Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA

Detalhes bibliográficos
Autor(a) principal: del Real, Patricio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: arq.urb
Texto Completo: https://revistaarqurb.com.br/arqurb/article/view/490
Resumo: As cultural artefacts, architectural exhibitions have fostered dominant political imaginaries. In the mid-20th Century, New York’s Museum of Modern Art and its Department of Architecture and Design presented modern architecture as a symbol of liberty and democracy under the egis of the United States. Modern architecture in Latin America played an important role in this worldview. Starting with the exhibition Brazil Builds, MoMA deployed a strong curatorial agenda to stage this message and used its exhibitions as cultural weapons to manage dictatorships in the region and to explain to U.S. audiences how “democracy” worked in Latin America.
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spelling Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMAModernismo + Arquitetura = Democracia: o apagamento da ditadura do Capital Cultural no MoMaExposiçõesMoMApós-guerraarquitetura latino-americanaBrazil Buildsarquitetura modernaHenry-Russell HitchcockExhibitionsMoMApostwarLatin American architectureBrazil Buildsmodern architectureHenry-Rusell HitchcockAs cultural artefacts, architectural exhibitions have fostered dominant political imaginaries. In the mid-20th Century, New York’s Museum of Modern Art and its Department of Architecture and Design presented modern architecture as a symbol of liberty and democracy under the egis of the United States. Modern architecture in Latin America played an important role in this worldview. Starting with the exhibition Brazil Builds, MoMA deployed a strong curatorial agenda to stage this message and used its exhibitions as cultural weapons to manage dictatorships in the region and to explain to U.S. audiences how “democracy” worked in Latin America.Como artefatos culturais, as mostras de arquitetura fomentaram imaginários políticos dominantes. Em meados da metade do século 20, o Museu de Arte Moderna de Nova York e seu Departamento de Arquitetura e Design apresentaram a arquitetura moderna como um símbolo de liberdade e democracia sob incentivo governo dos Estados Unidos. A arquitetura moderna na América Latina desempenhou um papel importante nessa visão de mundo. Começando com a exposição Brazil Builds, o MoMA (Museu de Arte Moderna de Nova York) implantou uma forte agenda curatorial sendo palco para essa mensagem, usando suas exposições como armas culturais para gerir ditaduras América Latina e para explicar ao público americano como a “democracia” funcionava nessa região.Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo2020-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistaarqurb.com.br/arqurb/article/view/49010.37916/arq.urb.vi29.490arq.urb; No. 29 (2020): set. - dez.; 08-19arq.urb; Núm. 29 (2020): set. - dez.; 08-19arq.urb; n. 29 (2020): set. - dez.; 08-191984-5766reponame:arq.urbinstname:Universidade São Judas Tadeuinstacron:USJTporenghttps://revistaarqurb.com.br/arqurb/article/view/490/397https://revistaarqurb.com.br/arqurb/article/view/490/398Copyright (c) 2020 Patricio del Realhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessdel Real, Patricio2021-12-06T19:57:32Zoai:ojs.emnuvens.com.br:article/490Revistahttps://revistaarqurb.com.br/arqurbPRIhttps://revistaarqurb.com.br/arqurb/oairevista.arq.urb@saojudas.br||1984-57661984-5766opendoar:2021-12-06T19:57:32arq.urb - Universidade São Judas Tadeufalse
dc.title.none.fl_str_mv Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
Modernismo + Arquitetura = Democracia: o apagamento da ditadura do Capital Cultural no MoMa
title Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
spellingShingle Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
del Real, Patricio
Exposições
MoMA
pós-guerra
arquitetura latino-americana
Brazil Builds
arquitetura moderna
Henry-Russell Hitchcock
Exhibitions
MoMA
postwar
Latin American architecture
Brazil Builds
modern architecture
Henry-Rusell Hitchcock
title_short Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
title_full Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
title_fullStr Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
title_full_unstemmed Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
title_sort Modern + Architecture = Democracy: Laundering Dictatorship’s Cultural Capital at MoMA
author del Real, Patricio
author_facet del Real, Patricio
author_role author
dc.contributor.author.fl_str_mv del Real, Patricio
dc.subject.por.fl_str_mv Exposições
MoMA
pós-guerra
arquitetura latino-americana
Brazil Builds
arquitetura moderna
Henry-Russell Hitchcock
Exhibitions
MoMA
postwar
Latin American architecture
Brazil Builds
modern architecture
Henry-Rusell Hitchcock
topic Exposições
MoMA
pós-guerra
arquitetura latino-americana
Brazil Builds
arquitetura moderna
Henry-Russell Hitchcock
Exhibitions
MoMA
postwar
Latin American architecture
Brazil Builds
modern architecture
Henry-Rusell Hitchcock
description As cultural artefacts, architectural exhibitions have fostered dominant political imaginaries. In the mid-20th Century, New York’s Museum of Modern Art and its Department of Architecture and Design presented modern architecture as a symbol of liberty and democracy under the egis of the United States. Modern architecture in Latin America played an important role in this worldview. Starting with the exhibition Brazil Builds, MoMA deployed a strong curatorial agenda to stage this message and used its exhibitions as cultural weapons to manage dictatorships in the region and to explain to U.S. audiences how “democracy” worked in Latin America.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/490
10.37916/arq.urb.vi29.490
url https://revistaarqurb.com.br/arqurb/article/view/490
identifier_str_mv 10.37916/arq.urb.vi29.490
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/490/397
https://revistaarqurb.com.br/arqurb/article/view/490/398
dc.rights.driver.fl_str_mv Copyright (c) 2020 Patricio del Real
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Patricio del Real
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
dc.source.none.fl_str_mv arq.urb; No. 29 (2020): set. - dez.; 08-19
arq.urb; Núm. 29 (2020): set. - dez.; 08-19
arq.urb; n. 29 (2020): set. - dez.; 08-19
1984-5766
reponame:arq.urb
instname:Universidade São Judas Tadeu
instacron:USJT
instname_str Universidade São Judas Tadeu
instacron_str USJT
institution USJT
reponame_str arq.urb
collection arq.urb
repository.name.fl_str_mv arq.urb - Universidade São Judas Tadeu
repository.mail.fl_str_mv revista.arq.urb@saojudas.br||
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