A influência da música eletroacústica sobre obras para piano de György Ligeti e a criação de estilemas pianísticos

• Autor(a) principal: Dias, Helen Priscila Gallo [UNESP]
• Data de Publicação: 2014
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://hdl.handle.net/11449/108803
• topic: Ligeti, György, 1923-2006; Música por computador; Musica eletronica; Musica para piano; Musica instrumental; Computer music

This thesis discusses the influence of György Ligeti’s electroacoustic thinking on his piano work from 1976 to 2001. Our goal is to demonstrate that the years when the composer worked at the electronic music studio in Cologne had a strong impact on his later compositions, even though these two periods are chronologically distant from each another. We also argue that this factor resulted in new stylistic elements and as a consequence in the scriptural expansion of his pianistic repertoire. On the basis of Ligeti’s writings (1958-1959, 1960, 1980, 1993, 1996), as well as of Michel’s (1995), Toop’s (1999) and Delaplace’s, and through an analysis of their ideas and a study of Ligeti’s repertoire between 1976-2001, we were able to find that there is actually a veiled but close relationship between Ligeti’s electronic experience and his later set of piano works