O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação

Detalhes bibliográficos
Autor(a) principal: Kubala, Ricardo Lobo [UNESP]
Data de Publicação: 2013
Outros Autores: Biaggi, Emerson Luiz de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://www.musicahodie.mus.br/13.1/Artigo_Cientifico_14.pdf
http://hdl.handle.net/11449/111249
Resumo: This article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.
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spelling O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretaçãoThe Concerto for Viola and Orchestra by Antonio Borges-Cunha: form and interpretationBrazilian contemporary musicMusic for viola and orchestraMusical interpretationThis article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.Univ Estadual Paulista, Inst Artes, Sao Paulo, BrazilUniv Estadual Campinas, Inst Artes, Campinas, SP, BrazilUniv Estadual Paulista, Inst Artes, Sao Paulo, BrazilUniv Federal GoiasUniversidade Estadual Paulista (Unesp)Universidade Estadual de Campinas (UNICAMP)Kubala, Ricardo Lobo [UNESP]Biaggi, Emerson Luiz de2014-12-03T13:07:06Z2014-12-03T13:07:06Z2013-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article192-200application/pdfhttp://www.musicahodie.mus.br/13.1/Artigo_Cientifico_14.pdfMusica Hodie. Goiania Go: Univ Federal Goias, v. 13, n. 1, p. 192-200, 2013.1676-3939http://hdl.handle.net/11449/111249WOS:000323546700015WOS000323546700015.pdf63834605264469420000-0001-6618-6328Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporMusica Hodie0,115info:eu-repo/semantics/openAccess2024-10-02T19:17:29Zoai:repositorio.unesp.br:11449/111249Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestrepositoriounesp@unesp.bropendoar:29462024-10-02T19:17:29Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
The Concerto for Viola and Orchestra by Antonio Borges-Cunha: form and interpretation
title O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
spellingShingle O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
Kubala, Ricardo Lobo [UNESP]
Brazilian contemporary music
Music for viola and orchestra
Musical interpretation
title_short O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
title_full O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
title_fullStr O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
title_full_unstemmed O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
title_sort O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação
author Kubala, Ricardo Lobo [UNESP]
author_facet Kubala, Ricardo Lobo [UNESP]
Biaggi, Emerson Luiz de
author_role author
author2 Biaggi, Emerson Luiz de
author2_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (Unesp)
Universidade Estadual de Campinas (UNICAMP)
dc.contributor.author.fl_str_mv Kubala, Ricardo Lobo [UNESP]
Biaggi, Emerson Luiz de
dc.subject.por.fl_str_mv Brazilian contemporary music
Music for viola and orchestra
Musical interpretation
topic Brazilian contemporary music
Music for viola and orchestra
Musical interpretation
description This article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.
publishDate 2013
dc.date.none.fl_str_mv 2013-01-01
2014-12-03T13:07:06Z
2014-12-03T13:07:06Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.musicahodie.mus.br/13.1/Artigo_Cientifico_14.pdf
Musica Hodie. Goiania Go: Univ Federal Goias, v. 13, n. 1, p. 192-200, 2013.
1676-3939
http://hdl.handle.net/11449/111249
WOS:000323546700015
WOS000323546700015.pdf
6383460526446942
0000-0001-6618-6328
url http://www.musicahodie.mus.br/13.1/Artigo_Cientifico_14.pdf
http://hdl.handle.net/11449/111249
identifier_str_mv Musica Hodie. Goiania Go: Univ Federal Goias, v. 13, n. 1, p. 192-200, 2013.
1676-3939
WOS:000323546700015
WOS000323546700015.pdf
6383460526446942
0000-0001-6618-6328
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Musica Hodie
0,115
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 192-200
application/pdf
dc.publisher.none.fl_str_mv Univ Federal Goias
publisher.none.fl_str_mv Univ Federal Goias
dc.source.none.fl_str_mv Web of Science
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv repositoriounesp@unesp.br
_version_ 1813546462591582208

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