Rap: o duelo de rimas no cotidiano do jovem

Detalhes bibliográficos
Autor(a) principal: Tejera, Daniel Bidia Olmedo [UNESP]
Data de Publicação: 2013
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/108763
Resumo: This research will focus on the “Batalha Central”, an event that happens every month at downtown of Piracicaba / SP in which admirers of Hip-hop culture and Rap music come together to fight duels rhymes in a playful way. The objective of this study is to identify if the Hip-hop – specifically Rap battles in the context of improvisation – may or may not can contribute to development of the participant, especially critical and creative and to check the influence cultural precepts of the Hip-hop can have on participants. The Hip-hop emerges from an urban context, created by young blacks and caribbean immigrants as a form of cultural expression, in the district of the Bronx, New York, United States in the 60s. In order to transform the gang violence in disputes healthy, Afrika Bambaataa – one of the main organizers of block parties – began to organize such parties aiming to convert the strife in duels involving artistic expressions divided into four elements: Mc, Dj, Break and Graphite. The merger between the Mc and Dj Rap originated. The type of Rap that we discuss in this study is the impromptu Rap, sort of challenge based on oral poetry and improvisation, a mechanism similar to that found in brazilian “Repente”. This is a qualitative research is characterized by a case study and exploration. To obtain data, were used for semistructured interviews, document analysis and participant observation, in addition to a previous literature. Through this study it was possible to understand the influence exerted by the precepts of Hip-hop in the lives of young people participating in this leisure practice, which will probably end up supplying some needs unmet at school, or other follow-up of society, in addition to understanding a little about how specifically the battles of Mc `s interferes with the development of creativity and criticality of the practitioner
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spelling Rap: o duelo de rimas no cotidiano do jovemEducational sociologySociologia educacionalRap (Música)Improvisação (Musica)RimasHip-hop (Cultura popular)JovensCriatividadePiracicaba (SP)This research will focus on the “Batalha Central”, an event that happens every month at downtown of Piracicaba / SP in which admirers of Hip-hop culture and Rap music come together to fight duels rhymes in a playful way. The objective of this study is to identify if the Hip-hop – specifically Rap battles in the context of improvisation – may or may not can contribute to development of the participant, especially critical and creative and to check the influence cultural precepts of the Hip-hop can have on participants. The Hip-hop emerges from an urban context, created by young blacks and caribbean immigrants as a form of cultural expression, in the district of the Bronx, New York, United States in the 60s. In order to transform the gang violence in disputes healthy, Afrika Bambaataa – one of the main organizers of block parties – began to organize such parties aiming to convert the strife in duels involving artistic expressions divided into four elements: Mc, Dj, Break and Graphite. The merger between the Mc and Dj Rap originated. The type of Rap that we discuss in this study is the impromptu Rap, sort of challenge based on oral poetry and improvisation, a mechanism similar to that found in brazilian “Repente”. This is a qualitative research is characterized by a case study and exploration. To obtain data, were used for semistructured interviews, document analysis and participant observation, in addition to a previous literature. Through this study it was possible to understand the influence exerted by the precepts of Hip-hop in the lives of young people participating in this leisure practice, which will probably end up supplying some needs unmet at school, or other follow-up of society, in addition to understanding a little about how specifically the battles of Mc `s interferes with the development of creativity and criticality of the practitionerEste trabalho versará sobre a Batalha Central, evento que acontece mensalmente, no centro de Piracicaba/SP em que admiradores da cultura Hip-hop e da música Rap se reúnem, para travar duelos de rimas de uma forma lúdica. O objetivo deste trabalho é identificar se o Hip-hop – especificamente o Rap no contexto das batalhas de improviso – pode ou não contribuir para o desenvolvimento do participante, principalmente crítico e criativo, além de verificar a influência de ordem cultural que os preceitos do Hip-hop podem exercer nessas pessoas. O Hiphop emerge de um contexto urbano, criado por jovens negros e imigrantes caribenhos como uma forma de expressão cultural, no distrito do Bronx, Nova Iorque, Estados Unidos, na década de 60. A fim de transformar a violência das gangues em disputas sadias, Afrika Bambaataa – um dos principais organizadores das festas de rua – passou a organizar tais festas, objetivando converter as “rixas” em duelos que envolviam expressões artísticas, divididas em quatros elementos: Mc, Dj, Break e Grafite. A fusão entre o Mc e o Dj originou o Rap. A modalidade de Rap que abordaremos nesse estudo é o Rap de improviso, espécie de poesia oral, baseada no desafio e improviso, mecanismos parecidos com os encontrados no Repente. Esta é uma pesquisa qualitativa caracterizada por ser um estudo de caso e exploratório. Para a obtenção de dados, foram usadas a entrevista semiestruturada, a análise documental e a observação participante, além de um prévio levantamento bibliográfico. Através deste estudo, foi possível perceber a influência exercida pelos preceitos do Hip-hop na vida dos jovens participantes desta prática de lazer, que acaba suprindo algumas necessidades provavelmente não satisfeitas na escola ou em outro seguimento da sociedade, além de entender como especificamente as batalhas de Mc`s interferem no desenvolvimento da criatividade e criticidade do praticante, e consequentemente...Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)Universidade Estadual Paulista (Unesp)Aguiar, Carmen Maria [UNESP]Universidade Estadual Paulista (Unesp)Tejera, Daniel Bidia Olmedo [UNESP]2014-08-13T14:50:56Z2014-08-13T14:50:56Z2013-08-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis107 f. : il., tabs.application/pdfTEJERA, Daniel Bidia Olmedo. Rap: o duelo de rimas no cotidiano do jovem. 2013. 107 f. Dissertação - (mestrado) - Universidade Estadual Paulista, Instituto de Biociências de Rio Claro, 2013.http://hdl.handle.net/11449/108763000767826000767826.pdf33004137062P09054423139563231Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2024-01-24T06:34:18Zoai:repositorio.unesp.br:11449/108763Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T23:51:53.755256Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Rap: o duelo de rimas no cotidiano do jovem
title Rap: o duelo de rimas no cotidiano do jovem
spellingShingle Rap: o duelo de rimas no cotidiano do jovem
Tejera, Daniel Bidia Olmedo [UNESP]
Educational sociology
Sociologia educacional
Rap (Música)
Improvisação (Musica)
Rimas
Hip-hop (Cultura popular)
Jovens
Criatividade
Piracicaba (SP)
title_short Rap: o duelo de rimas no cotidiano do jovem
title_full Rap: o duelo de rimas no cotidiano do jovem
title_fullStr Rap: o duelo de rimas no cotidiano do jovem
title_full_unstemmed Rap: o duelo de rimas no cotidiano do jovem
title_sort Rap: o duelo de rimas no cotidiano do jovem
author Tejera, Daniel Bidia Olmedo [UNESP]
author_facet Tejera, Daniel Bidia Olmedo [UNESP]
author_role author
dc.contributor.none.fl_str_mv Aguiar, Carmen Maria [UNESP]
Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Tejera, Daniel Bidia Olmedo [UNESP]
dc.subject.por.fl_str_mv Educational sociology
Sociologia educacional
Rap (Música)
Improvisação (Musica)
Rimas
Hip-hop (Cultura popular)
Jovens
Criatividade
Piracicaba (SP)
topic Educational sociology
Sociologia educacional
Rap (Música)
Improvisação (Musica)
Rimas
Hip-hop (Cultura popular)
Jovens
Criatividade
Piracicaba (SP)
description This research will focus on the “Batalha Central”, an event that happens every month at downtown of Piracicaba / SP in which admirers of Hip-hop culture and Rap music come together to fight duels rhymes in a playful way. The objective of this study is to identify if the Hip-hop – specifically Rap battles in the context of improvisation – may or may not can contribute to development of the participant, especially critical and creative and to check the influence cultural precepts of the Hip-hop can have on participants. The Hip-hop emerges from an urban context, created by young blacks and caribbean immigrants as a form of cultural expression, in the district of the Bronx, New York, United States in the 60s. In order to transform the gang violence in disputes healthy, Afrika Bambaataa – one of the main organizers of block parties – began to organize such parties aiming to convert the strife in duels involving artistic expressions divided into four elements: Mc, Dj, Break and Graphite. The merger between the Mc and Dj Rap originated. The type of Rap that we discuss in this study is the impromptu Rap, sort of challenge based on oral poetry and improvisation, a mechanism similar to that found in brazilian “Repente”. This is a qualitative research is characterized by a case study and exploration. To obtain data, were used for semistructured interviews, document analysis and participant observation, in addition to a previous literature. Through this study it was possible to understand the influence exerted by the precepts of Hip-hop in the lives of young people participating in this leisure practice, which will probably end up supplying some needs unmet at school, or other follow-up of society, in addition to understanding a little about how specifically the battles of Mc `s interferes with the development of creativity and criticality of the practitioner
publishDate 2013
dc.date.none.fl_str_mv 2013-08-01
2014-08-13T14:50:56Z
2014-08-13T14:50:56Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv TEJERA, Daniel Bidia Olmedo. Rap: o duelo de rimas no cotidiano do jovem. 2013. 107 f. Dissertação - (mestrado) - Universidade Estadual Paulista, Instituto de Biociências de Rio Claro, 2013.
http://hdl.handle.net/11449/108763
000767826
000767826.pdf
33004137062P0
9054423139563231
identifier_str_mv TEJERA, Daniel Bidia Olmedo. Rap: o duelo de rimas no cotidiano do jovem. 2013. 107 f. Dissertação - (mestrado) - Universidade Estadual Paulista, Instituto de Biociências de Rio Claro, 2013.
000767826
000767826.pdf
33004137062P0
9054423139563231
url http://hdl.handle.net/11449/108763
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 107 f. : il., tabs.
application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.source.none.fl_str_mv Aleph
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
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repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
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