Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections

Detalhes bibliográficos
Autor(a) principal: Garcia, Maria Amalia
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6333
Resumo: This essay studies Max Bill’s performance in the scene of the ArgentineanBrazilian Concretism, presenting a critical reflection on the postwar artistic historiography. The working hypothesis claims that for one to understand Bill’s artistic trajectory it is essential to turn to the events and relations that took place in the Argentinean-Brazilian scene. Bill found among the LatinAmericans possibilities of dialogue and action, which resulted unthinkable for his situation in the European scenery. On the other hand, artists and critics found in Bill’s production a systematic model for a series of searches already installed in the local circuits.
id UNISUL-2_ef6ecc64a4da972f9a032324f9fd0a86
oai_identifier_str oai:portaldeperiodicos.animaeducacao.com.br:article/6333
network_acronym_str UNISUL-2
network_name_str Crítica Cultural (Online)
repository_id_str
spelling Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American ConnectionsArte Concreto entre Argentina, Brasil y Suiza. Max Bill y sus conexiones latinoamericanas ConcretistConcretismArgentine-BrazilArte concretoArgentina-BrasilThis essay studies Max Bill’s performance in the scene of the ArgentineanBrazilian Concretism, presenting a critical reflection on the postwar artistic historiography. The working hypothesis claims that for one to understand Bill’s artistic trajectory it is essential to turn to the events and relations that took place in the Argentinean-Brazilian scene. Bill found among the LatinAmericans possibilities of dialogue and action, which resulted unthinkable for his situation in the European scenery. On the other hand, artists and critics found in Bill’s production a systematic model for a series of searches already installed in the local circuits.Este trabajo estudia la actuación de Max Bill en el panorama del arte concreto argentino-brasileño estableciendo una reflexión crítica sobre la historiografía artística de posguerra. La hipótesis de trabajo plantea que para comprender la trayectoria artística de Bill es central atender a los sucesos y vinculaciones que tuvieron lugar en el panorama argentino-brasileño. Bill encontró entre los sudamericanos posibilidades de diálogo y acción que resultaban impensables para su situación en el ámbito europeo. Por otro lado, artistas y críticos hallaron en la producción de Bill un modelo sistemático para una serie de búsquedas ya instaladas en los circuitos locales.Universidade do Sul de Santa Catarina2009-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/633310.19177/rcc.v4e12009209-217Revista Crítica Cultural; v. 4 n. 1 (2009); 209-2171980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6333/3831Copyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessGarcia, Maria Amalia2018-05-15T17:06:29Zoai:portaldeperiodicos.animaeducacao.com.br:article/6333Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-05-15T17:06:29Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
Arte Concreto entre Argentina, Brasil y Suiza. Max Bill y sus conexiones latinoamericanas Concretist
title Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
spellingShingle Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
Garcia, Maria Amalia
Concretism
Argentine-Brazil
Arte concreto
Argentina-Brasil
title_short Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
title_full Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
title_fullStr Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
title_full_unstemmed Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
title_sort Art among Argentina, Brazil and Switzerland. Max Bill and his Latin-American Connections
author Garcia, Maria Amalia
author_facet Garcia, Maria Amalia
author_role author
dc.contributor.author.fl_str_mv Garcia, Maria Amalia
dc.subject.por.fl_str_mv Concretism
Argentine-Brazil
Arte concreto
Argentina-Brasil
topic Concretism
Argentine-Brazil
Arte concreto
Argentina-Brasil
description This essay studies Max Bill’s performance in the scene of the ArgentineanBrazilian Concretism, presenting a critical reflection on the postwar artistic historiography. The working hypothesis claims that for one to understand Bill’s artistic trajectory it is essential to turn to the events and relations that took place in the Argentinean-Brazilian scene. Bill found among the LatinAmericans possibilities of dialogue and action, which resulted unthinkable for his situation in the European scenery. On the other hand, artists and critics found in Bill’s production a systematic model for a series of searches already installed in the local circuits.
publishDate 2009
dc.date.none.fl_str_mv 2009-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6333
10.19177/rcc.v4e12009209-217
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6333
identifier_str_mv 10.19177/rcc.v4e12009209-217
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/6333/3831
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 4 n. 1 (2009); 209-217
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220553207873536

Registros relacionados