Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)

Detalhes bibliográficos
Autor(a) principal: Codato, Henrique
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/120992
Resumo: This paper intends to reflect about the film Her (Spike Jonze, 2013), considering the antinomies body /voice; visible/invisible; human/machine. In a dialogue between the theories of cinematic device and psychoanalysis, we will try to demonstrate that the narrative of Her presents a complex correspondence between body and voice. Analyzing the dynamics between the presence of the voice and the absence of Samantha's body on the scene, we seek to discuss about the new economy of forces between image and voice that the film operates. Finally, we intend to focus on the indeterminate boundaries that separate human and machine, since love in Her ceases to be a genuine human ability.
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spelling Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)O corpo e a voz no cinema contemporâneo: reflexões sobre o filme Ela (Her, 2013), de Spike Jonzecontemporary cinemavoicebodyJonzecinema contemporâneovozcorpoJonzeThis paper intends to reflect about the film Her (Spike Jonze, 2013), considering the antinomies body /voice; visible/invisible; human/machine. In a dialogue between the theories of cinematic device and psychoanalysis, we will try to demonstrate that the narrative of Her presents a complex correspondence between body and voice. Analyzing the dynamics between the presence of the voice and the absence of Samantha's body on the scene, we seek to discuss about the new economy of forces between image and voice that the film operates. Finally, we intend to focus on the indeterminate boundaries that separate human and machine, since love in Her ceases to be a genuine human ability.A partir de um diálogo entre as teorias do dispositivo cinematográfico e a psicanálise, propomos pensar as antinomias corpo/voz; visível/invisível; homem/máquina no filme Her (Ela, 2013), de Spike Jonze. Buscaremos investigar a correspondência entre corpo e voz na obra, ao problematizarmos a presença da voz e a ausência do corpo de Samantha no campo filmado. Uma nova dialética entre o visível e o invisível se estabelece em Her, fazendo com que imagem e voz funcionem sob outra economia. Interessa-nos, enfim, considerar a oposição homem/máquina no filme de Jonze, cujas fronteiras se indeterminam e se confundem, uma vez que amar deixa de ser uma capacidade exclusivamente humana.Universidade de São Paulo. Escola de Comunicações e Artes2016-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/12099210.11606/issn.2316-7114.sig.2016.120992Significação: Journal of Audiovisual Culture; Vol. 43 No. 46 (2016); 106-125Significação: Revista de Cultura Audiovisual; v. 43 n. 46 (2016); 106-1252316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/120992/121181Copyright (c) 2016 Henrique Codatohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCodato, Henrique2019-03-28T02:21:13Zoai:revistas.usp.br:article/120992Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2019-03-28T02:21:13Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
O corpo e a voz no cinema contemporâneo: reflexões sobre o filme Ela (Her, 2013), de Spike Jonze
title Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
spellingShingle Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
Codato, Henrique
contemporary cinema
voice
body
Jonze
cinema contemporâneo
voz
corpo
Jonze
title_short Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
title_full Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
title_fullStr Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
title_full_unstemmed Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
title_sort Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)
author Codato, Henrique
author_facet Codato, Henrique
author_role author
dc.contributor.author.fl_str_mv Codato, Henrique
dc.subject.por.fl_str_mv contemporary cinema
voice
body
Jonze
cinema contemporâneo
voz
corpo
Jonze
topic contemporary cinema
voice
body
Jonze
cinema contemporâneo
voz
corpo
Jonze
description This paper intends to reflect about the film Her (Spike Jonze, 2013), considering the antinomies body /voice; visible/invisible; human/machine. In a dialogue between the theories of cinematic device and psychoanalysis, we will try to demonstrate that the narrative of Her presents a complex correspondence between body and voice. Analyzing the dynamics between the presence of the voice and the absence of Samantha's body on the scene, we seek to discuss about the new economy of forces between image and voice that the film operates. Finally, we intend to focus on the indeterminate boundaries that separate human and machine, since love in Her ceases to be a genuine human ability.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/120992
10.11606/issn.2316-7114.sig.2016.120992
url https://www.revistas.usp.br/significacao/article/view/120992
identifier_str_mv 10.11606/issn.2316-7114.sig.2016.120992
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/120992/121181
dc.rights.driver.fl_str_mv Copyright (c) 2016 Henrique Codato
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Henrique Codato
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 43 No. 46 (2016); 106-125
Significação: Revista de Cultura Audiovisual; v. 43 n. 46 (2016); 106-125
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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