Entre o novo e o atemporal: a sonoridade plástica de Fantasia

• Autor(a) principal: Hayek, Thais Fernanda Martins
• Data de Publicação: 2014
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do Mackenzie
• Texto Completo: http://dspace.mackenzie.br/handle/10899/24595
• topic: animação; música; Fantasia; Disney; arquétipos; mitos; animation movies; Fantasia; Disney; archetypes; myths; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA

The relevance and creativity of Walt Disney to the cultural history and contemporary art is express in the movie Fantasia (1940), which originality is characterized by the union between the new technologies applied to the animation movies in the first decades of the twentieth century and the diverse kinds of cultural and artistic languages produced so far. Through this combination between aesthetic and ethical values, the symbolic language used allows the identification of the archetypes of the collective unconscious that orbit in the popular imagination. This work aims to present an analysis of Fantasia movie, especially the historic, structural and symbolic aspects, through the methodological resources proposed at the John B Thompson s Depth Hermeneutics. To the results were defined three focuses of interest which are at the movie: the historical and cultural contexts which the movie was made; the technical features of the film language and, finally the behavioral issues linked to the archetypal psychology. The first chapter provides a brief introduction of the animation movies and the Disney s contributions and his staff for this autonomous art. And, points the history of the creation and production of Fantasia in its historical context. The second chapter aims to show the structural factors of the work, making a descriptive analysis and relate it to the animation principles that gave to this language the bases of a singular aesthetic. In the last chapter, it's made a reinterpretation to the animate forms in the movie Fantasia, proposed by Disney and his staff, in the perspective of archetypal psychology, in other words, what are the symbols that represents the deeper structures of the collective psyche giving the meaning of the story. The final consideration confirms the initial hypothesis that Fantasia is an original work in terms of its technical way, conditioned by ethical and aesthetic values of Judeo-Christian traditions and its timeless success is based on the universal symbols and myths that exist in the beginning of history of the civilization.