O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo

Detalhes bibliográficos
Autor(a) principal: Alves, Maria Cláudia Rodrigues [UNESP]
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://www.olhodagua.ibilce.unesp.br/index.php/Olhodagua/article/view/117
http://hdl.handle.net/11449/122611
Resumo: In the mid-nineteenth century, in his fruitful years of the perhaps best-known shortest literary career, Álvares de Azevedo wrote this verse “As ondas são anjos que dormem no mar” (“The waves are angels who sleep in the sea”). In the presentation of João Gilberto Noll’s young adult novel Anjo das ondas (Angel of the waves) in 2010, Ivan Marques states that the character in the novel, Gustavo, “with his adolescent passion, and torn spirit with overflowing lyrics, could even be compared to our tropical Byron”. João Gilberto Noll establishes a connection between him and Álvares de Azevedo that invites the reader to go beyond a first reading level of his work, seeking evidence of dialogue ratification between two apparently distant writers. The subtle intertextuality exceeds the initial clue and can be detected on Noll’s theme development from the history of Gustavo, a troubled teenager in search of his identity. Noll’s affinity to Álvares de Azevedo can still be captured in his narrative texture, in voices coming from his text; however, they also reveal to be unique and original features of his literary production. An apparent exercise in style shows that each author fulfills his mission by expressing, in his own way, the feeling of his time. In addition, it shows that through aesthetic emotion, literature allows us to transcend time and space.
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spelling O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedoliteratura brasileira contemporâneaIntertextualidadeRomantismo brasileiroIn the mid-nineteenth century, in his fruitful years of the perhaps best-known shortest literary career, Álvares de Azevedo wrote this verse “As ondas são anjos que dormem no mar” (“The waves are angels who sleep in the sea”). In the presentation of João Gilberto Noll’s young adult novel Anjo das ondas (Angel of the waves) in 2010, Ivan Marques states that the character in the novel, Gustavo, “with his adolescent passion, and torn spirit with overflowing lyrics, could even be compared to our tropical Byron”. João Gilberto Noll establishes a connection between him and Álvares de Azevedo that invites the reader to go beyond a first reading level of his work, seeking evidence of dialogue ratification between two apparently distant writers. The subtle intertextuality exceeds the initial clue and can be detected on Noll’s theme development from the history of Gustavo, a troubled teenager in search of his identity. Noll’s affinity to Álvares de Azevedo can still be captured in his narrative texture, in voices coming from his text; however, they also reveal to be unique and original features of his literary production. An apparent exercise in style shows that each author fulfills his mission by expressing, in his own way, the feeling of his time. In addition, it shows that through aesthetic emotion, literature allows us to transcend time and space.Em meados do século XIX, nos anos fecundos da talvez mais breve carreira literária conhecida, Álvares de Azevedo escreveu o verso “As ondas são anjos que dormem no mar”. À apresentação do romance juvenil de João Gilberto Noll Anjo das ondas, em 2010, Ivan Marques declara que o personagem do romance, Gustavo, “com seu ardor adolescente e seu espírito dilacerado, transbordante de lirismo, poderia mesmo ser comparado ao nosso Byron tropical”. João Gilberto Noll estabelece com Álvares de Azevedo um vínculo que convida o leitor a ir além de uma leitura em primeiro nível de sua obra, buscando indícios que ratifiquem o diálogo entre dois escritores aparentemente tão distantes. O sutil intertexto ultrapassa a pista inicial e pode ser detectado no tema desenvolvido por Noll a partir da história de Gustavo, um adolescente angustiado em busca de sua identidade. A afinidade com Álvares de Azevedo pode ainda ser captada na tessitura narrativa de Noll, em seu fazer literário, nas vozes que emanam de seu texto, mas que se revelam únicas, originais, próprias ao fazer nolliano. Em ambos, um aparente exercício de estilo demonstra que cada escritor cumpre sua missão e exprime a seu modo o sentimento de sua época, e, sobretudo, que a partir da emoção estética pode-se, através da literatura, transcender tempo e espaço.Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Biociências Letras e Ciências Exatas de São José do Rio Preto, São José do Rio Preto, Rua Cristóvão colombo, 2265, Jardim Nazareth, CEP 15054000, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Biociências Letras e Ciências Exatas de São José do Rio Preto, São José do Rio Preto, Rua Cristóvão colombo, 2265, Jardim Nazareth, CEP 15054000, SP, BrasilUniversidade Estadual Paulista (Unesp)Alves, Maria Cláudia Rodrigues [UNESP]2015-04-27T11:55:54Z2015-04-27T11:55:54Z2011info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article29-48application/pdfhttp://www.olhodagua.ibilce.unesp.br/index.php/Olhodagua/article/view/117Revista Olho d'água, v. 3, n. 1, p. 29-48, 2011.2177-3807http://hdl.handle.net/11449/122611ISSN2177-3807-2011-03-01-29-48.pdf8604882208242811Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporRevista Olho d'águainfo:eu-repo/semantics/openAccess2023-10-20T06:05:54Zoai:repositorio.unesp.br:11449/122611Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-05-23T12:55:10.302296Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
title O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
spellingShingle O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
Alves, Maria Cláudia Rodrigues [UNESP]
literatura brasileira contemporânea
Intertextualidade
Romantismo brasileiro
title_short O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
title_full O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
title_fullStr O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
title_full_unstemmed O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
title_sort O passado no presente: João Gilberto Noll, leitor de Álvares de Azevedo
author Alves, Maria Cláudia Rodrigues [UNESP]
author_facet Alves, Maria Cláudia Rodrigues [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Alves, Maria Cláudia Rodrigues [UNESP]
dc.subject.por.fl_str_mv literatura brasileira contemporânea
Intertextualidade
Romantismo brasileiro
topic literatura brasileira contemporânea
Intertextualidade
Romantismo brasileiro
description In the mid-nineteenth century, in his fruitful years of the perhaps best-known shortest literary career, Álvares de Azevedo wrote this verse “As ondas são anjos que dormem no mar” (“The waves are angels who sleep in the sea”). In the presentation of João Gilberto Noll’s young adult novel Anjo das ondas (Angel of the waves) in 2010, Ivan Marques states that the character in the novel, Gustavo, “with his adolescent passion, and torn spirit with overflowing lyrics, could even be compared to our tropical Byron”. João Gilberto Noll establishes a connection between him and Álvares de Azevedo that invites the reader to go beyond a first reading level of his work, seeking evidence of dialogue ratification between two apparently distant writers. The subtle intertextuality exceeds the initial clue and can be detected on Noll’s theme development from the history of Gustavo, a troubled teenager in search of his identity. Noll’s affinity to Álvares de Azevedo can still be captured in his narrative texture, in voices coming from his text; however, they also reveal to be unique and original features of his literary production. An apparent exercise in style shows that each author fulfills his mission by expressing, in his own way, the feeling of his time. In addition, it shows that through aesthetic emotion, literature allows us to transcend time and space.
publishDate 2011
dc.date.none.fl_str_mv 2011
2015-04-27T11:55:54Z
2015-04-27T11:55:54Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.olhodagua.ibilce.unesp.br/index.php/Olhodagua/article/view/117
Revista Olho d'água, v. 3, n. 1, p. 29-48, 2011.
2177-3807
http://hdl.handle.net/11449/122611
ISSN2177-3807-2011-03-01-29-48.pdf
8604882208242811
url http://www.olhodagua.ibilce.unesp.br/index.php/Olhodagua/article/view/117
http://hdl.handle.net/11449/122611
identifier_str_mv Revista Olho d'água, v. 3, n. 1, p. 29-48, 2011.
2177-3807
ISSN2177-3807-2011-03-01-29-48.pdf
8604882208242811
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Revista Olho d'água
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 29-48
application/pdf
dc.source.none.fl_str_mv Currículo Lattes
reponame:Repositório Institucional da UNESP
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instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
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