Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion

Detalhes bibliográficos
Autor(a) principal: Pereira, Luis Eduardo Santos
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Caracol (São Paulo. Online)
Texto Completo: https://www.revistas.usp.br/caracol/article/view/160344
Resumo: The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.
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spelling Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motionDiálogos de recriação entre literatura e cinema: as Eréndiras do verbo e da imagem em movimentoGabriel García MárquezRuy GuerraCinemaLiteratureIntermidialityGabriel García MárquezRuy GuerraCinemaLiteraturaIntermidialidadeThe main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.O objeto central assumido neste estudo são os diálogos entre sistemas de signos da relação cinema-literatura. Esta relação principal será observada tomando por base representações ligadas ao imaginário cultural latino-americano. A partir de múltiplos fatores e modelos de estudo que incluem o cinema, procura-se analisar o movimento do processo criativo entre as obras La increíble y triste historia de la cândida Eréndira y de su abuela desalmada (1972), de García Márquez, e o filme Eréndira (1983), de Ruy Guerra. Para além de cuidar de uma relação de análise em que o filme está somente baseado no conto, busca-se pensar como os contextos culturais dos artistas e os potenciais representativos dos sistemas de signos em jogo ressignificam leituras que se materializam criando uma interpenetração dos discursos artísticos. Portanto, o presente trabalho se empenha em apresentar leituras cruzadas que possibilitam compreender o tratamento de questões culturais representadas no conto pelo ponto de vista dos recursos cinematográficos e o mesmo ao revés.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2020-06-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/16034410.11606/issn.2317-9651.v0i19p860-883Caracol; Núm. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-883Caracol; n. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-8832317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/caracol/article/view/160344/161491https://www.revistas.usp.br/caracol/article/view/160344/184820Copyright (c) 2020 Luis Eduardo Santos Pereirahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPereira, Luis Eduardo Santos2020-07-01T21:05:54Zoai:revistas.usp.br:article/160344Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2020-07-01T21:05:54Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
Diálogos de recriação entre literatura e cinema: as Eréndiras do verbo e da imagem em movimento
title Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
spellingShingle Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
Pereira, Luis Eduardo Santos
Gabriel García Márquez
Ruy Guerra
Cinema
Literature
Intermidiality
Gabriel García Márquez
Ruy Guerra
Cinema
Literatura
Intermidialidade
title_short Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
title_full Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
title_fullStr Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
title_full_unstemmed Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
title_sort Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
author Pereira, Luis Eduardo Santos
author_facet Pereira, Luis Eduardo Santos
author_role author
dc.contributor.author.fl_str_mv Pereira, Luis Eduardo Santos
dc.subject.por.fl_str_mv Gabriel García Márquez
Ruy Guerra
Cinema
Literature
Intermidiality
Gabriel García Márquez
Ruy Guerra
Cinema
Literatura
Intermidialidade
topic Gabriel García Márquez
Ruy Guerra
Cinema
Literature
Intermidiality
Gabriel García Márquez
Ruy Guerra
Cinema
Literatura
Intermidialidade
description The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/caracol/article/view/160344
10.11606/issn.2317-9651.v0i19p860-883
url https://www.revistas.usp.br/caracol/article/view/160344
identifier_str_mv 10.11606/issn.2317-9651.v0i19p860-883
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/caracol/article/view/160344/161491
https://www.revistas.usp.br/caracol/article/view/160344/184820
dc.rights.driver.fl_str_mv Copyright (c) 2020 Luis Eduardo Santos Pereira
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Luis Eduardo Santos Pereira
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
dc.source.none.fl_str_mv Caracol; Núm. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-883
Caracol; n. 19 (2020): (jan- jun 2020) Dossiê: A língua espanhola: estudos descritivos, comparativos e sobre aquisição/aprendizagem; 860-883
2317-9651
2178-1702
reponame:Caracol (São Paulo. Online)
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reponame_str Caracol (São Paulo. Online)
collection Caracol (São Paulo. Online)
repository.name.fl_str_mv Caracol (São Paulo. Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv revista.caracol@usp.br||
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