O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do Mackenzie |
Texto Completo: | http://dspace.mackenzie.br/handle/10899/26524 |
Resumo: | The research investigates the creative processes of Brazilian contemporary artist Wilton Azevedo. These are sketches, drawings, paintings and digital compositions that are part of his vast work, which in this way, go from graphic gestures and pictorial elements to unfolding that are lodged on a computer screen. Relationships of his creative processes and his artistic methods are analyzed, according to researchers Salles and Rey. The artist relies on concepts of gestalt theory, organizes visual elements such as point, light / shadow, color, and texture, in the light of Gomes. Son, Dondis and Arnheim. It is related to the word and the poetic text, studied here in Chartier, which thinks the word and the text as historical elements, besides their signs established in contemporary times. Azevedo's pathways and procedures regarding digital devices are also analyzed, based on Flusser's fundamentals, which establishes connections of human language in the technological sphere, and Santaella, which deals with the relations of art and its signs in digital society. These are possibilities of producing and relating to art in digital contexts, supported by concepts developed by Reas & McWilliams, which deal with the relationships of contemporary devices with the languages of art on the digital platform, referenced here by Wilton Azevedo's artistic production, interpreted in Scriptures. Thus, the creative process of Azevedo is analyzed in its relations with the image, the word and the expanded digital scriptures, consolidated in the language of art and its unfoldings, now forged in the digital platform, associating with new devices coupled in verbal signs. and sonorous, establishing amazing types of digital scriptures. They are poetic links with the work of art, making him an artist of his time, who experienced in all its potentials the connection canvas-ink in the hardware-software association, consolidating Wilton Azevedo as an artist-researcher who expresses the relations between the languages of art and their representations reached by contemporary man. |
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2020-10-06T16:14:42Z2020-12-07T15:07:47Z2020-12-07T15:07:47Z2020-01-29MOREIRA, Hugo Daniel Rizolli. O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida. 2020. 136 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.http://dspace.mackenzie.br/handle/10899/26524The research investigates the creative processes of Brazilian contemporary artist Wilton Azevedo. These are sketches, drawings, paintings and digital compositions that are part of his vast work, which in this way, go from graphic gestures and pictorial elements to unfolding that are lodged on a computer screen. Relationships of his creative processes and his artistic methods are analyzed, according to researchers Salles and Rey. The artist relies on concepts of gestalt theory, organizes visual elements such as point, light / shadow, color, and texture, in the light of Gomes. Son, Dondis and Arnheim. It is related to the word and the poetic text, studied here in Chartier, which thinks the word and the text as historical elements, besides their signs established in contemporary times. Azevedo's pathways and procedures regarding digital devices are also analyzed, based on Flusser's fundamentals, which establishes connections of human language in the technological sphere, and Santaella, which deals with the relations of art and its signs in digital society. These are possibilities of producing and relating to art in digital contexts, supported by concepts developed by Reas & McWilliams, which deal with the relationships of contemporary devices with the languages of art on the digital platform, referenced here by Wilton Azevedo's artistic production, interpreted in Scriptures. Thus, the creative process of Azevedo is analyzed in its relations with the image, the word and the expanded digital scriptures, consolidated in the language of art and its unfoldings, now forged in the digital platform, associating with new devices coupled in verbal signs. and sonorous, establishing amazing types of digital scriptures. They are poetic links with the work of art, making him an artist of his time, who experienced in all its potentials the connection canvas-ink in the hardware-software association, consolidating Wilton Azevedo as an artist-researcher who expresses the relations between the languages of art and their representations reached by contemporary man.A pesquisa investiga os processos criativos do artista contemporâneo brasileiro Wilton Azevedo. São esboços, desenhos, pinturas e composições digitais que integram sua vasta obra que nesse percurso caminham dos gestos gráficos e elementos pictóricos para desdobramentos que se alojam na tela de um computador. São analisadas relações de seus processos criativos e seus métodos artísticos, segundo os pesquisadores Salles e Rey. O artista se apoia em conceitos da teoria da gestalt, organiza elementos visuais como ponto, luz/ sombra, cor e textura, à luz de Gomes Filho, Dondis e Arnheim. Relaciona-se com a palavra e o texto poético, estudados aqui em Chartier que pensa a palavra e o texto como elementos históricos, além de seus signos estabelecidos na contemporaneidade. São analisados ainda, percursos e procedimentos de Azevedo frente a dispositivos digitais, embasados por fundamentos de Flusser que estabelece conexões da linguagem humana na esfera tecnológica, e Santaella que trata das relações da arte e seus signos na sociedade digital. Possibilidades de se produzir e relacionar com a arte em contextos digitais, apoiados em conceitos desenvolvidos por Reas & McWilliams que tratam das relações de dispositivos contemporâneos com as linguagens da arte na plataforma digital, referenciados aqui pela produção artística de Wilton Azevedo, interpretadas em escrituras. Assim, analisa-se o processo criativo de Azevedo em suas relações com a imagem, a palavra e as escrituras digitais expandidas, consolidadas na linguagem da arte e seus desdobramentos, agora forjados na plataforma digital, associando-se a novos dispositivos acoplados em signos verbais e sonoros, estabelecendo surpreendentes tipos de escrituras digitais. São vínculos poéticos com a obra de arte, tornando-o um artista de seu tempo que experimentou em todas as suas potencialidades a conexão tela-tinta plasmada na associação hardware-software, consolidando Wilton Azevedo como um artista-pesquisador que expressa as relações entre as linguagens da arte e suas representações alcançadas pelo homem contemporâneo.