Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)

Detalhes bibliográficos
Autor(a) principal: SILVA, Glauber Paiva da
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFRPE
Texto Completo: http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7813
Resumo: The Northeast has in its culture several artists who tried to represent it, such as the popular singer Jackson do Pandeiro (1919-1982), who in his musical repertoire sang the northeastern diversity. Based on this observation, our research seeks to note how this great artist 's lyrics are on northeastern practices and representations, in order to reflect how historically they were built and how they relate to northeast' s people. To support this work theoretically, we have engage with some researches that have helped us to design this work, such as: Napolitano (2008), Pesavento (2012), Moura and Vicente (2001), Laraia (1986), Albuquerque Junior (2011) and Chartier (1991). We base our research in the field of Cultural History and Discourse Analysis of the French line, which allows us to work with the concepts we choose for our reflection, and as a methodological path we analyze several songs to thoroughly delve into the Jacksonian repertoire. Our main source is in the Jackson do Pandeiro's lyrics by, ranging from 1953, when he records his first songs, until 1981, when his last shipment of songs is released. We believe that this research will serve to demonstrate the importance of Jackson do Pandeiro for brazilian popular music and to understand representations and visions of cultural practices of the northeast.
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spelling BORBA, Vicentina Maria RamiresAZEVEDO, Natanael Duarte deMONTEIRO, Luíra Freirehttp://lattes.cnpq.br/5047308614809382SILVA, Glauber Paiva da2019-01-03T15:38:06Z2018-08-23SILVA, Glauber Paiva da. Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981). 2018. 213 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7813The Northeast has in its culture several artists who tried to represent it, such as the popular singer Jackson do Pandeiro (1919-1982), who in his musical repertoire sang the northeastern diversity. Based on this observation, our research seeks to note how this great artist 's lyrics are on northeastern practices and representations, in order to reflect how historically they were built and how they relate to northeast' s people. To support this work theoretically, we have engage with some researches that have helped us to design this work, such as: Napolitano (2008), Pesavento (2012), Moura and Vicente (2001), Laraia (1986), Albuquerque Junior (2011) and Chartier (1991). We base our research in the field of Cultural History and Discourse Analysis of the French line, which allows us to work with the concepts we choose for our reflection, and as a methodological path we analyze several songs to thoroughly delve into the Jacksonian repertoire. Our main source is in the Jackson do Pandeiro's lyrics by, ranging from 1953, when he records his first songs, until 1981, when his last shipment of songs is released. We believe that this research will serve to demonstrate the importance of Jackson do Pandeiro for brazilian popular music and to understand representations and visions of cultural practices of the northeast.O Nordeste tem em sua cultura inúmeros artistas que tentaram lhe representar, tais como o cantor popular Jackson do Pandeiro (1919-1982), que em seu repertório musical cantou a diversidade nordestina. Com base nessa constatação, nossa pesquisa tem como principal objetivo observar como as letras das músicas desse grande artista discorrem sobre práticas e representações nordestinas, de modo a se refletir como essas foram construídas historicamente e de que forma se relacionam com o povo do Nordeste. Para respaldar teoricamente essa empreitada, dialogamos com algumas pesquisas que nos ajudaram a conceber este trabalho, como as de Napolitano (2008), Pesavento (2012), Moura e Vicente (2001), Laraia (1986), Albuquerque Junior (2011), Bourdieu (1977) e Chartier (1991). Ancoramos nossa pesquisa no campo da História Cultural e na Análise de Discurso de linha Francesa, que nos permite trabalhar com os conceitos que escolhemos para nossa reflexão, e como percurso metodológico analisamos diversas músicas, para, minuciosamente, adentrarmos no repertório “jacksoniano”. Nossa principal fonte está nas letras das canções compostas por Jackson do Pandeiro, que vão de 1953, quando ele grava suas primeiras músicas, até 1981, quando sua última remessa de músicas é lançada. Acreditamos que esta pesquisa servirá para demonstrar a importância de Jackson do Pandeiro para a música popular brasileira e para entendermos representações e visões de práticas culturais do nordeste.Submitted by Mario BC (mario@bc.ufrpe.br) on 2019-01-03T15:38:06Z No. of bitstreams: 1 Glauber Paiva da Silva.pdf: 1959457 bytes, checksum: 16c5a83f510560d7ef310a5d9b3245e3 (MD5)Made available in DSpace on 2019-01-03T15:38:06Z (GMT). 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dc.title.por.fl_str_mv Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
title Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
spellingShingle Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
SILVA, Glauber Paiva da
Música
Nordeste (BR)
História cultural
Diversidade nordestina
CIENCIAS HUMANAS::HISTORIA
title_short Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
title_full Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
title_fullStr Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
title_full_unstemmed Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
title_sort Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981)
author SILVA, Glauber Paiva da
author_facet SILVA, Glauber Paiva da
author_role author
dc.contributor.advisor1.fl_str_mv BORBA, Vicentina Maria Ramires
dc.contributor.referee1.fl_str_mv AZEVEDO, Natanael Duarte de
dc.contributor.referee2.fl_str_mv MONTEIRO, Luíra Freire
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/5047308614809382
dc.contributor.author.fl_str_mv SILVA, Glauber Paiva da
contributor_str_mv BORBA, Vicentina Maria Ramires
AZEVEDO, Natanael Duarte de
MONTEIRO, Luíra Freire
dc.subject.por.fl_str_mv Música
Nordeste (BR)
História cultural
Diversidade nordestina
topic Música
Nordeste (BR)
História cultural
Diversidade nordestina
CIENCIAS HUMANAS::HISTORIA
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description The Northeast has in its culture several artists who tried to represent it, such as the popular singer Jackson do Pandeiro (1919-1982), who in his musical repertoire sang the northeastern diversity. Based on this observation, our research seeks to note how this great artist 's lyrics are on northeastern practices and representations, in order to reflect how historically they were built and how they relate to northeast' s people. To support this work theoretically, we have engage with some researches that have helped us to design this work, such as: Napolitano (2008), Pesavento (2012), Moura and Vicente (2001), Laraia (1986), Albuquerque Junior (2011) and Chartier (1991). We base our research in the field of Cultural History and Discourse Analysis of the French line, which allows us to work with the concepts we choose for our reflection, and as a methodological path we analyze several songs to thoroughly delve into the Jacksonian repertoire. Our main source is in the Jackson do Pandeiro's lyrics by, ranging from 1953, when he records his first songs, until 1981, when his last shipment of songs is released. We believe that this research will serve to demonstrate the importance of Jackson do Pandeiro for brazilian popular music and to understand representations and visions of cultural practices of the northeast.
publishDate 2018
dc.date.issued.fl_str_mv 2018-08-23
dc.date.accessioned.fl_str_mv 2019-01-03T15:38:06Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv SILVA, Glauber Paiva da. Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981). 2018. 213 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.
dc.identifier.uri.fl_str_mv http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7813
identifier_str_mv SILVA, Glauber Paiva da. Práticas e representações nordestinas na musicografia de Jackson do Pandeiro (1953-1981). 2018. 213 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.
url http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/7813
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language por
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dc.publisher.country.fl_str_mv Brasil
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