What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.12957/matraga.2021.59528 http://hdl.handle.net/11449/218533 |
Resumo: | This article discusses the forms of realism in contemporary Brazilian fiction and proposes an analysis of the short story A unha encravada e o esmalte, by Allan da Rosa, observing how the fragmentation of the human body acts in the representation of the city and its inequalities taking into consideration the marches that took place throughout Brazil in June 2013. The analysis starts from the hypothesis that the short story assumes, in the terms proposed by Tania Pellegrini (2018), a realistic posture sustained in a critical position that promotes an in-depth representation from the social constitution, making uses of aesthetic resources based not in the narration of facts or in the description of spaces, but in capturing the way in which each human body relates to space and other bodies. In this regard, the analysis carried out here highlights the deformation of the human body as a central instrument in the composition of the narrative, projecting itself on the representation of the city and on the social structures that comprise it as a fragmented and unequal body. |
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What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da RosaRepresentationRealismContemporary fictionAllan da RosaThis article discusses the forms of realism in contemporary Brazilian fiction and proposes an analysis of the short story A unha encravada e o esmalte, by Allan da Rosa, observing how the fragmentation of the human body acts in the representation of the city and its inequalities taking into consideration the marches that took place throughout Brazil in June 2013. The analysis starts from the hypothesis that the short story assumes, in the terms proposed by Tania Pellegrini (2018), a realistic posture sustained in a critical position that promotes an in-depth representation from the social constitution, making uses of aesthetic resources based not in the narration of facts or in the description of spaces, but in capturing the way in which each human body relates to space and other bodies. In this regard, the analysis carried out here highlights the deformation of the human body as a central instrument in the composition of the narrative, projecting itself on the representation of the city and on the social structures that comprise it as a fragmented and unequal body.Univ Estadual Paulista, Presidente Prudente, BrazilUniv Estadual Paulista, Presidente Prudente, BrazilUniv Fed Rio De Janeiro, Fac LetrasUniversidade Estadual Paulista (UNESP)Santini, Juliana [UNESP]2022-04-28T17:21:30Z2022-04-28T17:21:30Z2021-09-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article580-592http://dx.doi.org/10.12957/matraga.2021.59528Matraga-estudos Linguisticos E Literario. Rio De Janeiro Rj: Univ Fed Rio De Janeiro, Fac Letras, v. 28, n. 54, p. 580-592, 2021.1414-7165http://hdl.handle.net/11449/21853310.12957/matraga.2021.59528WOS:000753331500004Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporMatraga-estudos Linguisticos E Literarioinfo:eu-repo/semantics/openAccess2022-04-28T17:21:30Zoai:repositorio.unesp.br:11449/218533Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T22:40:23.894333Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
title |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
spellingShingle |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa Santini, Juliana [UNESP] Representation Realism Contemporary fiction Allan da Rosa |
title_short |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
title_full |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
title_fullStr |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
title_full_unstemmed |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
title_sort |
What body is that? The city and the real in the short story A unha encravada e o esmalte (2016), by Allan da Rosa |
author |
Santini, Juliana [UNESP] |
author_facet |
Santini, Juliana [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
Santini, Juliana [UNESP] |
dc.subject.por.fl_str_mv |
Representation Realism Contemporary fiction Allan da Rosa |
topic |
Representation Realism Contemporary fiction Allan da Rosa |
description |
This article discusses the forms of realism in contemporary Brazilian fiction and proposes an analysis of the short story A unha encravada e o esmalte, by Allan da Rosa, observing how the fragmentation of the human body acts in the representation of the city and its inequalities taking into consideration the marches that took place throughout Brazil in June 2013. The analysis starts from the hypothesis that the short story assumes, in the terms proposed by Tania Pellegrini (2018), a realistic posture sustained in a critical position that promotes an in-depth representation from the social constitution, making uses of aesthetic resources based not in the narration of facts or in the description of spaces, but in capturing the way in which each human body relates to space and other bodies. In this regard, the analysis carried out here highlights the deformation of the human body as a central instrument in the composition of the narrative, projecting itself on the representation of the city and on the social structures that comprise it as a fragmented and unequal body. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-01 2022-04-28T17:21:30Z 2022-04-28T17:21:30Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.12957/matraga.2021.59528 Matraga-estudos Linguisticos E Literario. Rio De Janeiro Rj: Univ Fed Rio De Janeiro, Fac Letras, v. 28, n. 54, p. 580-592, 2021. 1414-7165 http://hdl.handle.net/11449/218533 10.12957/matraga.2021.59528 WOS:000753331500004 |
url |
http://dx.doi.org/10.12957/matraga.2021.59528 http://hdl.handle.net/11449/218533 |
identifier_str_mv |
Matraga-estudos Linguisticos E Literario. Rio De Janeiro Rj: Univ Fed Rio De Janeiro, Fac Letras, v. 28, n. 54, p. 580-592, 2021. 1414-7165 10.12957/matraga.2021.59528 WOS:000753331500004 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Matraga-estudos Linguisticos E Literario |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
580-592 |
dc.publisher.none.fl_str_mv |
Univ Fed Rio De Janeiro, Fac Letras |
publisher.none.fl_str_mv |
Univ Fed Rio De Janeiro, Fac Letras |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808129449955164160 |