A iteratividade: do melodrama à narrativa audiovisual sob demanda

Detalhes bibliográficos
Autor(a) principal: Affini, Leticia Passos [UNESP]
Data de Publicação: 2015
Outros Autores: Cazani Júnior, Luis Enrique [UNESP]
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://www.razonypalabra.org.mx/N/N89/index89.html
http://hdl.handle.net/11449/135766
Resumo: The repetition should be understood as the property of mass cultural products, originated from the need to minimize the dispersion of the audience in their enjoyment. Based on this assumption, this paper measures the rate of iteration manifested in the scripts of the following serial fictions: Duas Caras, A Grande Família and House of Cards. Established itself as a method of scene analysis proposed by McKee (2008), questioned whether the lack of classical education of the public and rescued the forms assumed by repeating the melodrama, romance-serial and dramaturgy: asides, monologues, confidences and planar scenes. The proposal was applied in two scripts for each of the aforementioned productions. Considering the data collected, it appears that there was reduction in repeat products offered on demand thanks to the possibility of handling the flow and the attention given receptor.
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spelling A iteratividade: do melodrama à narrativa audiovisual sob demandaAudiovisualRepetitionOn demandAudiovisualRepetiçãoSob demandaThe repetition should be understood as the property of mass cultural products, originated from the need to minimize the dispersion of the audience in their enjoyment. Based on this assumption, this paper measures the rate of iteration manifested in the scripts of the following serial fictions: Duas Caras, A Grande Família and House of Cards. Established itself as a method of scene analysis proposed by McKee (2008), questioned whether the lack of classical education of the public and rescued the forms assumed by repeating the melodrama, romance-serial and dramaturgy: asides, monologues, confidences and planar scenes. The proposal was applied in two scripts for each of the aforementioned productions. Considering the data collected, it appears that there was reduction in repeat products offered on demand thanks to the possibility of handling the flow and the attention given receptor.Compreende-se repetição como uma propriedade dos produtos culturais, que se origina da necessidade de minimizar a dispersão da audiência durante a fruição. Partindo desse pressuposto, o presente trabalho mensura o índice de iteração manifestado nos roteiros das seguintes ficções seriadas: Duas Caras, A Grande Família e House of Cards. Como método, estabeleceu-se a análise de cena proposta por Mckee (2008), questionou-se o analfabetismo do público e resgataram-se as formas assumidas pela repetição no melodrama, no romance-folhetim e na dramaturgia: apartes, monólogos, confidências e cenas planas. A proposta foi aplicada em dois roteiros de cada uma das produções citadas. Considerando-se os dados levantados, conclui-se que há uma diminuição da repetição em produtos ofertados sob demanda, graças à possibilidade de manuseio do fluxo e à atenção dedicada do receptor.Universidade Estadual Paulista, Departamento de Comunicação Social, Faculdade de Arquitetura, Artes e Comunicação de BauruUniversidade Estadual Paulista (Unesp)Affini, Leticia Passos [UNESP]Cazani Júnior, Luis Enrique [UNESP]2016-03-02T13:04:19Z2016-03-02T13:04:19Z2015info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article1-11application/pdfhttp://www.razonypalabra.org.mx/N/N89/index89.htmlRazón y Palabra, v. 20, n. 89, p. 01-11, 2015.1605-4806http://hdl.handle.net/11449/135766ISSN1605-4806-2015-20-89-01-11.pdf84173436189346361338431203182045Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporRazón y Palabrainfo:eu-repo/semantics/openAccess2024-04-17T15:50:21Zoai:repositorio.unesp.br:11449/135766Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestrepositoriounesp@unesp.bropendoar:29462024-04-17T15:50:21Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv A iteratividade: do melodrama à narrativa audiovisual sob demanda
title A iteratividade: do melodrama à narrativa audiovisual sob demanda
spellingShingle A iteratividade: do melodrama à narrativa audiovisual sob demanda
Affini, Leticia Passos [UNESP]
Audiovisual
Repetition
On demand
Audiovisual
Repetição
Sob demanda
title_short A iteratividade: do melodrama à narrativa audiovisual sob demanda
title_full A iteratividade: do melodrama à narrativa audiovisual sob demanda
title_fullStr A iteratividade: do melodrama à narrativa audiovisual sob demanda
title_full_unstemmed A iteratividade: do melodrama à narrativa audiovisual sob demanda
title_sort A iteratividade: do melodrama à narrativa audiovisual sob demanda
author Affini, Leticia Passos [UNESP]
author_facet Affini, Leticia Passos [UNESP]
Cazani Júnior, Luis Enrique [UNESP]
author_role author
author2 Cazani Júnior, Luis Enrique [UNESP]
author2_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Affini, Leticia Passos [UNESP]
Cazani Júnior, Luis Enrique [UNESP]
dc.subject.por.fl_str_mv Audiovisual
Repetition
On demand
Audiovisual
Repetição
Sob demanda
topic Audiovisual
Repetition
On demand
Audiovisual
Repetição
Sob demanda
description The repetition should be understood as the property of mass cultural products, originated from the need to minimize the dispersion of the audience in their enjoyment. Based on this assumption, this paper measures the rate of iteration manifested in the scripts of the following serial fictions: Duas Caras, A Grande Família and House of Cards. Established itself as a method of scene analysis proposed by McKee (2008), questioned whether the lack of classical education of the public and rescued the forms assumed by repeating the melodrama, romance-serial and dramaturgy: asides, monologues, confidences and planar scenes. The proposal was applied in two scripts for each of the aforementioned productions. Considering the data collected, it appears that there was reduction in repeat products offered on demand thanks to the possibility of handling the flow and the attention given receptor.
publishDate 2015
dc.date.none.fl_str_mv 2015
2016-03-02T13:04:19Z
2016-03-02T13:04:19Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.razonypalabra.org.mx/N/N89/index89.html
Razón y Palabra, v. 20, n. 89, p. 01-11, 2015.
1605-4806
http://hdl.handle.net/11449/135766
ISSN1605-4806-2015-20-89-01-11.pdf
8417343618934636
1338431203182045
url http://www.razonypalabra.org.mx/N/N89/index89.html
http://hdl.handle.net/11449/135766
identifier_str_mv Razón y Palabra, v. 20, n. 89, p. 01-11, 2015.
1605-4806
ISSN1605-4806-2015-20-89-01-11.pdf
8417343618934636
1338431203182045
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Razón y Palabra
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 1-11
application/pdf
dc.source.none.fl_str_mv Currículo Lattes
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv repositoriounesp@unesp.br
_version_ 1826304462434598912

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