Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://hdl.handle.net/11449/195474 |
Resumo: | The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increible y triste historia de la candida Erendira y su abuela desalmada (1972) by Garcia Marquez and the film Erendira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse. |
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Repositório Institucional da UNESP |
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Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motionGabriel Garcia MarquezRuy GuerracinemaliteratureintermidialityThe main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increible y triste historia de la candida Erendira y su abuela desalmada (1972) by Garcia Marquez and the film Erendira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.Univ Estadual Paulista Araraquara UNESP, Programa Linguist & Lingua Portuguesa, Araraquara, SP, BrazilUniv Estadual Paulista Araraquara UNESP, Programa Linguist & Lingua Portuguesa, Araraquara, SP, BrazilUniv Sao Paulo, Fac FilosofiaUniversidade Estadual Paulista (Unesp)Santos Pereira, Luis Eduardo [UNESP]2020-12-10T17:35:48Z2020-12-10T17:35:48Z2020-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article860-883Caracol. Sao Paulo Sp: Univ Sao Paulo, Fac Filosofia, n. 19, p. 860-883, 2020.2178-1702http://hdl.handle.net/11449/195474WOS:000544100000029Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporCaracolinfo:eu-repo/semantics/openAccess2021-10-23T08:53:38Zoai:repositorio.unesp.br:11449/195474Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T18:59:17.333400Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
title |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
spellingShingle |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion Santos Pereira, Luis Eduardo [UNESP] Gabriel Garcia Marquez Ruy Guerra cinema literature intermidiality |
title_short |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
title_full |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
title_fullStr |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
title_full_unstemmed |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
title_sort |
Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion |
author |
Santos Pereira, Luis Eduardo [UNESP] |
author_facet |
Santos Pereira, Luis Eduardo [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Santos Pereira, Luis Eduardo [UNESP] |
dc.subject.por.fl_str_mv |
Gabriel Garcia Marquez Ruy Guerra cinema literature intermidiality |
topic |
Gabriel Garcia Marquez Ruy Guerra cinema literature intermidiality |
description |
The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increible y triste historia de la candida Erendira y su abuela desalmada (1972) by Garcia Marquez and the film Erendira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-10T17:35:48Z 2020-12-10T17:35:48Z 2020-01-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
Caracol. Sao Paulo Sp: Univ Sao Paulo, Fac Filosofia, n. 19, p. 860-883, 2020. 2178-1702 http://hdl.handle.net/11449/195474 WOS:000544100000029 |
identifier_str_mv |
Caracol. Sao Paulo Sp: Univ Sao Paulo, Fac Filosofia, n. 19, p. 860-883, 2020. 2178-1702 WOS:000544100000029 |
url |
http://hdl.handle.net/11449/195474 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Caracol |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
860-883 |
dc.publisher.none.fl_str_mv |
Univ Sao Paulo, Fac Filosofia |
publisher.none.fl_str_mv |
Univ Sao Paulo, Fac Filosofia |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
_version_ |
1808129008945070080 |