La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus

Detalhes bibliográficos
Autor(a) principal: Caniato, Angela
Data de Publicação: 2012
Outros Autores: Cesnik, Claudia Cotrim, Rodrigues, Samara Megume
Tipo de documento: Artigo
Idioma: por
Título da fonte: Psicologia USP (Online)
Texto Completo: https://www.revistas.usp.br/psicousp/article/view/53522
Resumo: This current research deepens the concept of cultural industry, coined by Horkheimer and Adorno (1985), so that its overlapping with unconscious fantasies, especially destructive one, may be understood. When subjects internalize the symbolic violence of cultural industry, they transfer the identification models required by consumption society and universalize the object logic among all. The perversion in the subjectivities’ constitution processes leads towards the standardization of models which Adorno identifies as pseudo-individual symbiotically linked to one another. A similarity exists between these concepts by Adorno and Freud’s “unconscious feeling of guilt” in which the latter identifies processes of subjective self-punishment when subjects are impaired to react due to “social repression”. Sadomasochism sustains the subjects’ complicity with such an oppressing status quo, orchestrated by the mistake of ideologies diffused by the cultural industry. Is it possible that these subjects appropriate their critical possibilities to become culture-builders?
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spelling La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus The appropriation of subjectivity by the symbolic violence of the cultural industry: submission to the culpability of individuals La captura de la subjetividad por la violencia simbólica de la industria cultural: de lo sometimiento a la culpabilidad de los individuos A captura da subjetividade pela violência simbólica da indústria cultural: da submissão à culpabilidade dos indivíduos Indústria culturalMercadoriaModelos identificatóriosViolência simbólicaSadomasoquismoIndustria culturalMercaderíaModelos identificatoriosViolencia simbólicaSadomasoquismoCultural industryConsumer objectsIdentification modelsSymbolic violenceSadomasochismIndustrie cultureleMarchandiseModèles identificatoiresViolence symboliqueSadomasochisme This current research deepens the concept of cultural industry, coined by Horkheimer and Adorno (1985), so that its overlapping with unconscious fantasies, especially destructive one, may be understood. When subjects internalize the symbolic violence of cultural industry, they transfer the identification models required by consumption society and universalize the object logic among all. The perversion in the subjectivities’ constitution processes leads towards the standardization of models which Adorno identifies as pseudo-individual symbiotically linked to one another. A similarity exists between these concepts by Adorno and Freud’s “unconscious feeling of guilt” in which the latter identifies processes of subjective self-punishment when subjects are impaired to react due to “social repression”. Sadomasochism sustains the subjects’ complicity with such an oppressing status quo, orchestrated by the mistake of ideologies diffused by the cultural industry. Is it possible that these subjects appropriate their critical possibilities to become culture-builders? Neste artigo adentramos a profundidade do conceito de indústria cultural, cunhado por Horkheimer e Adorno (1985), para atravessar suas imbricações com as fantasias inconscientes, em especial as de natureza destrutiva. A violência simbólica da indústria cultural, quando internalizada pelos indivíduos, veicula os modelos identificatórios exigidos pela sociedade de consumo para universalizar a lógica da mercadoria entre todos eles. Essa perversão nos processos de constituição das subjetividades conduz às suas estandardizações nos moldes que Theodor Adorno identifica como de pseudoindivíduos, atados simbioticamente uns aos outros. Existe uma similaridade entre esses conceitos adornianos e o de “sentimento inconsciente de culpabilidade” de Freud, em que esse autor identifica processos de autopunição subjetiva quando, sob a “mais-repressão social”, os indivíduos estão proibidos de reagir. O sadomasoquismo sustenta a cumplicidade dos indivíduos com esse status quo opressor, orquestrado pelo engano das ideologias difundidas pela indústria cultural. Será possível que esses indivíduos venham a assumir as suas criticidades para tornarem-se construtores da cultura? Dans cet article nous nous sommes enfoncées dans le concept de l’industrie culturelle, battu par Horkheimer e Adorno (1985), pour traverser ses imbrications avec les fantaisies inconscientes, notamment celles de nature destructive. La violence symbolique de l’industrie culturelle, quand internalizée par les individus, véhicule les modèles identificatoires exigés par la société de consommation pour universalizer parmis ceux-là, la logique de la marchandise. Cette perversion dans les processus de constitution des subjectivités, emmène vers ses standardisations dans des modèles identifiés par Theodor Adorno comme des pseudo-individus attachés symbiotiquement les uns aux autres. Il existe une similarité entre ces concepts adorniens et celui de « sentiment inconscient de culpabilité » de Freud où il identifie des processus d’auto-punition subjective quand les individus sont interdits de réagir sous une forte représsion sociale. Le sadomasochisme soutien la cumplicité des individus avex ce status-quo oppresseur, orchestré par la trompérie des idéologies difusées par l’industrie culturele. Sera-t-il possible que ces individus assumissent ses esprits critiques pour devenir bâttisseurs de la culture? En este artículo adentramos a la profundidad del concepto de industria cultural, acuñado por Horkheimer y Adorno (1985), para atravesar sus imbricaciones con las fantasías inconscientes, en especial las de naturaleza destructiva. La violencia simbólica de la industria cultural, cuando interiorizada por los individuos, lleva los modelos identificativos exigidos por la sociedad de consumo para universalizar la lógica de la mercadería entre