Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Caracol (São Paulo. Online) |
Texto Completo: | https://www.revistas.usp.br/caracol/article/view/160344 |
Resumo: | The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse. |
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Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motionDiálogos de recriação entre literatura e cinema: as Eréndiras do verbo e da imagem em movimentoGabriel García MárquezRuy GuerraCinemaLiteratureIntermidialityGabriel García MárquezRuy GuerraCinemaLiteraturaIntermidialidadeThe main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.O objeto central assumido neste estudo são os diálogos entre sistemas de signos da relação cinema-literatura. Esta relação principal será observada tomando por base representações ligadas ao imaginário cultural latino-americano. A partir de múltiplos fatores e modelos de estudo que incluem o cinema, procura-se analisar o movimento do processo criativo entre as obras La increíble y triste historia de la cândida Eréndira y de su abuela desalmada (1972), de García Márquez, e o filme Eréndira (1983), de Ruy Guerra. Para além de cuidar de uma relação de análise em que o filme está somente baseado no conto, busca-se pensar como os contextos culturais dos artistas e os potenciais representativos dos sistemas de signos em jogo ressignificam leituras que se materializam criando uma interpenetração dos discursos artísticos. Portanto, o presente trabalho se empenha em apresentar leituras cruzadas que possibilitam compreender o tratamento de questões culturais representadas no conto pelo ponto de vista dos recursos cinematográficos e o mesmo ao revés.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2020-06-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/16034410.11606/issn.2317-9651.v0i19p860-883Caracol; Núm. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-883Caracol; n. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-8832317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/caracol/article/view/160344/161491https://www.revistas.usp.br/caracol/article/view/160344/184820Copyright (c) 2020 Luis Eduardo Santos Pereirahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPereira, Luis Eduardo Santos2020-07-01T21:05:54Zoai:revistas.usp.br:article/160344Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2020-07-01T21:05:54Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion Diálogos de recriação entre literatura e cinema: as Eréndiras do verbo e da imagem em movimento |
title |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion |
spellingShingle |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion Pereira, Luis Eduardo Santos Gabriel García Márquez Ruy Guerra Cinema Literature Intermidiality Gabriel García Márquez Ruy Guerra Cinema Literatura Intermidialidade |
title_short |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion |
title_full |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion |
title_fullStr |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion |
title_full_unstemmed |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion |
title_sort |
Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion |
author |
Pereira, Luis Eduardo Santos |
author_facet |
Pereira, Luis Eduardo Santos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pereira, Luis Eduardo Santos |
dc.subject.por.fl_str_mv |
Gabriel García Márquez Ruy Guerra Cinema Literature Intermidiality Gabriel García Márquez Ruy Guerra Cinema Literatura Intermidialidade |
topic |
Gabriel García Márquez Ruy Guerra Cinema Literature Intermidiality Gabriel García Márquez Ruy Guerra Cinema Literatura Intermidialidade |
description |
The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/160344 10.11606/issn.2317-9651.v0i19p860-883 |
url |
https://www.revistas.usp.br/caracol/article/view/160344 |
identifier_str_mv |
10.11606/issn.2317-9651.v0i19p860-883 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/160344/161491 https://www.revistas.usp.br/caracol/article/view/160344/184820 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Luis Eduardo Santos Pereira http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Luis Eduardo Santos Pereira http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Caracol; Núm. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-883 Caracol; n. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-883 2317-9651 2178-1702 reponame:Caracol (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Caracol (São Paulo. Online) |
collection |
Caracol (São Paulo. Online) |
repository.name.fl_str_mv |
Caracol (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
revista.caracol@usp.br|| |
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1797231606317973504 |