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Presbiteriana MackenzieEducação, Arte e História da CulturaUPMBrasilCentro de Educação, Filosofia e Teologia (CEFT)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessprocessos criativosarte digitallinguagens artísticasescrituras digitaisCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESO processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandidainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMello, Regina Lara Silveirahttp://lattes.cnpq.br/0439114372762829Davino, Gláucia Eneidahttp://lattes.cnpq.br/9376577557864810Donati, Luisa Angélica Paraguaihttp://lattes.cnpq.br/6616305768133913http://lattes.cnpq.br/0405481558840613Moreira, Hugo Daniel Rizollihttp://tede.mackenzie.br/jspui/bitstream/tede/4382/5/HUGO%20DANIEL%20RIZOLLI%20MOREIRA.pdfcreative processesdigital artartistic languagesdigital scripturesreponame:Biblioteca Digital de Teses e Dissertações do Mackenzieinstname:Universidade Presbiteriana Mackenzie (MACKENZIE)instacron:MACKENZIE10899/265242020-12-07 12:07:47.264Biblioteca Digital de Teses e Dissertaçõeshttp://tede.mackenzie.br/jspui/PRI |
dc.title.por.fl_str_mv |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
title |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
spellingShingle |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida Moreira, Hugo Daniel Rizolli processos criativos arte digital linguagens artísticas escrituras digitais CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
title_full |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
title_fullStr |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
title_full_unstemmed |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
title_sort |
O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida |
author |
Moreira, Hugo Daniel Rizolli |
author_facet |
Moreira, Hugo Daniel Rizolli |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Mello, Regina Lara Silveira |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0439114372762829 |
dc.contributor.referee1.fl_str_mv |
Davino, Gláucia Eneida |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9376577557864810 |
dc.contributor.referee2.fl_str_mv |
Donati, Luisa Angélica Paraguai |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/6616305768133913 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0405481558840613 |
dc.contributor.author.fl_str_mv |
Moreira, Hugo Daniel Rizolli |
contributor_str_mv |
Mello, Regina Lara Silveira Davino, Gláucia Eneida Donati, Luisa Angélica Paraguai |
dc.subject.por.fl_str_mv |
processos criativos arte digital linguagens artísticas escrituras digitais |
topic |
processos criativos arte digital linguagens artísticas escrituras digitais CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The research investigates the creative processes of Brazilian contemporary artist Wilton Azevedo. These are sketches, drawings, paintings and digital compositions that are part of his vast work, which in this way, go from graphic gestures and pictorial elements to unfolding that are lodged on a computer screen. Relationships of his creative processes and his artistic methods are analyzed, according to researchers Salles and Rey. The artist relies on concepts of gestalt theory, organizes visual elements such as point, light / shadow, color, and texture, in the light of Gomes. Son, Dondis and Arnheim. It is related to the word and the poetic text, studied here in Chartier, which thinks the word and the text as historical elements, besides their signs established in contemporary times. Azevedo's pathways and procedures regarding digital devices are also analyzed, based on Flusser's fundamentals, which establishes connections of human language in the technological sphere, and Santaella, which deals with the relations of art and its signs in digital society. These are possibilities of producing and relating to art in digital contexts, supported by concepts developed by Reas & McWilliams, which deal with the relationships of contemporary devices with the languages of art on the digital platform, referenced here by Wilton Azevedo's artistic production, interpreted in Scriptures. Thus, the creative process of Azevedo is analyzed in its relations with the image, the word and the expanded digital scriptures, consolidated in the language of art and its unfoldings, now forged in the digital platform, associating with new devices coupled in verbal signs. and sonorous, establishing amazing types of digital scriptures. They are poetic links with the work of art, making him an artist of his time, who experienced in all its potentials the connection canvas-ink in the hardware-software association, consolidating Wilton Azevedo as an artist-researcher who expresses the relations between the languages of art and their representations reached by contemporary man. |
publishDate |
2020 |
dc.date.accessioned.fl_str_mv |
2020-10-06T16:14:42Z 2020-12-07T15:07:47Z |
dc.date.available.fl_str_mv |
2020-12-07T15:07:47Z |
dc.date.issued.fl_str_mv |
2020-01-29 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
MOREIRA, Hugo Daniel Rizolli. O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida. 2020. 136 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://dspace.mackenzie.br/handle/10899/26524 |
identifier_str_mv |
MOREIRA, Hugo Daniel Rizolli. O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida. 2020. 136 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo. |
url |
http://dspace.mackenzie.br/handle/10899/26524 |
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por |
language |
por |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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application/pdf |
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Universidade Presbiteriana Mackenzie |
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Educação, Arte e História da Cultura |
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UPM |
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Brasil |
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Centro de Educação, Filosofia e Teologia (CEFT) |
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Universidade Presbiteriana Mackenzie |
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