todos ellos. Esa perversión en los procesos de constitución de las subjetividades conduce a sus estandarizaciones en los moldes que Theodor Adorno identifica como de pseudo-individuos, atados simbióticamente unos a los otros. Existe una similitud entre esos conceptos adornianos y el de “sentimiento inconsciente de culpabilidad” de Freud, en que ese autor identifica procesos de auto-punición subjetiva cuando, bajo la “más-represión social”, los individuos están prohibidos de reaccionar. El sadomasoquismo defiende la complicidad de los individuos con ese status quo opresor, orquestado por el engaño de las ideologías difundidas por la industria cultural. ¿Será posible que esos individuos vengan a asumir sus criticidades para que se tornen constructores de la cultura? Universidade de São Paulo. Instituto de Psicologia2012-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/psicousp/article/view/5352210.1590/S0103-65642012000400003Psicologia USP; v. 23 n. 4 (2012); 661-681 Psicologia USP; Vol. 23 No. 4 (2012); 661-681 Psicologia USP; Vol. 23 Núm. 4 (2012); 661-681 1678-51770103-6564reponame:Psicologia USP (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/psicousp/article/view/53522/57490Copyright (c) 2016 Psicologia USPinfo:eu-repo/semantics/openAccessCaniato, AngelaCesnik, Claudia CotrimRodrigues, Samara Megume2013-04-15T13:23:58Zoai:revistas.usp.br:article/53522Revistahttps://www.revistas.usp.br/psicouspPUBhttps://www.revistas.usp.br/psicousp/oairevpsico@usp.br1678-51770103-6564opendoar:2013-04-15T13:23:58Psicologia USP (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
The appropriation of subjectivity by the symbolic violence of the cultural industry: submission to the culpability of individuals
La captura de la subjetividad por la violencia simbólica de la industria cultural: de lo sometimiento a la culpabilidad de los individuos
A captura da subjetividade pela violência simbólica da indústria cultural: da submissão à culpabilidade dos indivíduos
title La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
spellingShingle La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
Caniato, Angela
Indústria cultural
Mercadoria
Modelos identificatórios
Violência simbólica
Sadomasoquismo
Industria cultural
Mercadería
Modelos identificatorios
Violencia simbólica
Sadomasoquismo
Cultural industry
Consumer objects
Identification models
Symbolic violence
Sadomasochism
Industrie culturele
Marchandise
Modèles identificatoires
Violence symbolique
Sadomasochisme
title_short La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
title_full La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
title_fullStr La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
title_full_unstemmed La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
title_sort La capture de la subjectivité par la violence symbolique de l’industrie culturelle: la soumission à la culpabilité des individus
author Caniato, Angela
author_facet Caniato, Angela
Cesnik, Claudia Cotrim
Rodrigues, Samara Megume
author_role author
author2 Cesnik, Claudia Cotrim
Rodrigues, Samara Megume
author2_role author
author
dc.contributor.author.fl_str_mv Caniato, Angela
Cesnik, Claudia Cotrim
Rodrigues, Samara Megume
dc.subject.por.fl_str_mv Indústria cultural
Mercadoria
Modelos identificatórios
Violência simbólica
Sadomasoquismo
Industria cultural
Mercadería
Modelos identificatorios
Violencia simbólica
Sadomasoquismo
Cultural industry
Consumer objects
Identification models
Symbolic violence
Sadomasochism
Industrie culturele
Marchandise
Modèles identificatoires
Violence symbolique
Sadomasochisme
topic Indústria cultural
Mercadoria
Modelos identificatórios
Violência simbólica
Sadomasoquismo
Industria cultural
Mercadería
Modelos identificatorios
Violencia simbólica
Sadomasoquismo
Cultural industry
Consumer objects
Identification models
Symbolic violence
Sadomasochism
Industrie culturele
Marchandise
Modèles identificatoires
Violence symbolique
Sadomasochisme
description This current research deepens the concept of cultural industry, coined by Horkheimer and Adorno (1985), so that its overlapping with unconscious fantasies, especially destructive one, may be understood. When subjects internalize the symbolic violence of cultural industry, they transfer the identification models required by consumption society and universalize the object logic among all. The perversion in the subjectivities’ constitution processes leads towards the standardization of models which Adorno identifies as pseudo-individual symbiotically linked to one another. A similarity exists between these concepts by Adorno and Freud’s “unconscious feeling of guilt” in which the latter identifies processes of subjective self-punishment when subjects are impaired to react due to “social repression”. Sadomasochism sustains the subjects’ complicity with such an oppressing status quo, orchestrated by the mistake of ideologies diffused by the cultural industry. Is it possible that these subjects appropriate their critical possibilities to become culture-builders?
publishDate 2012
dc.date.none.fl_str_mv 2012-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/psicousp/article/view/53522
10.1590/S0103-65642012000400003
url https://www.revistas.usp.br/psicousp/article/view/53522
identifier_str_mv 10.1590/S0103-65642012000400003
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/psicousp/article/view/53522/57490
dc.rights.driver.fl_str_mv Copyright (c) 2016 Psicologia USP
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Psicologia USP
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Instituto de Psicologia
publisher.none.fl_str_mv Universidade de São Paulo. Instituto de Psicologia
dc.source.none.fl_str_mv Psicologia USP; v. 23 n. 4 (2012); 661-681
Psicologia USP; Vol. 23 No. 4 (2012); 661-681
Psicologia USP; Vol. 23 Núm. 4 (2012); 661-681
1678-5177
0103-6564
reponame:Psicologia USP (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Psicologia USP (Online)
collection Psicologia USP (Online)
repository.name.fl_str_mv Psicologia USP (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv revpsico@usp.br
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