Artemídia resistente: processos e procedimentos artísticos aplicados no cinema : o trailer de cinema underground paulistano

• Autor(a) principal: Stevanin Junior, Vebis [UNESP]
• Data de Publicação: 2011
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://hdl.handle.net/11449/111031
• topic: Cinema; Arte e tecnologia; Cinema experimental; Art and technology

Purpose: Research the characteristics, form and aesthetics of São Paulo’s underground films of the 60’s, in which a fake trailer was made using what was observed from key filmmakers of this film movement as a corresponding work that completes the research. Methodology: Qualitative analyses in which information was obtained on how to create a trailer and its history from its inception until exhibition, and through that, done an equivalent fake trailer that would copy the majority of the “boca-do-lixo” films. Results: Done the research on films and the life of directors, it can be noticed some common ideas through its repetition and the same sense of doubt as to where the country would go in this period of pre-dictatorship, making the characters in the films nomads, lost and no political ideals. Conclusion: Excess became a way which the characters could follow on the films. The matching work tries to follow this atmosphere.