Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion

Detalhes bibliográficos
Autor(a) principal: Santos Pereira, Luis Eduardo [UNESP]
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/195474
Resumo: The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increible y triste historia de la candida Erendira y su abuela desalmada (1972) by Garcia Marquez and the film Erendira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.
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spelling Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motionGabriel Garcia MarquezRuy GuerracinemaliteratureintermidialityThe main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increible y triste historia de la candida Erendira y su abuela desalmada (1972) by Garcia Marquez and the film Erendira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.Univ Estadual Paulista Araraquara UNESP, Programa Linguist & Lingua Portuguesa, Araraquara, SP, BrazilUniv Estadual Paulista Araraquara UNESP, Programa Linguist & Lingua Portuguesa, Araraquara, SP, BrazilUniv Sao Paulo, Fac FilosofiaUniversidade Estadual Paulista (Unesp)Santos Pereira, Luis Eduardo [UNESP]2020-12-10T17:35:48Z2020-12-10T17:35:48Z2020-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article860-883Caracol. Sao Paulo Sp: Univ Sao Paulo, Fac Filosofia, n. 19, p. 860-883, 2020.2178-1702http://hdl.handle.net/11449/195474WOS:000544100000029Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporCaracolinfo:eu-repo/semantics/openAccess2021-10-23T08:53:38Zoai:repositorio.unesp.br:11449/195474Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T18:59:17.333400Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
title Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
spellingShingle Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
Santos Pereira, Luis Eduardo [UNESP]
Gabriel Garcia Marquez
Ruy Guerra
cinema
literature
intermidiality
title_short Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
title_full Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
title_fullStr Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
title_full_unstemmed Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
title_sort Dialogues of recreation between literature and cinema: the Erendidas of the verb and the image in motion
author Santos Pereira, Luis Eduardo [UNESP]
author_facet Santos Pereira, Luis Eduardo [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Santos Pereira, Luis Eduardo [UNESP]
dc.subject.por.fl_str_mv Gabriel Garcia Marquez
Ruy Guerra
cinema
literature
intermidiality
topic Gabriel Garcia Marquez
Ruy Guerra
cinema
literature
intermidiality
description The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increible y triste historia de la candida Erendira y su abuela desalmada (1972) by Garcia Marquez and the film Erendira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-10T17:35:48Z
2020-12-10T17:35:48Z
2020-01-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv Caracol. Sao Paulo Sp: Univ Sao Paulo, Fac Filosofia, n. 19, p. 860-883, 2020.
2178-1702
http://hdl.handle.net/11449/195474
WOS:000544100000029
identifier_str_mv Caracol. Sao Paulo Sp: Univ Sao Paulo, Fac Filosofia, n. 19, p. 860-883, 2020.
2178-1702
WOS:000544100000029
url http://hdl.handle.net/11449/195474
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Caracol
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 860-883
dc.publisher.none.fl_str_mv Univ Sao Paulo, Fac Filosofia
publisher.none.fl_str_mv Univ Sao Paulo, Fac Filosofia
dc.source.none.fl_str_mv Web of Science
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv
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