Linguagens do corpo: registro e fotoperformance na Exposição Mulheres Radicais

• Autor(a) principal: Araujo, Daniele Lima de [UNESP]
• Data de Publicação: 2019
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://hdl.handle.net/11449/203953; http://www.athena.biblioteca.unesp.br/exlibris/bd/capelo/2020-03-13/000929210.pdf
• topic: Corpo como suporte da arte; Desempenho; Mulheres na arte; Exposições; Performance

This research addresses the presence and recurrence of registration and photoperformance at the exhibition Radical Women: Latin American Art, 1960-1985, exhibited by the Pinacoteca de São Paulo from August 18 to November 19, 2018. From qualitative bibliographic research and study fieldwork at the exhibition, an expographic analysis was performed, raising in numbers the amount of artist who uses the electronic image, followed by the analysis of performance and photoperformance photographs of selected artists present at the exhibition. The objective was to relate the expographic, museological context with performance and the concept of image registration in contemporary art surrounded by the Latin American socio-political context. The research results show that the record is present not only in the expository context, but also in the artistic strategies of Latin American artists in a military dictatorship context, the same period in which performance is developing as a language and recording devices. Electronics are incorporated into artistic processes. This concomitance of events reflects in the poetic process of the artists in the construction of a new iconography of the body