Câncer as Environmental Manifestation

Detalhes bibliográficos
Autor(a) principal: Duarte, Theo Costa
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/151648
Resumo: This article aims to analyze and discuss some sequences of Cancer (1968), by Glauber Rocha, approaching them with concepts and propositions by Hélio Oiticica and Rogério Duarte from the same period of the movie shooting, in which they also performed, notably with the Environmental Manifestation Apocalipopótese. We observe in this approach a confluence of interests in the creation of tenuous procedural structures in which chance, collective participation and improvisation of the participants play a preponderant role.
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spelling Câncer as Environmental ManifestationCâncer as Environmental ManifestationCâncer como Manifestação AmbientalCâncerGlauber RochaHélio OticicaApolicapopótesecinema experimentalCâncerGlauber RochaHélio OticicaApolicapopóteseexperimental cinemaThis article aims to analyze and discuss some sequences of Cancer (1968), by Glauber Rocha, approaching them with concepts and propositions by Hélio Oiticica and Rogério Duarte from the same period of the movie shooting, in which they also performed, notably with the Environmental Manifestation Apocalipopótese. We observe in this approach a confluence of interests in the creation of tenuous procedural structures in which chance, collective participation and improvisation of the participants play a preponderant role.Este artigo visa analisar e discutir algumas sequências de Câncer (1968), de Glauber Rocha, aproximando-as com conceitos e proposições de Hélio Oiticica e Rogério Duarte do mesmo período de produção do filme em que também atuaram, notadamente com a Manifestação Ambiental Apocalipopótese. Observa-se nessa aproximação uma confluência de interesses na criação de tênues estruturas processuais lúdicas nas quais o acaso, a participação coletiva e a improvisação dos participantes têm papel preponderante.this article aims to analyze and discuss some sequences of Cancer (1968), by Glauber Rocha, approaching them with concepts and propositions by Hélio Oiticica and Rogério Duarte from the same period of the movie shooting, in which they also performed, notably with the Environmental Manifestation Apocalipopótese. We observe in this approach a confluence of interests in the creation of tenuous procedural structures in which chance, collective participation and improvisation of the participants play a preponderant role.Universidade de São Paulo. Escola de Comunicações e Artes2020-05-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/xmlhttps://www.revistas.usp.br/significacao/article/view/15164810.11606/issn.2316-7114.sig.2020.151648Significação: Journal of Audiovisual Culture; Vol. 47 No. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção (I); 243-264Significação: Revista de Cultura Audiovisual; v. 47 n. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção; 243-2642316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/151648/160504https://www.revistas.usp.br/significacao/article/view/151648/161051Copyright (c) 2020 Theo Costa Duartehttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessDuarte, Theo Costa2020-06-26T20:42:49Zoai:revistas.usp.br:article/151648Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2020-06-26T20:42:49Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Câncer as Environmental Manifestation
Câncer as Environmental Manifestation
Câncer como Manifestação Ambiental
title Câncer as Environmental Manifestation
spellingShingle Câncer as Environmental Manifestation
Duarte, Theo Costa
Câncer
Glauber Rocha
Hélio Oticica
Apolicapopótese
cinema experimental
Câncer
Glauber Rocha
Hélio Oticica
Apolicapopótese
experimental cinema
title_short Câncer as Environmental Manifestation
title_full Câncer as Environmental Manifestation
title_fullStr Câncer as Environmental Manifestation
title_full_unstemmed Câncer as Environmental Manifestation
title_sort Câncer as Environmental Manifestation
author Duarte, Theo Costa
author_facet Duarte, Theo Costa
author_role author
dc.contributor.author.fl_str_mv Duarte, Theo Costa
dc.subject.por.fl_str_mv Câncer
Glauber Rocha
Hélio Oticica
Apolicapopótese
cinema experimental
Câncer
Glauber Rocha
Hélio Oticica
Apolicapopótese
experimental cinema
topic Câncer
Glauber Rocha
Hélio Oticica
Apolicapopótese
cinema experimental
Câncer
Glauber Rocha
Hélio Oticica
Apolicapopótese
experimental cinema
description This article aims to analyze and discuss some sequences of Cancer (1968), by Glauber Rocha, approaching them with concepts and propositions by Hélio Oiticica and Rogério Duarte from the same period of the movie shooting, in which they also performed, notably with the Environmental Manifestation Apocalipopótese. We observe in this approach a confluence of interests in the creation of tenuous procedural structures in which chance, collective participation and improvisation of the participants play a preponderant role.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/151648
10.11606/issn.2316-7114.sig.2020.151648
url https://www.revistas.usp.br/significacao/article/view/151648
identifier_str_mv 10.11606/issn.2316-7114.sig.2020.151648
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/151648/160504
https://www.revistas.usp.br/significacao/article/view/151648/161051
dc.rights.driver.fl_str_mv Copyright (c) 2020 Theo Costa Duarte
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Theo Costa Duarte
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/xml
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 47 No. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção (I); 243-264
Significação: Revista de Cultura Audiovisual; v. 47 n. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção; 243-264
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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