Entre a consciência do corpo e o corpo consciente

Detalhes bibliográficos
Autor(a) principal: Pereira, André Rogério
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do Mackenzie
Texto Completo: http://dspace.mackenzie.br/handle/10899/25062
Resumo: This research aims to reflect on the process that takes place between the consciousness of the body and the conscious body from the question asked to professional dancers: "Why do you dance?". Considering that this artistic work is intrinsically committed to life beyond the stages and the rehearsal room. Faced with a training that devotes more time to physical development, there is the possibility of reflecting on the overlapping of strategies that approximate the repertoire of life, everyday experiences in the sense of approaching inseparable instances: body and soul. In order to support the idea that body and soul are not dissociated, the research was based on Merleau-Ponty's phenomenology about perception, where by primacy the body is the main way to contact with experience, in the provocations about dance teaching in Brazil, by Klauss Vianna and in the dialogue with other authors, philosophers and thinkers on the artistic and educational experience as Dewey, Larrosa among others. As inspiration of this discussion two personalities in the history of dance: Isadora Duncan and Pina Bausch who revolutionized dance, are fundamental. As a qualitative research methodology of an exploratory nature, interviews were conducted and analyzed with dancers who reinforced the defense that what can not fit into words can only be expressed in dance. Problematizing the teaching of dance with questions related to the prevalence of form, propose overlaps of teaching strategies that favor the approach of students' souls during classes, establishing a possibility of dialogue between the conscious body and the consciousness of the body.
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spelling 2019-04-02T17:55:39Z2020-05-28T18:11:37Z2020-05-28T18:11:37Z2018-12-19Pereira, André Rogério. Entre a consciência do corpo e o corpo consciente. 2018. 104 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.http://dspace.mackenzie.br/handle/10899/25062This research aims to reflect on the process that takes place between the consciousness of the body and the conscious body from the question asked to professional dancers: "Why do you dance?". Considering that this artistic work is intrinsically committed to life beyond the stages and the rehearsal room. Faced with a training that devotes more time to physical development, there is the possibility of reflecting on the overlapping of strategies that approximate the repertoire of life, everyday experiences in the sense of approaching inseparable instances: body and soul. In order to support the idea that body and soul are not dissociated, the research was based on Merleau-Ponty's phenomenology about perception, where by primacy the body is the main way to contact with experience, in the provocations about dance teaching in Brazil, by Klauss Vianna and in the dialogue with other authors, philosophers and thinkers on the artistic and educational experience as Dewey, Larrosa among others. As inspiration of this discussion two personalities in the history of dance: Isadora Duncan and Pina Bausch who revolutionized dance, are fundamental. As a qualitative research methodology of an exploratory nature, interviews were conducted and analyzed with dancers who reinforced the defense that what can not fit into words can only be expressed in dance. Problematizing the teaching of dance with questions related to the prevalence of form, propose overlaps of teaching strategies that favor the approach of students' souls during classes, establishing a possibility of dialogue between the conscious body and the consciousness of the body.Esta pesquisa tem por objetivo refletir sobre o processo que se dá entre a consciência do corpo e o corpo consciente a partir da pergunta feita a bailarinos profissionais: "Por que você dança?". Considerando que esse fazer artístico está intrinsicamente comprometido com a vida para além dos palcos e da sala de ensaios. Diante de uma formação que dedica maior carga horária ao desenvolvimento físico, surge a possibilidade de refletir sobre a sobreposição de estratégias que aproximem o repertório de vida, as experiências cotidianas no sentido de aproximar instâncias indissociáveis: corpo e alma. Para sustentar a ideia de que corpo e alma não estão dissociados, a pesquisa foi fundamentada na fenomenologia de Merleau-Ponty acerca da percepção, onde por primazia o corpo é a principal via para o contato com a experiência, nas provocações sobre do ensino da dança no Brasil, feitas por Klauss Vianna e no diálogo com outros autores, filósofos e pensadores sobre a experiência artística e educacional como Dewey, Larrosa dentre outros. Como inspiração desta discussão duas personalidades na história da dança: Isadora Duncan e Pina Bausch que revolucionaram a dança, são fundamentais. Como metodologia de pesquisa qualitativa de natureza exploratória, foram realizadas e analisadas entrevistas com bailarinos que reforçaram a defesa de que o que não cabe em palavras só pode ser expresso no dançar. Problematizando o ensino da dança com questões ligadas à prevalência da forma, são propostas sobreposições de estratégias docentes que favoreçam aproximar a alma dos estudantes durante as aulas, estabelecendo uma possibilidade de diálogo entre o corpo