In the field of dislocated similarities and empathic proximities

Detalhes bibliográficos
Autor(a) principal: Cherem, Rosângela Miranda
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/142
Resumo: The starting point in this essay assumes a view on photography through small fragments conceived as parts of a poliptic. If, as Barthes claims, everything can be a text, what is of interest here is not so much the meaning, nor the comparative and/or evolutive understanding that endows the present with the last word, but a stress on the character of heterogeneity and unrest when an ordaining and classificatory structure can be moved and its hierarchy undone over the technique and the documental record codified by the historical or journalistic relevance. In times of an unthinkable expansion of the imagetic arsenal and of screens that untiringly promise to reveal the facts in real time, be it a matter of intimate facts, be it a matter of facts of planetary significance, it seems wise to suspend those certainties about the photographic image in order to interrogate its very nature, asking how it survives such metamorphoses, constituting itself and persisting in its artistic condition.
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spelling In the field of dislocated similarities and empathic proximitiesNo campo das semelhanças deslocadas e das proximidades empáticasPhotographyImageContemporary artFotografiaImagemArte contemporâneaThe starting point in this essay assumes a view on photography through small fragments conceived as parts of a poliptic. If, as Barthes claims, everything can be a text, what is of interest here is not so much the meaning, nor the comparative and/or evolutive understanding that endows the present with the last word, but a stress on the character of heterogeneity and unrest when an ordaining and classificatory structure can be moved and its hierarchy undone over the technique and the documental record codified by the historical or journalistic relevance. In times of an unthinkable expansion of the imagetic arsenal and of screens that untiringly promise to reveal the facts in real time, be it a matter of intimate facts, be it a matter of facts of planetary significance, it seems wise to suspend those certainties about the photographic image in order to interrogate its very nature, asking how it survives such metamorphoses, constituting itself and persisting in its artistic condition.O ponto de partida deste texto pressupõe um pensamento sobre a fotografia através de pequenos fragmentos concebidos como partes de um políptico. Se, como ensina Barthes, tudo pode ser texto, o que interessa neste caso não é nem o significado e nem a compreensão comparativa e/ou evolutiva que concede ao presente a última palavra, mas uma ênfase ao caráter de inquietação e heterogeneidade, quando uma estrutura ordenadora e classificatória pode ser movimentada e desierarquizada em detrimento da técnica e do registro documental codificados pela importância histórica ou jornalística. Em tempos de expansão inimaginável do arsenal imagético e de telas que prometem revelar incansavelmente os fatos em tempo real, sejam eles íntimos ou de relevância planetária, parece conveniente suspender as certezas sobre a imagem fotográfica para interrogar sua natureza, problematizando como a mesma sobrevive por metamorfoses, constituindo-se e persistindo em sua condição artística.Universidade do Sul de Santa Catarina2009-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/14210.19177/rcc.v0e02009193-204Revista Crítica Cultural; Edição especial; 193-2041980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/142/156Cherem, Rosângela Mirandainfo:eu-repo/semantics/openAccess2016-09-30T19:50:12Zoai:portaldeperiodicos.animaeducacao.com.br:article/142Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:50:12Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv In the field of dislocated similarities and empathic proximities
No campo das semelhanças deslocadas e das proximidades empáticas
title In the field of dislocated similarities and empathic proximities
spellingShingle In the field of dislocated similarities and empathic proximities
Cherem, Rosângela Miranda
Photography
Image
Contemporary art
Fotografia
Imagem
Arte contemporânea
title_short In the field of dislocated similarities and empathic proximities
title_full In the field of dislocated similarities and empathic proximities
title_fullStr In the field of dislocated similarities and empathic proximities
title_full_unstemmed In the field of dislocated similarities and empathic proximities
title_sort In the field of dislocated similarities and empathic proximities
author Cherem, Rosângela Miranda
author_facet Cherem, Rosângela Miranda
author_role author
dc.contributor.author.fl_str_mv Cherem, Rosângela Miranda
dc.subject.por.fl_str_mv Photography
Image
Contemporary art
Fotografia
Imagem
Arte contemporânea
topic Photography
Image
Contemporary art
Fotografia
Imagem
Arte contemporânea
description The starting point in this essay assumes a view on photography through small fragments conceived as parts of a poliptic. If, as Barthes claims, everything can be a text, what is of interest here is not so much the meaning, nor the comparative and/or evolutive understanding that endows the present with the last word, but a stress on the character of heterogeneity and unrest when an ordaining and classificatory structure can be moved and its hierarchy undone over the technique and the documental record codified by the historical or journalistic relevance. In times of an unthinkable expansion of the imagetic arsenal and of screens that untiringly promise to reveal the facts in real time, be it a matter of intimate facts, be it a matter of facts of planetary significance, it seems wise to suspend those certainties about the photographic image in order to interrogate its very nature, asking how it survives such metamorphoses, constituting itself and persisting in its artistic condition.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/142
10.19177/rcc.v0e02009193-204
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/142
identifier_str_mv 10.19177/rcc.v0e02009193-204
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/142/156
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; Edição especial; 193-204
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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