Theatrical action: space of the ambivalence, time of reciprocity

Detalhes bibliográficos
Autor(a) principal: Felício, Vera Lúcia Gonçalves
Data de Publicação: 1994
Tipo de documento: Artigo
Idioma: por
Título da fonte: Psicologia USP (Online)
Texto Completo: https://www.revistas.usp.br/psicousp/article/view/34493
Resumo: The function of theater, in the imaginary of Mallarmé, can not be understood separately from that of dance. It is through the relation with the exteriority that the interiority is perceived. The traditional metaphysical scission is questioned, when, in the figure of a ballerina, the"woman-angel", the celestial spheres and the terrestrial interpenetrate. Woman and idea, offer and refuse, she is the metaphor of the polemos heraclidan or of the unity conceived while"struggle of the opposites". The"interval" and the"obscured view" celebrate the"suspended feeling" the dialectic notion that traverses all imaginary. Analogically, in the theatrical sphere, the actor becomes possessed only after he passes through the dispersion of the multiple eye, that is, the audience. The theater only exists in this relationship of reciprocity. Oscilating in time, the theater (together with dance) draws an ascending spiral, lauching a perpetual gesture of escape of a motionless center.
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spelling Theatrical action: space of the ambivalence, time of reciprocity A ação teatral: espaço da ambivalência, tempo da reciprocidade TheatreDanceImaginationReciprocityAmbivalenceTeatroDançaImaginaçãoReciprocidadeAmbivalência The function of theater, in the imaginary of Mallarmé, can not be understood separately from that of dance. It is through the relation with the exteriority that the interiority is perceived. The traditional metaphysical scission is questioned, when, in the figure of a ballerina, the"woman-angel", the celestial spheres and the terrestrial interpenetrate. Woman and idea, offer and refuse, she is the metaphor of the polemos heraclidan or of the unity conceived while"struggle of the opposites". The"interval" and the"obscured view" celebrate the"suspended feeling" the dialectic notion that traverses all imaginary. Analogically, in the theatrical sphere, the actor becomes possessed only after he passes through the dispersion of the multiple eye, that is, the audience. The theater only exists in this relationship of reciprocity. Oscilating in time, the theater (together with dance) draws an ascending spiral, lauching a perpetual gesture of escape of a motionless center. A Junção teatral no imaginário de Mallarmé, não pode ser compreendida separadamente à da dança. Ê através da relação com a exterioridade que a inferioridade se apreende. A cisão metafísica tradicional é questionada quando, na figura da bailarina,"anjo-mulher", a esfera celeste e a terrestre se interpenetram: mulher e idéia, oferta e recusa, ela é a metáfora do Polemos Heraclitiano ou da unidade concebida enquanto"luta dos contrários". O"entreaberto" e o"entrevisto" celebram o"estar em suspenso", noção dialética que percorre todo o seu imaginário. Analogamente, na esfera teatral, o ator se possuí somente após passar pela dispersão do olhar múltiplo que é o público. O teatro só existe nesta relação de reciprocidade. Tempo de oscilação, o teatro (juntamente com a dança) traça uma espiral ascensional, deslanchando um gesto perpétuo de fuga de um centro imóvel. É a proposta de Mallarmé através de uma Estética da"ambivalência". Universidade de São Paulo. Instituto de Psicologia1994-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/psicousp/article/view/3449310.1590/S1678-51771994000100009Psicologia USP; v. 5 n. 1-2 (1994); 115-129 Psicologia USP; Vol. 5 No. 1-2 (1994); 115-129 Psicologia USP; Vol. 5 Núm. 1-2 (1994); 115-129 1678-51770103-6564reponame:Psicologia USP (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/psicousp/article/view/34493/37231Copyright (c) 2016 Psicologia USPinfo:eu-repo/semantics/openAccessFelício, Vera Lúcia Gonçalves2012-07-22T17:32:50Zoai:revistas.usp.br:article/34493Revistahttps://www.revistas.usp.br/psicouspPUBhttps://www.revistas.usp.br/psicousp/oairevpsico@usp.br1678-51770103-6564opendoar:2012-07-22T17:32:50Psicologia USP (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Theatrical action: space of the ambivalence, time of reciprocity
A ação teatral: espaço da ambivalência, tempo da reciprocidade
title Theatrical action: space of the ambivalence, time of reciprocity
spellingShingle Theatrical action: space of the ambivalence, time of reciprocity
Felício, Vera Lúcia Gonçalves
Theatre
Dance
Imagination
Reciprocity
Ambivalence
Teatro
Dança
Imaginação
Reciprocidade
Ambivalência
title_short Theatrical action: space of the ambivalence, time of reciprocity
title_full Theatrical action: space of the ambivalence, time of reciprocity
title_fullStr Theatrical action: space of the ambivalence, time of reciprocity
title_full_unstemmed Theatrical action: space of the ambivalence, time of reciprocity
title_sort Theatrical action: space of the ambivalence, time of reciprocity
author Felício, Vera Lúcia Gonçalves
author_facet Felício, Vera Lúcia Gonçalves
author_role author
dc.contributor.author.fl_str_mv Felício, Vera Lúcia Gonçalves
dc.subject.por.fl_str_mv Theatre
Dance
Imagination
Reciprocity
Ambivalence
Teatro
Dança
Imaginação
Reciprocidade
Ambivalência
topic Theatre
Dance
Imagination
Reciprocity
Ambivalence
Teatro
Dança
Imaginação
Reciprocidade
Ambivalência
description The function of theater, in the imaginary of Mallarmé, can not be understood separately from that of dance. It is through the relation with the exteriority that the interiority is perceived. The traditional metaphysical scission is questioned, when, in the figure of a ballerina, the"woman-angel", the celestial spheres and the terrestrial interpenetrate. Woman and idea, offer and refuse, she is the metaphor of the polemos heraclidan or of the unity conceived while"struggle of the opposites". The"interval" and the"obscured view" celebrate the"suspended feeling" the dialectic notion that traverses all imaginary. Analogically, in the theatrical sphere, the actor becomes possessed only after he passes through the dispersion of the multiple eye, that is, the audience. The theater only exists in this relationship of reciprocity. Oscilating in time, the theater (together with dance) draws an ascending spiral, lauching a perpetual gesture of escape of a motionless center.
publishDate 1994
dc.date.none.fl_str_mv 1994-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/psicousp/article/view/34493
10.1590/S1678-51771994000100009
url https://www.revistas.usp.br/psicousp/article/view/34493
identifier_str_mv 10.1590/S1678-51771994000100009
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/psicousp/article/view/34493/37231
dc.rights.driver.fl_str_mv Copyright (c) 2016 Psicologia USP
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Psicologia USP
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Instituto de Psicologia
publisher.none.fl_str_mv Universidade de São Paulo. Instituto de Psicologia
dc.source.none.fl_str_mv Psicologia USP; v. 5 n. 1-2 (1994); 115-129
Psicologia USP; Vol. 5 No. 1-2 (1994); 115-129
Psicologia USP; Vol. 5 Núm. 1-2 (1994); 115-129
1678-5177
0103-6564
reponame:Psicologia USP (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Psicologia USP (Online)
collection Psicologia USP (Online)
repository.name.fl_str_mv Psicologia USP (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv revpsico@usp.br
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