The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917)
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.1080/08949468.2017.1276383 http://hdl.handle.net/11449/165487 |
Resumo: | Although rarely mentioned in English-language texts, Rituais de Festas Bororo has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917, the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis. |
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The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917)Although rarely mentioned in English-language texts, Rituais de Festas Bororo has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917, the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis.Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)Leverhulme TrustUniv Sao Paulo, Anthropol, BR-05508 Sao Paulo, BrazilUniv Estadual Paulista, Anthropol, Sao Paulo, BrazilUniv Manchester, Granada Ctr Visual Anthropol, Visual Anthropol, Manchester M13 9PL, Lancs, EnglandUniv Estadual Paulista, Anthropol, Sao Paulo, BrazilCNPq: 308257/2014-6FAPESP: 2008/56438-6Routledge Journals, Taylor & Francis LtdUniversidade de São Paulo (USP)Universidade Estadual Paulista (Unesp)Univ ManchesterNovaes, Sylvia CaiubyCunha, Edgar Teodoro da [UNESP]Henley, Paul2018-11-28T04:04:18Z2018-11-28T04:04:18Z2017-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article105-146application/pdfhttp://dx.doi.org/10.1080/08949468.2017.1276383Visual Anthropology. Abingdon: Routledge Journals, Taylor & Francis Ltd, v. 30, n. 2, p. 105-146, 2017.0894-9468http://hdl.handle.net/11449/16548710.1080/08949468.2017.1276383WOS:000395121000001WOS000395121000001.pdf65392614863883680000-0001-9749-6126Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPengVisual Anthropology0,150info:eu-repo/semantics/openAccess2024-06-10T15:54:42Zoai:repositorio.unesp.br:11449/165487Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T18:00:23.517188Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
title |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
spellingShingle |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) Novaes, Sylvia Caiuby |
title_short |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
title_full |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
title_fullStr |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
title_full_unstemmed |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
title_sort |
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917) |
author |
Novaes, Sylvia Caiuby |
author_facet |
Novaes, Sylvia Caiuby Cunha, Edgar Teodoro da [UNESP] Henley, Paul |
author_role |
author |
author2 |
Cunha, Edgar Teodoro da [UNESP] Henley, Paul |
author2_role |
author author |
dc.contributor.none.fl_str_mv |
Universidade de São Paulo (USP) Universidade Estadual Paulista (Unesp) Univ Manchester |
dc.contributor.author.fl_str_mv |
Novaes, Sylvia Caiuby Cunha, Edgar Teodoro da [UNESP] Henley, Paul |
description |
Although rarely mentioned in English-language texts, Rituais de Festas Bororo has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917, the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-01-01 2018-11-28T04:04:18Z 2018-11-28T04:04:18Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.1080/08949468.2017.1276383 Visual Anthropology. Abingdon: Routledge Journals, Taylor & Francis Ltd, v. 30, n. 2, p. 105-146, 2017. 0894-9468 http://hdl.handle.net/11449/165487 10.1080/08949468.2017.1276383 WOS:000395121000001 WOS000395121000001.pdf 6539261486388368 0000-0001-9749-6126 |
url |
http://dx.doi.org/10.1080/08949468.2017.1276383 http://hdl.handle.net/11449/165487 |
identifier_str_mv |
Visual Anthropology. Abingdon: Routledge Journals, Taylor & Francis Ltd, v. 30, n. 2, p. 105-146, 2017. 0894-9468 10.1080/08949468.2017.1276383 WOS:000395121000001 WOS000395121000001.pdf 6539261486388368 0000-0001-9749-6126 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Visual Anthropology 0,150 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
105-146 application/pdf |
dc.publisher.none.fl_str_mv |
Routledge Journals, Taylor & Francis Ltd |
publisher.none.fl_str_mv |
Routledge Journals, Taylor & Francis Ltd |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
_version_ |
1808128884228489216 |