Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.

Detalhes bibliográficos
Autor(a) principal: Afonso, Adriana
Data de Publicação: 2014
Outros Autores: Eloy, Sara
Tipo de documento: Artigo
Idioma: por
Título da fonte: arq.urb
Texto Completo: https://revistaarqurb.com.br/arqurb/article/view/365
Resumo: The imaginary and physically inexistent scenarios witch are part of the cinematographic experiences, are vehicles for the use of constructive and representative processes of space, as well as in a fantasy architecture design. In this paper, throughout the journey through several fiction movies, where the modern architecture is represented, we aim at dissecting some visions about the future and their role in the city’s architecture. Three visions for the future world are shown as case studies through movies, each one representing a different phase of modern architecture: The search for modern architecture - Things to Come (1936) by William Cameron Menzies; The criticism of modern architecture - movies by Jacques Tati; The postmodern - Blade Runner (1982) by Ridley Scott. Cinema is representing architecture through a narrative, creating scenarios of authentic cities so that the stories become real. In the process of architectural design, this narrative exists in the architects imaginary by idealizing the spaces to be lived according to his perspective of their use.
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spelling Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.As visões futuristas no cinema: a morfologia da cidade futura nos filmes de Ficção CientíficaCinemaFicção-científicaFuturoCidadeCinemaScience-fictionFutureCityThe imaginary and physically inexistent scenarios witch are part of the cinematographic experiences, are vehicles for the use of constructive and representative processes of space, as well as in a fantasy architecture design. In this paper, throughout the journey through several fiction movies, where the modern architecture is represented, we aim at dissecting some visions about the future and their role in the city’s architecture. Three visions for the future world are shown as case studies through movies, each one representing a different phase of modern architecture: The search for modern architecture - Things to Come (1936) by William Cameron Menzies; The criticism of modern architecture - movies by Jacques Tati; The postmodern - Blade Runner (1982) by Ridley Scott. Cinema is representing architecture through a narrative, creating scenarios of authentic cities so that the stories become real. In the process of architectural design, this narrative exists in the architects imaginary by idealizing the spaces to be lived according to his perspective of their use.Os cenários imaginários e fisicamente inexistentes que povoam as experiências cinematográficas, são veículos para a aplicação de processos construtivos e representativos do espaço tal como num projeto de arquitetura da fantasia. Neste artigo, através da viagem por alguns filmes de ficção científica onde a arquitetura moderna se encontra protagonizada, propõe-se dissecar algumas visões perante o futuro e o seu papel na arquitetura da cidade. Como casos de estudo apresentam-se três visões de mundos futuros através de três filmes representativos de diferentes fases da arquitetura moderna: a busca pela arquitetura moderna - Things to Come (1936) de William Cameron Menzies; a crítica à arquitetura moderna - os filmes de Jacques Tati; o pós-moderno - Blade Runner (1982) de Ridley Scott. De diferentes formas o cinema representa a arquitetura através de uma narrativa, criando cenários de autênticas cidades de modo a que as histórias se tornem reais. No processo de projeto de arquitetura essa narrativa existe apenas no imaginário do arquiteto que idealiza os espaços para serem vividos de acordo com a sua perspetiva de utilização.Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo2014-01-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaarqurb.com.br/arqurb/article/view/365arq.urb; No. 11 (2014): jan. - jun. ; 166-191arq.urb; Núm. 11 (2014): jan. - jun. ; 166-191arq.urb; n. 11 (2014): jan. - jun. ; 166-1911984-5766reponame:arq.urbinstname:Universidade São Judas Tadeuinstacron:USJTporhttps://revistaarqurb.com.br/arqurb/article/view/365/335Copyright (c) 2014 Adriana Afonso, Sara Eloyhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAfonso, Adriana Eloy, Sara 2021-03-26T19:31:46Zoai:ojs.emnuvens.com.br:article/365Revistahttps://revistaarqurb.com.br/arqurbPRIhttps://revistaarqurb.com.br/arqurb/oairevista.arq.urb@saojudas.br||1984-57661984-5766opendoar:2021-03-26T19:31:46arq.urb - Universidade São Judas Tadeufalse
dc.title.none.fl_str_mv Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
As visões futuristas no cinema: a morfologia da cidade futura nos filmes de Ficção Científica
title Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
spellingShingle Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
Afonso, Adriana
Cinema
Ficção-científica
Futuro
Cidade
Cinema
Science-fiction
Future
City
title_short Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
title_full Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
title_fullStr Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
title_full_unstemmed Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
title_sort Mies van der Rohe define Architecture: aphorism, 1923. Considerations on the meaning of the precept and its translation.
author Afonso, Adriana
author_facet Afonso, Adriana
Eloy, Sara
author_role author
author2 Eloy, Sara
author2_role author
dc.contributor.author.fl_str_mv Afonso, Adriana
Eloy, Sara
dc.subject.por.fl_str_mv Cinema
Ficção-científica
Futuro
Cidade
Cinema
Science-fiction
Future
City
topic Cinema
Ficção-científica
Futuro
Cidade
Cinema
Science-fiction
Future
City
description The imaginary and physically inexistent scenarios witch are part of the cinematographic experiences, are vehicles for the use of constructive and representative processes of space, as well as in a fantasy architecture design. In this paper, throughout the journey through several fiction movies, where the modern architecture is represented, we aim at dissecting some visions about the future and their role in the city’s architecture. Three visions for the future world are shown as case studies through movies, each one representing a different phase of modern architecture: The search for modern architecture - Things to Come (1936) by William Cameron Menzies; The criticism of modern architecture - movies by Jacques Tati; The postmodern - Blade Runner (1982) by Ridley Scott. Cinema is representing architecture through a narrative, creating scenarios of authentic cities so that the stories become real. In the process of architectural design, this narrative exists in the architects imaginary by idealizing the spaces to be lived according to his perspective of their use.
publishDate 2014
dc.date.none.fl_str_mv 2014-01-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/365
url https://revistaarqurb.com.br/arqurb/article/view/365
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/365/335
dc.rights.driver.fl_str_mv Copyright (c) 2014 Adriana Afonso, Sara Eloy
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Adriana Afonso, Sara Eloy
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
dc.source.none.fl_str_mv arq.urb; No. 11 (2014): jan. - jun. ; 166-191
arq.urb; Núm. 11 (2014): jan. - jun. ; 166-191
arq.urb; n. 11 (2014): jan. - jun. ; 166-191
1984-5766
reponame:arq.urb
instname:Universidade São Judas Tadeu
instacron:USJT
instname_str Universidade São Judas Tadeu
instacron_str USJT
institution USJT
reponame_str arq.urb
collection arq.urb
repository.name.fl_str_mv arq.urb - Universidade São Judas Tadeu
repository.mail.fl_str_mv revista.arq.urb@saojudas.br||
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