Explosão de imagens no livro Películas, de Luís Miguel Nava

Detalhes bibliográficos
Autor(a) principal: Santos, Nádia Rodrigues dos [UNESP]
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/127908
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846815.pdf
Resumo: Portuguese poet of the 1970 generation, Luís Miguel Nava composed a book know for its power and the consequent impact caused by a language that is founded by an explosion of images that succeed themselves in the poem's composition, which stem mainly from metaphors that are build based on the thematic axes that are repeated in several textual levels. From a formal perspective, navian writing consummates the conciliation between two movements. On one hand, it retrieves aspects of poetry tradition, recovering images inherited from several predecessors, of the most diverse origins and lineages. From a further poet like Bashô, through some masters of modernity, like Baudelaire, and even portugueses like Eugênio de Andrade and many others. On the other hand, it shows special attention to contemporary lyrical tendencies by not closing itself to post-modern questions. Therefore, the hassle into classifying the poet to a group or tendency, which leads to the conclusion that navian work should be envisaged as a manifestation of the post-modern pluralism by presenting traditional elements together with modern, neoavant- garde and contemporary aspects. By understanding poetry as a precise and systematic exercise that is attached to its relation with reality, whether by memory or by observing the world around, the poet presents an unusual domain over formal techniques and procedures, besides an elevated degree of critical conscience. Approaching a selected corpus composed by 16 poems from the book Películas (1976), this work tried, through poetry analysis elaborated with the support of theoretical texts about the focalized questions and the critical collection of the poet, to comprehend the main procedures adopted by Luís Miguel Nava while elaborating his poems, specially, when creating his unused poetical images
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spelling Explosão de imagens no livro Películas, de Luís Miguel NavaNava, Luís Miguel PelículasLiteraturaPoesia portuguesaCivilização modernaMetáforaLiteraturePortuguese poet of the 1970 generation, Luís Miguel Nava composed a book know for its power and the consequent impact caused by a language that is founded by an explosion of images that succeed themselves in the poem's composition, which stem mainly from metaphors that are build based on the thematic axes that are repeated in several textual levels. From a formal perspective, navian writing consummates the conciliation between two movements. On one hand, it retrieves aspects of poetry tradition, recovering images inherited from several predecessors, of the most diverse origins and lineages. From a further poet like Bashô, through some masters of modernity, like Baudelaire, and even portugueses like Eugênio de Andrade and many others. On the other hand, it shows special attention to contemporary lyrical tendencies by not closing itself to post-modern questions. Therefore, the hassle into classifying the poet to a group or tendency, which leads to the conclusion that navian work should be envisaged as a manifestation of the post-modern pluralism by presenting traditional elements together with modern, neoavant- garde and contemporary aspects. By understanding poetry as a precise and systematic exercise that is attached to its relation with reality, whether by memory or by observing the world around, the poet presents an unusual domain over formal techniques and procedures, besides an elevated degree of critical conscience. Approaching a selected corpus composed by 16 poems from the book Películas (1976), this work tried, through poetry analysis elaborated with the support of theoretical texts about the focalized questions and the critical collection of the poet, to comprehend the main procedures adopted by Luís Miguel Nava while elaborating his poems, specially, when creating his unused poetical imagesPoeta português da geração de 1970, Luís Miguel Nava compôs uma obra conhecida pela potência e consequente impacto de uma linguagem que se fundamenta numa permanente explosão de imagens que se sucedem na composição dos poemas, que decorrem principalmente das metáforas construídas com base em núcleos temáticos reiterados nos mais diversos níveis textuais. Do ponto de vista formal, a escrita naviana consuma a conciliação entre duas vertentes. De um lado, retoma aspectos da tradição poética, recuperando imagens herdadas de muitos antecessores, das mais diversas origens e linhagens, desde um poeta mais distante como Bashô, passando por alguns mestres da modernidade, como Baudelaire, até alguns portugueses, como Eugênio de Andrade, entre outros. Por outro lado, demonstra especial atenção às tendências da lírica contemporânea, não se fechando às questões da pós-modernidade. Daí a dificuldade que se tem para classificar o poeta em algum grupo ou tendência e a conclusão de que a obra naviana deve ser vista como manifestação da pluralidade pós-moderna, por apresentar elementos tradicionais, ao lado de aspectos modernos, neo-vanguardistas e contemporâneos. Ao entender a poesia como um exercício preciso e sistemático, que não se desvincula de uma relação com o real, seja pela via da memória, seja pela via de um olhar que perscruta o mundo à sua volta, o poeta apresenta um inusitado domínio sobre as técnicas e procedimentos formais, além de um elevado grau de consciência crítica. Abordando um corpus selecionado a partir dos 16 poemas que compõem o livro Películas (1976), este trabalho buscou, por meio da análise dos textos poéticos, elaborada com apoio de textos teóricos sobre as questões focalizadas e da fortuna crítica do poeta, buscou uma compreensão dos principais procedimentos adotados por Luís Miguel Nava na elaboração de seus poemas, principalmente, na criação de suas inusitadas imagens...Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)Universidade Estadual Paulista (Unesp)Fernandes, Maria Lúcia Outeiro [UNESP]Universidade Estadual Paulista (Unesp)Santos, Nádia Rodrigues dos [UNESP]2015-09-17T15:26:26Z2015-09-17T15:26:26Z2015-05-25info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis91 f.application/pdfSANTOS, Nádia Rodrigues dos. Explosão de imagens no livro Películas, de Luís Miguel Nava. 2015. 91 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciencias e Letras (Campus de Araraquara), 2015.http://hdl.handle.net/11449/127908000846815http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846815.pdf33004030016P02134010557951137Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2024-06-12T14:26:48Zoai:repositorio.unesp.br:11449/127908Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T14:39:41.891436Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Explosão de imagens no livro Películas, de Luís Miguel Nava
title Explosão de imagens no livro Películas, de Luís Miguel Nava
spellingShingle Explosão de imagens no livro Películas, de Luís Miguel Nava
Santos, Nádia Rodrigues dos [UNESP]
Nava, Luís Miguel Películas
Literatura
Poesia portuguesa
Civilização moderna
Metáfora
Literature
title_short Explosão de imagens no livro Películas, de Luís Miguel Nava
title_full Explosão de imagens no livro Películas, de Luís Miguel Nava
title_fullStr Explosão de imagens no livro Películas, de Luís Miguel Nava
title_full_unstemmed Explosão de imagens no livro Películas, de Luís Miguel Nava
title_sort Explosão de imagens no livro Películas, de Luís Miguel Nava
author Santos, Nádia Rodrigues dos [UNESP]
author_facet Santos, Nádia Rodrigues dos [UNESP]
author_role author
dc.contributor.none.fl_str_mv Fernandes, Maria Lúcia Outeiro [UNESP]
Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Santos, Nádia Rodrigues dos [UNESP]
dc.subject.por.fl_str_mv Nava, Luís Miguel Películas
Literatura
Poesia portuguesa
Civilização moderna
Metáfora
Literature
topic Nava, Luís Miguel Películas
Literatura
Poesia portuguesa
Civilização moderna
Metáfora
Literature
description Portuguese poet of the 1970 generation, Luís Miguel Nava composed a book know for its power and the consequent impact caused by a language that is founded by an explosion of images that succeed themselves in the poem's composition, which stem mainly from metaphors that are build based on the thematic axes that are repeated in several textual levels. From a formal perspective, navian writing consummates the conciliation between two movements. On one hand, it retrieves aspects of poetry tradition, recovering images inherited from several predecessors, of the most diverse origins and lineages. From a further poet like Bashô, through some masters of modernity, like Baudelaire, and even portugueses like Eugênio de Andrade and many others. On the other hand, it shows special attention to contemporary lyrical tendencies by not closing itself to post-modern questions. Therefore, the hassle into classifying the poet to a group or tendency, which leads to the conclusion that navian work should be envisaged as a manifestation of the post-modern pluralism by presenting traditional elements together with modern, neoavant- garde and contemporary aspects. By understanding poetry as a precise and systematic exercise that is attached to its relation with reality, whether by memory or by observing the world around, the poet presents an unusual domain over formal techniques and procedures, besides an elevated degree of critical conscience. Approaching a selected corpus composed by 16 poems from the book Películas (1976), this work tried, through poetry analysis elaborated with the support of theoretical texts about the focalized questions and the critical collection of the poet, to comprehend the main procedures adopted by Luís Miguel Nava while elaborating his poems, specially, when creating his unused poetical images
publishDate 2015
dc.date.none.fl_str_mv 2015-09-17T15:26:26Z
2015-09-17T15:26:26Z
2015-05-25
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv SANTOS, Nádia Rodrigues dos. Explosão de imagens no livro Películas, de Luís Miguel Nava. 2015. 91 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciencias e Letras (Campus de Araraquara), 2015.
http://hdl.handle.net/11449/127908
000846815
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846815.pdf
33004030016P0
2134010557951137
identifier_str_mv SANTOS, Nádia Rodrigues dos. Explosão de imagens no livro Películas, de Luís Miguel Nava. 2015. 91 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciencias e Letras (Campus de Araraquara), 2015.
000846815
33004030016P0
2134010557951137
url http://hdl.handle.net/11449/127908
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846815.pdf
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 91 f.
application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.source.none.fl_str_mv Aleph
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv
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