? Painting, photography, memory, history |
title_fullStr |
Truth or beauty? Painting, photography, memory, history |
title_full_unstemmed |
Truth or beauty? Painting, photography, memory, history |
title_sort |
Truth or beauty? Painting, photography, memory, history |
author |
Costa, Laura Malosetti |
author_facet |
Costa, Laura Malosetti |
author_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Laura Malosetti |
dc.subject.por.fl_str_mv |
Canonic images Photography Memory Imágenes canónicas Fotografía Memória |
topic |
Canonic images Photography Memory Imágenes canónicas Fotografía Memória |
description |
In the framework of an ongoing research on the work of José Gil de Castro (Lima, 1785-1837), an artist who portrayed the American revolutionary leaders (José de San Martín, Simón Bolívar, Bernardo O’Higgins, among others), this essay poses a question on the function and critical literature on the painted portraits of the heroes and protagonists of national histories, before and after the invention of photography. Which ones raise up the collective memory and which do not, how symbolic efficacy is activated and deactivated from different representations of a face through time, are some of the questions raised here. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/138 10.19177/rcc.v0e02009111-124 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/138 |
identifier_str_mv |
10.19177/rcc.v0e02009111-124 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/138/152 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; Edição especial; 111-124 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220551790198784 |