Martins Pena folhetinista, uma faceta midiática transcultural
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://hdl.handle.net/11449/220129 |
Resumo: | Commonly known as the creator of the Brazilian comedy, Martins Pena served as a journalist for Jornal do Commercio. In this newspaper, between 1846-1847, Pena was the creator of the captions for the theatrical serials entitled Semana Lírica. Following the trend of media revolution triggered with the creation of the French newspaper La Presse in 1836, we will work with the hypothesis that such captions are a cultural trait transferred to the footer of the Brazilian newspaper. However, if we think of the media globalization process occurred throughout the nineteenth century, in which are inscribed the internationalization of journalistic models, not only the captions in question, but also the very facet of Martins Pena as their creator can be thought of as a manifestation of the communication and circulation of ideas, as well as exchanges between two different cultural spaces. Therefore, based on the studies of literature and the press and in the theory of Cultural Transfers, we intend to reflect on this issue explaining the route of the journalist and comedy writer and how he can be considered a theatrical serial playwright. We conclude by exploring how Pena sees himself as a serial writer, retracing his comments on his role, recovered in his chronicles. |
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Martins Pena folhetinista, uma faceta midiática transculturalA transcultural media facet by the playwright Martins PenaMedia globalizationCultural transfersMartins PenaTheatrical serialCommonly known as the creator of the Brazilian comedy, Martins Pena served as a journalist for Jornal do Commercio. In this newspaper, between 1846-1847, Pena was the creator of the captions for the theatrical serials entitled Semana Lírica. Following the trend of media revolution triggered with the creation of the French newspaper La Presse in 1836, we will work with the hypothesis that such captions are a cultural trait transferred to the footer of the Brazilian newspaper. However, if we think of the media globalization process occurred throughout the nineteenth century, in which are inscribed the internationalization of journalistic models, not only the captions in question, but also the very facet of Martins Pena as their creator can be thought of as a manifestation of the communication and circulation of ideas, as well as exchanges between two different cultural spaces. Therefore, based on the studies of literature and the press and in the theory of Cultural Transfers, we intend to reflect on this issue explaining the route of the journalist and comedy writer and how he can be considered a theatrical serial playwright. We conclude by exploring how Pena sees himself as a serial writer, retracing his comments on his role, recovered in his chronicles.Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)FAPESP UNESP - Universidade Estadual Paulista, São José do Rio Preto, SP - 15054-000Departamento de Estudos Linguísticos e Literários Univesité Paul Valéry - Montpellier IIIFAPESP UNESP - Universidade Estadual Paulista, São José do Rio Preto, SP - 15054-000Universidade Estadual Paulista (UNESP)Univesité Paul Valéry - Montpellier IIIGimenez, Priscila Renata [UNESP]2022-04-28T18:59:48Z2022-04-28T18:59:48Z2012-07-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article147-159Revista de Letras, v. 52, n. 2, p. 147-159, 2012.0101-35051981-7886http://hdl.handle.net/11449/2201292-s2.0-84898721002Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporRevista de Letrasinfo:eu-repo/semantics/openAccess2022-04-28T18:59:48Zoai:repositorio.unesp.br:11449/220129Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T21:50:13.657243Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Martins Pena folhetinista, uma faceta midiática transcultural A transcultural media facet by the playwright Martins Pena |
title |
Martins Pena folhetinista, uma faceta midiática transcultural |
spellingShingle |
Martins Pena folhetinista, uma faceta midiática transcultural Gimenez, Priscila Renata [UNESP] Media globalization Cultural transfers Martins Pena Theatrical serial |
title_short |
Martins Pena folhetinista, uma faceta midiática transcultural |
title_full |
Martins Pena folhetinista, uma faceta midiática transcultural |
title_fullStr |
Martins Pena folhetinista, uma faceta midiática transcultural |
title_full_unstemmed |
Martins Pena folhetinista, uma faceta midiática transcultural |
title_sort |
Martins Pena folhetinista, uma faceta midiática transcultural |
author |
Gimenez, Priscila Renata [UNESP] |
author_facet |
Gimenez, Priscila Renata [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (UNESP) Univesité Paul Valéry - Montpellier III |
dc.contributor.author.fl_str_mv |
Gimenez, Priscila Renata [UNESP] |
dc.subject.por.fl_str_mv |
Media globalization Cultural transfers Martins Pena Theatrical serial |
topic |
Media globalization Cultural transfers Martins Pena Theatrical serial |
description |
Commonly known as the creator of the Brazilian comedy, Martins Pena served as a journalist for Jornal do Commercio. In this newspaper, between 1846-1847, Pena was the creator of the captions for the theatrical serials entitled Semana Lírica. Following the trend of media revolution triggered with the creation of the French newspaper La Presse in 1836, we will work with the hypothesis that such captions are a cultural trait transferred to the footer of the Brazilian newspaper. However, if we think of the media globalization process occurred throughout the nineteenth century, in which are inscribed the internationalization of journalistic models, not only the captions in question, but also the very facet of Martins Pena as their creator can be thought of as a manifestation of the communication and circulation of ideas, as well as exchanges between two different cultural spaces. Therefore, based on the studies of literature and the press and in the theory of Cultural Transfers, we intend to reflect on this issue explaining the route of the journalist and comedy writer and how he can be considered a theatrical serial playwright. We conclude by exploring how Pena sees himself as a serial writer, retracing his comments on his role, recovered in his chronicles. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-07-01 2022-04-28T18:59:48Z 2022-04-28T18:59:48Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
Revista de Letras, v. 52, n. 2, p. 147-159, 2012. 0101-3505 1981-7886 http://hdl.handle.net/11449/220129 2-s2.0-84898721002 |
identifier_str_mv |
Revista de Letras, v. 52, n. 2, p. 147-159, 2012. 0101-3505 1981-7886 2-s2.0-84898721002 |
url |
http://hdl.handle.net/11449/220129 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Revista de Letras |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
147-159 |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808129364600029184 |