Creative lines in a history class: the paradox of thinking faced with the dispositif of banality

Detalhes bibliográficos
Autor(a) principal: Pacievitch, Caroline
Data de Publicação: 2021
Outros Autores: Pereira, Nilton Mullet
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Educação e Pesquisa
Texto Completo: https://www.revistas.usp.br/ep/article/view/186954
Resumo: This article discusses history class as an opportunity to consider and problematize time, based on the creations of teachers. This opportunity is constructed in mediations with youth and their cultures, with historic knowledge and with sentient issues. In times when common public opinion appears to have an important position, when attacks on history classes multiply and when there is a deliberate process of devalorization of thinking and scientific production, particularly in the field of history, we propose to problematize what we call the dispositif of banalization, based on ideas from Hannah Arendt and Michel Foucault. Our objective is to reflect on history classes, using scenes of practices of student teachers and literature from the field as sources for research and producing knowledge. For this article we have selected a class that problematizes imaginaries constructed about Ancient Egypt. The connection that we establish is that, while the dispositif of banality produces and reproduces perspectives, readings and relations in society in general, the history classroom creates a refuge for thinking by opening a space “between” the past and future – a space of imagination that allows the creative re-encounter with others.
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spelling Creative lines in a history class: the paradox of thinking faced with the dispositif of banalityLinhas de criação em uma aula de história: o paradoxo do pensamento diante do dispositivo de banalizaçãoTeaching historythinkingDispositif of banalityPensamentoEnsino de históriaDispositivo de banalidadeThis article discusses history class as an opportunity to consider and problematize time, based on the creations of teachers. This opportunity is constructed in mediations with youth and their cultures, with historic knowledge and with sentient issues. In times when common public opinion appears to have an important position, when attacks on history classes multiply and when there is a deliberate process of devalorization of thinking and scientific production, particularly in the field of history, we propose to problematize what we call the dispositif of banalization, based on ideas from Hannah Arendt and Michel Foucault. Our objective is to reflect on history classes, using scenes of practices of student teachers and literature from the field as sources for research and producing knowledge. For this article we have selected a class that problematizes imaginaries constructed about Ancient Egypt. The connection that we establish is that, while the dispositif of banality produces and reproduces perspectives, readings and relations in society in general, the history classroom creates a refuge for thinking by opening a space “between” the past and future – a space of imagination that allows the creative re-encounter with others.Esse artigo discute a aula de história como oportunidade para pensar e problematizar o tempo, a partir das criações dos docentes. Tal oportunidade se constrói na mediação com os jovens e suas culturas, com os conhecimentos históricos e com questões sensíveis. Em tempos em que a opinião comum parece assumir lugar de destaque, em que multiplicam-se os ataques às aulas de história e em que se desenvolve um processo deliberado de desvalorização do pensamento e da produção científica, particularmente na área de história, nos propomos problematizar o que denominamos de dispositivo de banalização, com base nas ideias de Hannah Arendt e Michel Foucault. Nosso objetivo é refletir sobre a aula de história, tomando cenas de práticas de docência de estagiários e a literatura da área como fontes de pesquisa e de produção de conhecimento. Para este artigo, selecionamos uma aula que problematiza os imaginários que construímos sobre o Egito Antigo. A conexão que estabelecemos é que, enquanto o dispositivo de banalidade produz e reproduz olhares, leituras e relações na sociedade em geral, a sala de aula de história cria um refúgio para o pensamento ao abrir o espaço “entre” o passado e o futuro – lugar da imaginação que permite o reencontro criativo com os outros.Universidade de São Paulo. Faculdade de Educação2021-12-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/xmlapplication/pdfapplication/pdfhttps://www.revistas.usp.br/ep/article/view/18695410.1590/S1678-4634202147226080Educação e Pesquisa; v. 47 (2021); e226080 Educação e Pesquisa; Vol. 47 (2021); e226080 Educação e Pesquisa; Vol. 47 (2021); e226080 1678-46341517-9702reponame:Educação e Pesquisainstname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/ep/article/view/186954/172548https://www.revistas.usp.br/ep/article/view/186954/172547https://www.revistas.usp.br/ep/article/view/186954/172546Copyright (c) 2021 Educação e Pesquisahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPacievitch, Caroline Pereira, Nilton Mullet 2021-12-07T13:57:46Zoai:revistas.usp.br:article/186954Revistahttps://www.revistas.usp.br/ep/indexPUBhttps://www.revistas.usp.br/ep/oai||revedu@usp.br1678-46341517-9702opendoar:2021-12-07T13:57:46Educação e Pesquisa - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
Linhas de criação em uma aula de história: o paradoxo do pensamento diante do dispositivo de banalização
title Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
spellingShingle Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
Pacievitch, Caroline
Teaching history
thinking
Dispositif of banality
Pensamento
Ensino de história
Dispositivo de banalidade
title_short Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
title_full Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
title_fullStr Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
title_full_unstemmed Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
title_sort Creative lines in a history class: the paradox of thinking faced with the dispositif of banality
author Pacievitch, Caroline
author_facet Pacievitch, Caroline
Pereira, Nilton Mullet
author_role author
author2 Pereira, Nilton Mullet
author2_role author
dc.contributor.author.fl_str_mv Pacievitch, Caroline
Pereira, Nilton Mullet
dc.subject.por.fl_str_mv Teaching history
thinking
Dispositif of banality
Pensamento
Ensino de história
Dispositivo de banalidade
topic Teaching history
thinking
Dispositif of banality
Pensamento
Ensino de história
Dispositivo de banalidade
description This article discusses history class as an opportunity to consider and problematize time, based on the creations of teachers. This opportunity is constructed in mediations with youth and their cultures, with historic knowledge and with sentient issues. In times when common public opinion appears to have an important position, when attacks on history classes multiply and when there is a deliberate process of devalorization of thinking and scientific production, particularly in the field of history, we propose to problematize what we call the dispositif of banalization, based on ideas from Hannah Arendt and Michel Foucault. Our objective is to reflect on history classes, using scenes of practices of student teachers and literature from the field as sources for research and producing knowledge. For this article we have selected a class that problematizes imaginaries constructed about Ancient Egypt. The connection that we establish is that, while the dispositif of banality produces and reproduces perspectives, readings and relations in society in general, the history classroom creates a refuge for thinking by opening a space “between” the past and future – a space of imagination that allows the creative re-encounter with others.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-07
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dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/ep/article/view/186954
10.1590/S1678-4634202147226080
url https://www.revistas.usp.br/ep/article/view/186954
identifier_str_mv 10.1590/S1678-4634202147226080
dc.language.iso.fl_str_mv por
eng
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dc.relation.none.fl_str_mv https://www.revistas.usp.br/ep/article/view/186954/172548
https://www.revistas.usp.br/ep/article/view/186954/172547
https://www.revistas.usp.br/ep/article/view/186954/172546
dc.rights.driver.fl_str_mv Copyright (c) 2021 Educação e Pesquisa
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Educação e Pesquisa
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
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dc.publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Educação
publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Educação
dc.source.none.fl_str_mv Educação e Pesquisa; v. 47 (2021); e226080
Educação e Pesquisa; Vol. 47 (2021); e226080
Educação e Pesquisa; Vol. 47 (2021); e226080
1678-4634
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