consciente e a consciência do corpo.application/pdfporUniversidade Presbiteriana MackenzieEducação, Arte e História da CulturaUPMBrasilCentro de Educação, Filosofia e Teologia (CEFT)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessensino de dançadançaarte/educaçãoculturacorpoCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCAEntre a consciência do corpo e o corpo conscienteinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMartins, Mirian Celeste Ferreira Diashttp://lattes.cnpq.br/7167254305943668Ferreira, Mirzahttp://lattes.cnpq.br/9161535889369564Schwartz, Rosana Maria Pires Barbatohttp://lattes.cnpq.br/8177502122038987http://lattes.cnpq.br/7621595903706433Pereira, André Rogériohttp://tede.mackenzie.br/jspui/retrieve/18334/Andr%c3%a9%20Rog%c3%a9rio%20Pereira.pdf.jpghttp://tede.mackenzie.br/jspui/bitstream/tede/3843/5/Andr%C3%A9%20Rog%C3%A9rio%20Pereira.pdfdance teachingdanceart/educationculturebodyreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIE10899/250622020-05-28 15:11:37.276Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI
dc.title.por.fl_str_mv Entre a consciência do corpo e o corpo consciente
title Entre a consciência do corpo e o corpo consciente
spellingShingle Entre a consciência do corpo e o corpo consciente
Pereira, André Rogério
ensino de dança
dança
arte/educação
cultura
corpo
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
title_short Entre a consciência do corpo e o corpo consciente
title_full Entre a consciência do corpo e o corpo consciente
title_fullStr Entre a consciência do corpo e o corpo consciente
title_full_unstemmed Entre a consciência do corpo e o corpo consciente
title_sort Entre a consciência do corpo e o corpo consciente
author Pereira, André Rogério
author_facet Pereira, André Rogério
author_role author
dc.contributor.advisor1.fl_str_mv Martins, Mirian Celeste Ferreira Dias
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7167254305943668
dc.contributor.referee1.fl_str_mv Ferreira, Mirza
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/9161535889369564
dc.contributor.referee2.fl_str_mv Schwartz, Rosana Maria Pires Barbato
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/8177502122038987
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7621595903706433
dc.contributor.author.fl_str_mv Pereira, André Rogério
contributor_str_mv Martins, Mirian Celeste Ferreira Dias
Ferreira, Mirza
Schwartz, Rosana Maria Pires Barbato
dc.subject.por.fl_str_mv ensino de dança
dança
arte/educação
cultura
corpo
topic ensino de dança
dança
arte/educação
cultura
corpo
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
description This research aims to reflect on the process that takes place between the consciousness of the body and the conscious body from the question asked to professional dancers: "Why do you dance?". Considering that this artistic work is intrinsically committed to life beyond the stages and the rehearsal room. Faced with a training that devotes more time to physical development, there is the possibility of reflecting on the overlapping of strategies that approximate the repertoire of life, everyday experiences in the sense of approaching inseparable instances: body and soul. In order to support the idea that body and soul are not dissociated, the research was based on Merleau-Ponty's phenomenology about perception, where by primacy the body is the main way to contact with experience, in the provocations about dance teaching in Brazil, by Klauss Vianna and in the dialogue with other authors, philosophers and thinkers on the artistic and educational experience as Dewey, Larrosa among others. As inspiration of this discussion two personalities in the history of dance: Isadora Duncan and Pina Bausch who revolutionized dance, are fundamental. As a qualitative research methodology of an exploratory nature, interviews were conducted and analyzed with dancers who reinforced the defense that what can not fit into words can only be expressed in dance. Problematizing the teaching of dance with questions related to the prevalence of form, propose overlaps of teaching strategies that favor the approach of students' souls during classes, establishing a possibility of dialogue between the conscious body and the consciousness of the body.
publishDate 2018
dc.date.issued.fl_str_mv 2018-12-19
dc.date.accessioned.fl_str_mv 2019-04-02T17:55:39Z
2020-05-28T18:11:37Z
dc.date.available.fl_str_mv 2020-05-28T18:11:37Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Pereira, André Rogério. Entre a consciência do corpo e o corpo consciente. 2018. 104 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.
dc.identifier.uri.fl_str_mv http://dspace.mackenzie.br/handle/10899/25062
identifier_str_mv Pereira, André Rogério. Entre a consciência do corpo e o corpo consciente. 2018. 104 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.
url http://dspace.mackenzie.br/handle/10899/25062
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Presbiteriana Mackenzie
dc.publisher.program.fl_str_mv Educação, Arte e História da Cultura
dc.publisher.initials.fl_str_mv UPM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Centro de Educação, Filosofia e Teologia (CEFT)
publisher.none.fl_str_mv Universidade Presbiteriana Mackenzie
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações do Mackenzie
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reponame_str Biblioteca Digital de Teses e Dissertações do Mackenzie
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