Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989)
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pandaemonium Germanicum (Online) |
Texto Completo: | https://www.revistas.usp.br/pg/article/view/187701 |
Resumo: | Throughout Elfriede Jelinek’s novel Lust there is extensive use of citations from the poetry of Hölderlin, sometimes barely noticeable, sometimes grotesquely altered. There has been little scholarly consensus on the function of these citations: some have found traces of a utopian notion of a just and fair society to contrast to the harsh satire of the novel; others have read Hölderlin as representing patriarchal authorship. My contribution suggests that Jelinek takes two stylistic devices from Hölderlin – the gnomic form and the ‚harte Fügung‘ (austere harmony) – to integrate them as main principles of her own text. In doing so, she is stressing Hölderlin as an avant-garde author in Bourdieu's sense of the term: as an author whose goal is it to take poetic language to new limits. Thus Jelinek takes on the contemporary figuration of Hölderlin (as represented by D.E. Sattler's Frankfurt edition); and by using Hölderlin in such an innovative way, she positions herself within this avant-garde tradition. |
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Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989)Hölderin as a vanguardist. Lust, by Elfriede JelinekJelinekHölderlinPathosFormLustJelinekHölderlinPatosFormaDesejoThroughout Elfriede Jelinek’s novel Lust there is extensive use of citations from the poetry of Hölderlin, sometimes barely noticeable, sometimes grotesquely altered. There has been little scholarly consensus on the function of these citations: some have found traces of a utopian notion of a just and fair society to contrast to the harsh satire of the novel; others have read Hölderlin as representing patriarchal authorship. My contribution suggests that Jelinek takes two stylistic devices from Hölderlin – the gnomic form and the ‚harte Fügung‘ (austere harmony) – to integrate them as main principles of her own text. In doing so, she is stressing Hölderlin as an avant-garde author in Bourdieu's sense of the term: as an author whose goal is it to take poetic language to new limits. Thus Jelinek takes on the contemporary figuration of Hölderlin (as represented by D.E. Sattler's Frankfurt edition); and by using Hölderlin in such an innovative way, she positions herself within this avant-garde tradition.Ao longo do romance de Elfriede Jelinek, Desejo, há um amplo uso de citações da poesia de Hölderlin, às vezes pouco perceptível, às vezes grotescamente alterada. Tem havido pouco consenso acadêmico sobre a função dessas citações: alguns encontraram vestígios de uma noção utópica de uma sociedade justa e justa para contrastar com a dura sátira do romance; outros leram Hölderlin como representando o patriarcado au-thorship. Minha contribuição sugere que Jelinek toma dois dispositivos estilísticos de Hölderlin – a forma gnômica e a ‘harte Fügung’ (harmonia austera) – para integrá-los como princípios principais de seu próprio texto. Ao fazer isso, ela enfatiza Hölderlin como um autor de vanguarda no sentido de Bourdieu: como um autor cujo objetivo é levar a linguagem poética a novos limites. Assim, Jelinek assume a figuração contemporânea de Hölderlin (representada pela edição de D.E. Sattler em Frankfurt); e ao utilizar Hölderlin de forma tão inovadora, ela se posiciona dentro desta tradição vanguardista.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2021-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/pg/article/view/18770110.11606/1982-88372444203Pandaemonium Germanicum; v. 24 n. 44 (2021); 203-2181982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/pg/article/view/187701/173372Copyright (c) 2021 Pandaemonium Germanicumhttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessDegner, Uta2021-10-04T18:31:52Zoai:revistas.usp.br:article/187701Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:57.605925Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) Hölderin as a vanguardist. Lust, by Elfriede Jelinek |
title |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) |
spellingShingle |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) Degner, Uta Jelinek Hölderlin Pathos Form Lust Jelinek Hölderlin Patos Forma Desejo |
title_short |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) |
title_full |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) |
title_fullStr |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) |
title_full_unstemmed |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) |
title_sort |
Hölderlin vanguardista. Desejo de Elfriede Jelinek (1989) |
author |
Degner, Uta |
author_facet |
Degner, Uta |
author_role |
author |
dc.contributor.author.fl_str_mv |
Degner, Uta |
dc.subject.por.fl_str_mv |
Jelinek Hölderlin Pathos Form Lust Jelinek Hölderlin Patos Forma Desejo |
topic |
Jelinek Hölderlin Pathos Form Lust Jelinek Hölderlin Patos Forma Desejo |
description |
Throughout Elfriede Jelinek’s novel Lust there is extensive use of citations from the poetry of Hölderlin, sometimes barely noticeable, sometimes grotesquely altered. There has been little scholarly consensus on the function of these citations: some have found traces of a utopian notion of a just and fair society to contrast to the harsh satire of the novel; others have read Hölderlin as representing patriarchal authorship. My contribution suggests that Jelinek takes two stylistic devices from Hölderlin – the gnomic form and the ‚harte Fügung‘ (austere harmony) – to integrate them as main principles of her own text. In doing so, she is stressing Hölderlin as an avant-garde author in Bourdieu's sense of the term: as an author whose goal is it to take poetic language to new limits. Thus Jelinek takes on the contemporary figuration of Hölderlin (as represented by D.E. Sattler's Frankfurt edition); and by using Hölderlin in such an innovative way, she positions herself within this avant-garde tradition. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/187701 10.11606/1982-88372444203 |
url |
https://www.revistas.usp.br/pg/article/view/187701 |
identifier_str_mv |
10.11606/1982-88372444203 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/187701/173372 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Pandaemonium Germanicum https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Pandaemonium Germanicum https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Pandaemonium Germanicum; v. 24 n. 44 (2021); 203-218 1982-8837 1414-1906 reponame:Pandaemonium Germanicum (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Pandaemonium Germanicum (Online) |
collection |
Pandaemonium Germanicum (Online) |
repository.name.fl_str_mv |
Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||pandaemonium@usp.br |
_version_ |
1800221979441102848 |