La fotografia. entre el dibujo y la virtualidad

Detalhes bibliográficos
Autor(a) principal: Sonesson, Goran
Data de Publicação: 2003
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/159044
Resumo: The task of pictorial semiotics is not only to determine the specificity of the picture as a sign, but also to describe the peculiar nature of different kinds of pictures, such as the drawing, the photograph, and the computer image. The presenttext first describes the development of the pictorial signs throughout the history of humanity, and then considers the properties which characterise these signs as far as their possibility of repetition and the limits to reality are concerned. The fourth part ofthe essay studies indexical and iconic sign character of photography and emphasise the global character of its rules of reproduction as opposed to those of hand-made pictures. In the last part, we investigate the ways in which the definition of photography has changed as a consequence ofthe emergence ofsynthetic pictures as well as virtual reality.
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spelling La fotografia. entre el dibujo y la virtualidadfotografiasignoindicesiconoimagen virtualmultimediatelevisionsignindexiconvirtual imagemultimediatelevisionThe task of pictorial semiotics is not only to determine the specificity of the picture as a sign, but also to describe the peculiar nature of different kinds of pictures, such as the drawing, the photograph, and the computer image. The presenttext first describes the development of the pictorial signs throughout the history of humanity, and then considers the properties which characterise these signs as far as their possibility of repetition and the limits to reality are concerned. The fourth part ofthe essay studies indexical and iconic sign character of photography and emphasise the global character of its rules of reproduction as opposed to those of hand-made pictures. In the last part, we investigate the ways in which the definition of photography has changed as a consequence ofthe emergence ofsynthetic pictures as well as virtual reality.La tarea de la semiotica de la imagen no consiste solamente en determinar la especificidad de la imagen como signo, sino tambien en describir las particularidades de diferentes imagenes, como son, por ejemplo, el dibujo, la fotografia y la imagen de computadora. El presente texto describe, primero, el desarrollo del signo del tipo de la imagen en la historia de la humanidad y considera, despues, las particularidades de esos signos en cuanto a su posible reproduccion y su limite con la realidad. La cuarta parte del ensayo estudia la fotografia en su capacidad de signo indexical e iconico, e insiste sobre el caracter global de las reglas de reproduccion que opone ese tipo de imagen al dibujo. En la ultima parte, estudiamos el cambio en la definicion de la fotografia que ha resultado de la emergencia de la imagen sintetica y de la realidad virtual.Universidade de São Paulo. Escola de Comunicações e Artes2003-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/15904410.11606/issn.2316-7114.sig.2003.159044Significação: Journal of Audiovisual Culture; Vol. 30 No. 20 (2003); 81-132Significação: Revista de Cultura Audiovisual; v. 30 n. 20 (2003); 81-1322316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/significacao/article/view/159044/153978Copyright (c) 2003 Goran Sonessonhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSonesson, Goran2019-06-19T20:20:15Zoai:revistas.usp.br:article/159044Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2019-06-19T20:20:15Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv La fotografia. entre el dibujo y la virtualidad
title La fotografia. entre el dibujo y la virtualidad
spellingShingle La fotografia. entre el dibujo y la virtualidad
Sonesson, Goran
fotografia
signo
indices
icono
imagen virtual
multimedia
television
sign
index
icon
virtual image
multimedia
television
title_short La fotografia. entre el dibujo y la virtualidad
title_full La fotografia. entre el dibujo y la virtualidad
title_fullStr La fotografia. entre el dibujo y la virtualidad
title_full_unstemmed La fotografia. entre el dibujo y la virtualidad
title_sort La fotografia. entre el dibujo y la virtualidad
author Sonesson, Goran
author_facet Sonesson, Goran
author_role author
dc.contributor.author.fl_str_mv Sonesson, Goran
dc.subject.por.fl_str_mv fotografia
signo
indices
icono
imagen virtual
multimedia
television
sign
index
icon
virtual image
multimedia
television
topic fotografia
signo
indices
icono
imagen virtual
multimedia
television
sign
index
icon
virtual image
multimedia
television
description The task of pictorial semiotics is not only to determine the specificity of the picture as a sign, but also to describe the peculiar nature of different kinds of pictures, such as the drawing, the photograph, and the computer image. The presenttext first describes the development of the pictorial signs throughout the history of humanity, and then considers the properties which characterise these signs as far as their possibility of repetition and the limits to reality are concerned. The fourth part ofthe essay studies indexical and iconic sign character of photography and emphasise the global character of its rules of reproduction as opposed to those of hand-made pictures. In the last part, we investigate the ways in which the definition of photography has changed as a consequence ofthe emergence ofsynthetic pictures as well as virtual reality.
publishDate 2003
dc.date.none.fl_str_mv 2003-12-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/159044
10.11606/issn.2316-7114.sig.2003.159044
url https://www.revistas.usp.br/significacao/article/view/159044
identifier_str_mv 10.11606/issn.2316-7114.sig.2003.159044
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/159044/153978
dc.rights.driver.fl_str_mv Copyright (c) 2003 Goran Sonesson
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2003 Goran Sonesson
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 30 No. 20 (2003); 81-132
Significação: Revista de Cultura Audiovisual; v. 30 n. 20 (2003); 81-132
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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