O jogo de intermediações enunciativas no romance de Alan Pauls
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://seer.fclar.unesp.br/casa/article/view/5600 http://hdl.handle.net/11449/124930 |
Resumo: | The novel O passado (2003) by Alan Pauls presents many isotopies which would deserve to be investigated: there is a varied construction of loving relationships among the characters, who reveal different feelings, that would allow a mapping of passions to be studied; there is an activity of translation (role performed by Rimini and Carmen) that engenders a very rich reflection on the literary activity which is taking place. There is also the presence of a visual artist, Jeremy Riltse, revealing a poetic work which was created by this discourse. Due to the dimension that a research of this kind would require, it is not possible to deal with all the isotopies. Thus, the last one was chosen to be investigated, that is, to verify how the fictional visual artist and his singular work operate in the novel. |
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O jogo de intermediações enunciativas no romance de Alan PaulsThe play on enunciative intermediations in Alan Pauls’ novelEnunciationContemporary NarrativeLiterature and other ArtsEnunciaçãoNarrativa ContemporâneaLiteratura e outras ArtesThe novel O passado (2003) by Alan Pauls presents many isotopies which would deserve to be investigated: there is a varied construction of loving relationships among the characters, who reveal different feelings, that would allow a mapping of passions to be studied; there is an activity of translation (role performed by Rimini and Carmen) that engenders a very rich reflection on the literary activity which is taking place. There is also the presence of a visual artist, Jeremy Riltse, revealing a poetic work which was created by this discourse. Due to the dimension that a research of this kind would require, it is not possible to deal with all the isotopies. Thus, the last one was chosen to be investigated, that is, to verify how the fictional visual artist and his singular work operate in the novel.O romance O passado (2003) de Alan Pauls apresenta muitas isotopias que mereceriam ser investigadas: há uma construção variada de relacionamentos amorosos entre os personagens com sentimentos diferentes, que permitiriam um mapeamento de paixões a serem estudadas; há uma atividade de tradução (ofício desempenhado por Rimini e Carmen) que engendra contornos muito ricos na reflexão sobre a atividade literária que está se realizando. E há a presença de Jeremy Riltse, artista plástico criado por esse discurso, com uma poética completa. Um trabalho com a dimensão que este pretende ter, não conseguiria tratar de todas elas. Ficamos apenas com a última, ou seja, verificar como o artista plástico ficcional e sua obra singular funcionam no romance.Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Literatura, Faculdade de Ciências e Letras de Araraquara, Araraquara, Rod. Araraquara-Jaú Km 1, Campus Universitário, CEP 14800-901, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Literatura, Faculdade de Ciências e Letras de Araraquara, Araraquara, Rod. Araraquara-Jaú Km 1, Campus Universitário, CEP 14800-901, SP, BrasilUniversidade Estadual Paulista (Unesp)Baldan, Maria de Lourdes Ortiz Gandini [UNESP]2015-07-15T18:28:00Z2015-07-15T18:28:00Z2012info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://seer.fclar.unesp.br/casa/article/view/5600CASA, v. 10, n. 2, p. 1-12, 2012.1679-3404http://hdl.handle.net/11449/124930ISSN1679-3404-2012-10-02-01-12.pdf9077609822284701Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporCASAinfo:eu-repo/semantics/openAccess2024-06-11T13:38:02Zoai:repositorio.unesp.br:11449/124930Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T15:05:14.494355Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
O jogo de intermediações enunciativas no romance de Alan Pauls The play on enunciative intermediations in Alan Pauls’ novel |
title |
O jogo de intermediações enunciativas no romance de Alan Pauls |
spellingShingle |
O jogo de intermediações enunciativas no romance de Alan Pauls Baldan, Maria de Lourdes Ortiz Gandini [UNESP] Enunciation Contemporary Narrative Literature and other Arts Enunciação Narrativa Contemporânea Literatura e outras Artes |
title_short |
O jogo de intermediações enunciativas no romance de Alan Pauls |
title_full |
O jogo de intermediações enunciativas no romance de Alan Pauls |
title_fullStr |
O jogo de intermediações enunciativas no romance de Alan Pauls |
title_full_unstemmed |
O jogo de intermediações enunciativas no romance de Alan Pauls |
title_sort |
O jogo de intermediações enunciativas no romance de Alan Pauls |
author |
Baldan, Maria de Lourdes Ortiz Gandini [UNESP] |
author_facet |
Baldan, Maria de Lourdes Ortiz Gandini [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Baldan, Maria de Lourdes Ortiz Gandini [UNESP] |
dc.subject.por.fl_str_mv |
Enunciation Contemporary Narrative Literature and other Arts Enunciação Narrativa Contemporânea Literatura e outras Artes |
topic |
Enunciation Contemporary Narrative Literature and other Arts Enunciação Narrativa Contemporânea Literatura e outras Artes |
description |
The novel O passado (2003) by Alan Pauls presents many isotopies which would deserve to be investigated: there is a varied construction of loving relationships among the characters, who reveal different feelings, that would allow a mapping of passions to be studied; there is an activity of translation (role performed by Rimini and Carmen) that engenders a very rich reflection on the literary activity which is taking place. There is also the presence of a visual artist, Jeremy Riltse, revealing a poetic work which was created by this discourse. Due to the dimension that a research of this kind would require, it is not possible to deal with all the isotopies. Thus, the last one was chosen to be investigated, that is, to verify how the fictional visual artist and his singular work operate in the novel. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012 2015-07-15T18:28:00Z 2015-07-15T18:28:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://seer.fclar.unesp.br/casa/article/view/5600 CASA, v. 10, n. 2, p. 1-12, 2012. 1679-3404 http://hdl.handle.net/11449/124930 ISSN1679-3404-2012-10-02-01-12.pdf 9077609822284701 |
url |
http://seer.fclar.unesp.br/casa/article/view/5600 http://hdl.handle.net/11449/124930 |
identifier_str_mv |
CASA, v. 10, n. 2, p. 1-12, 2012. 1679-3404 ISSN1679-3404-2012-10-02-01-12.pdf 9077609822284701 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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CASA |
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info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808128458120757248 |